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Author: Shrestha Chatterjee
Publisher: Pencil
ISBN: 9358839473
Category : Fiction
Languages : en
Pages : 79
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Book Description
In the unsettling world of "Naari," toxic comments about women thrive. Expected to stay silent, SHE emerges—an enigmatic force that despises such men. Quiet, gentle, and kind on the outside, SHE conceals a dark truth within. SHE, the silent observer, loves to torture. With a penchant for horror, SHE slits the tongues of those who speak too much. In every quiet moment, SHE plans the end of such people, the end of such comments. This horror thriller invites you into the mind of a character seeking justice by dismantling the foundations of misogyny. Brace yourself for a chilling journey, where the quietest voices bear the weight of a terrifying revolution. "Naari" unveils a realm where vengeance takes a feminine form and silence is shattered by the screams of a dark uprising.
Author: Shrestha Chatterjee
Publisher: Pencil
ISBN: 9358839473
Category : Fiction
Languages : en
Pages : 79
Get Book Here
Book Description
In the unsettling world of "Naari," toxic comments about women thrive. Expected to stay silent, SHE emerges—an enigmatic force that despises such men. Quiet, gentle, and kind on the outside, SHE conceals a dark truth within. SHE, the silent observer, loves to torture. With a penchant for horror, SHE slits the tongues of those who speak too much. In every quiet moment, SHE plans the end of such people, the end of such comments. This horror thriller invites you into the mind of a character seeking justice by dismantling the foundations of misogyny. Brace yourself for a chilling journey, where the quietest voices bear the weight of a terrifying revolution. "Naari" unveils a realm where vengeance takes a feminine form and silence is shattered by the screams of a dark uprising.
Author: Aysha Iqbal Viswamohan
Publisher: Springer Nature
ISBN: 9811501912
Category : Performing Arts
Languages : en
Pages : 319
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Book Description
In this book, film scholars, anthropologists, and critics discuss star-making in the contemporary Hindi-language film industry in India, also known as “Bollywood.” Drawing on theories of stardom, globalization, transnationalism, gender, and new media studies, the chapters explore contemporary Hindi film celebrity. With the rise of social media and India’s increased engagement in the global economy, Hindi film stars are forging their identities not just through their on-screen images and magazine and advertising appearances, but also through an array of media platforms, product endorsements, setting fashion trends, and involvement in social causes. Focusing on some of the best-known Indian stars since the late 1990s, the book discusses the multiplying avenues for forging a star identity, the strategies industry outsiders adopt to become stars, and the contradictions and conflicts that such star-making produces. It addresses questions such as: What traits of contemporary stars have contributed most to longevity and success in the industry? How has filmmaking technology and practice altered the nature of stardom? How has the manufacture of celebrity altered with the recent appearance of commodity culture in India and the rise of a hyper-connected global economy? By doing so, it describes a distinct moment in India and in the world in which stars and stardom are drawn more closely than ever into the vital events of global culture. Hindi films and their stars are part of the national and global entertainment circuits that are bigger and more competitive than ever. As such, this is a timely book creates opportunities for examining stardom in other industries and provides fruitful cross-cultural perspectives on star identities today. "Grounded in rigorous scholarship as well as a palpable love of Hindi cinema, this collection of 19 essays on a dizzying array of contemporary Hindi film stars makes for an informative, thought-provoking, illuminating, and most of all, a joyful read. Pushing boundaries of not only global Star Studies but also film theory as a whole, this de-colonised and de-colonising volume is a must read for film scholars, students and cinephiles!" Dr. Sunny Singh, Senior Lecturer - Creative Writing and English Literature, Sir John Cass School of Art, Architecture & Design, London Metropolitan University “A wide-ranging overview of Hindi cinema’s filmi firmament today, focussing on its most intriguing and brightest-burning stars. The variety of approaches to stardom and celebrity by both established and upcoming scholars reveals a web of interconnecting stories and concerns that provide fascinating new insights into the workings of today's Hindi film industry, while shining fresh light on contemporary India and the world we live in.” Professor Rosie Thomas, Centre for Research and Education in Arts and Media (CREAM), College of Design, Creative and Digital Industries, University of Westminster
Author: Ranjani Mazumdar
Publisher: U of Minnesota Press
ISBN: 9781452913025
Category : Motion picture industry
Languages : en
Pages : 306
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Book Description
![The Cinematic ImagiNation [sic] PDF](https://books.google.com/books/content/images/frontcover/u8PKObcYMDIC?fife=w80-h100)
Author: Jyotika Virdi
Publisher: Rutgers University Press
ISBN: 9780813531915
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
Pivoting on the nation as a central preoccupation in Hindi films, Virdi (communication and film and media studies, U. of Windsor, Canada) contends that Hindi cinema appropriates familiar Hollywood cinematic strategies for its own distinctive aesthetics and poetics. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Author: Nancy E. Dowd
Publisher: NYU Press
ISBN: 0814720056
Category : Family & Relationships
Languages : en
Pages : 200
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Book Description
"A powerful book. Nancy Dowd offers a novel and sweeping integration of feminism and masculinities theory. Her ideas about how to recognize gender asymmetries, understand 'male' work codes, and unravel prescribed social roles offer hope for changing workplace and educational cultures toward gender equality."-Nancy Levit, co-author of Feminist Legal Theory: A Primer --
Author: Vijay Mishra
Publisher: Routledge
ISBN: 1135310920
Category : Social Science
Languages : en
Pages : 321
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Book Description
India is home to Bollywood - the largest film industry in the world. Movie theaters are said to be the "temples of modern India," with Bombay producing nearly 800 films per year that are viewed by roughly 11 million people per day. In Bollywood Cinema, Vijay Mishra argues that Indian film production and reception is shaped by the desire for national community and a pan-Indian popular culture. Seeking to understand Bollywood according to its own narrative and aesthetic principles and in relation to a global film industry, he views Indian cinema through the dual methodologies of postcolonial studies and film theory. Mishra discusses classics such as Mother India (1957) and Devdas (1935) and recent films including Ram Lakhan (1989) and Khalnayak (1993), linking their form and content to broader issues of national identity, epic tradition, popular culture, history, and the implications of diaspora.
Author: Ravi Vasudevan
Publisher: Oxford University Press, USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
Contributed seminar papers.
Author: Peter Lehman
Publisher: Routledge
ISBN: 1135273472
Category : Social Science
Languages : en
Pages : 332
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Book Description
Lehman brings together new work on masculinity in film by established film scholars, new academics, performance artists, and cultural critics. The essays analyze trends from the role of gay men in saving heterosexuality to the emergence of new queer cinema.
Author: Heidi R.M. Pauwels
Publisher: Routledge
ISBN: 1134062540
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
This book is about the popular cinema of North India ("Bollywood") and how it recasts literary classics. It addresses questions about the interface of film and literature, such as how Bollywood movies rework literary themes, offer different (broader or narrower) interpretations, shift plots, stories, and characters to accommodate the medium and the economics of the genre, sometimes even changing the way literature is read. This book addresses the socio-political implications of popular reinterpretations of "elite culture", exploring gender issues and the perceived "sexism" of the North Indian popular film and how that plays out when literature is reworked into film. Written by an international group of experts on Indian literature and film, the chapters in this book focus on these central questions, but also cover a wide range of literary works that have been adapted in film. Each part of the book discusses how a particular genre of literature has been "recast" into film. The individual chapters focus on comparisons and close studies of individual films or film songs inspired by "classics" of literature. The book will be of interest to those studying Indian film and literature and South Asian popular culture more generally.
Author: David Savran
Publisher: Princeton University Press
ISBN: 1400822467
Category : Social Science
Languages : en
Pages : 393
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Book Description
From the Beat poets' incarnation of the "white Negro" through Iron John and the Men's Movement to the paranoid masculinity of Timothy McVeigh, white men in this country have increasingly imagined themselves as victims. In Taking It Like a Man, David Savran explores the social and sexual tensions that have helped to produce this phenomenon. Beginning with the 1940s, when many white, middle-class men moved into a rule-bound, corporate culture, Savran sifts through literary, cinematic, and journalistic examples that construct the white man as victimized, feminized, internally divided, and self-destructive. Savran considers how this widely perceived loss of male power has played itself out on both psychoanalytical and political levels as he draws upon various concepts of masochism--the most counterintuitive of the so-called perversions and the one most insistently associated with femininity. Savran begins with the writings and self-mythologization of Beat writers William Burroughs, Allen Ginsberg, and Jack Kerouac. Although their independent, law-defying lifestyles seemed distinctively and ruggedly masculine, their literary art and personal relations with other men in fact allowed them to take up social and psychic positions associated with women and racial minorities. Arguing that this dissident masculinity has become increasingly central to U.S. culture, Savran analyzes the success of Sam Shepard as both writer and star, as well as the emergence of a new kind of action hero in movies like Rambo and Twister. He contends that with the limited success of the civil rights and women's movements, white masculinity has been reconfigured to reflect the fantasy that the white male has become the victim of the scant progress made by African Americans and women. Taking It Like a Man provocatively applies psychoanalysis to history. The willingness to inflict pain upon the self, for example, serves as a measure of men's attempts to take control of their situations and their ambiguous relationship to women. Discussing S/M and sexual liberation in their historical contexts enables Savran to consider not only the psychological function of masochism but also the broader issues of political and social power as experienced by both men and women.
