Mystery, Magic, and Love in Picasso, 1925-1938 PDF Download
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Author: Lydia Gasman
Publisher:
ISBN:
Category : Surrealism
Languages : en
Pages : 668
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Book Description
Author: Lydia Gasman
Publisher:
ISBN:
Category : Surrealism
Languages : en
Pages : 668
Get Book Here
Book Description
Author: Stephen Kern
Publisher: Harvard University Press
ISBN: 9780674179592
Category : Family & Relationships
Languages : en
Pages : 474
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Book Description
Kern divides love into its elements and traces profound changes in each: from waiting for love to ending it. Most revealing are the daring ways moderns began to talk about their current lovemaking as well as past lovers.
Author: Lydia Gasman
Publisher: iUniverse
ISBN: 0595399002
Category : Art
Languages : en
Pages : 426
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Book Description
Vert ciel ciel ciel ciel vert vert ciel ciel ciel ciel noir vert vert ciel marron ciel ciel ciel noir noir noir noir blanc blanc noir vert marron ciel ciel cahce dans ses poches ses mains la nuit ciel aloes fleur ciel cobalt de corde livre de chevet ciel Coeur eventual violet ciel robe de soir bouquet de violettes violet violet ciel Pierre de lune ciel noir vert ciel marron roué de fue d'artifice perle ciel noir jaune vert citronnier noir ciseaux ombre jaune neige vert marron crème remplie d'eau-de-vie un vol de canaries bleu vert noir loup ciel ciel ciel jaune linge brodé vert nuit ciel soufre blanc plat d'argent terre labourée ciel ciel blane ciel ciel ciel blanc ciel ciel ciel ciel blanc blanc ciel bleu bleu bleu
Author: John Richardson
Publisher: Knopf
ISBN: 030749649X
Category : Biography & Autobiography
Languages : en
Pages : 657
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Book Description
The third volume of Richardson’s magisterial Life of Picasso, a groundbreaking contribution to our understanding of one of the greatest artists of the twentieth century. Here is Picasso at the height of his powers in Rome and Naples, producing the sets and costumes with Cocteau for Diaghilev’s Ballets Russes, and visiting Pompei where the antique statuary fuel his obsession with classicism; in Paris, creating some of his most important sculpture and painting as part of a group that included Braque, Apollinaire, Miró, and Breton; spending summers in the South of France in the company of Gerald and Sara Murphy, Hemingway, and Fitzgerald. These are the years of his marriage to the Russian ballerina Olga Khokhlova—the mother of his only legitimate child, Paulo—and of his passionate affair with Marie-Thérèse Walter, who was, as well, his model and muse.
Author: T. J. Clark
Publisher: Princeton University Press
ISBN: 0691209529
Category : Art
Languages : en
Pages : 342
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Book Description
A groundbreaking reassessment of Picasso by one of today's preeminent art historians Picasso and Truth offers a breathtaking and original new look at the most significant artist of the modern era. From Pablo Picasso's early The Blue Room to the later Guernica, eminent art historian T. J. Clark offers a striking reassessment of the artist's paintings from the 1920s and 1930s. Why was the space of a room so basic to Picasso's worldview? And what happened to his art when he began to feel that room-space become too confined—too little exposed to the catastrophes of the twentieth century? Clark explores the role of space and the interior, and the battle between intimacy and monstrosity, in Picasso's art. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, this volume remedies the biographical and idolatrous tendencies of most studies on Picasso, reasserting the structure and substance of the artist's work. With compelling insight, Clark focuses on three central works—the large-scale Guitar and Mandolin on a Table (1924), The Three Dancers (1925), and The Painter and His Model (1927)—and explores Picasso's answer to Nietzsche's belief that the age-old commitment to truth was imploding in modern European culture. Masterful in its historical contextualization, Picasso and Truth rescues Picasso from the celebrity culture that trivializes his accomplishments and returns us to the tragic vision of his art—humane and appalling, naïve and difficult, in mourning for a lost nineteenth century, yet utterly exposed to the hell of Europe between the wars. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.
Author: C. F. B. Miller
Publisher: Univ of California Press
ISBN: 0520290143
Category : Art
Languages : en
Pages : 315
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Book Description
Introduction -- The crystallisation of cubism -- Platonism after Cubism -- Mimesis after collage -- Cubism's refuse -- Picasso's sexuality -- Crucifixion and apocalypse -- Rotten sun -- Signed, Picasso.
Author: Lisa Florman
Publisher: MIT Press
ISBN: 9780262561556
Category : Architecture
Languages : en
Pages : 300
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Book Description
A radical new interpretation of Picasso and his relation to the classical seen through the artist's prints of the 1930s.
Author: Peter Read
Publisher: Univ of California Press
ISBN: 0520243617
Category : Art
Languages : en
Pages : 336
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Book Description
Monografie over de vriendschap en creatieve interactie tussen de Spaans/Franse kunstenaar (1881-1973) en de Franse dichter (1880-1918).
Author: Gertje Utley
Publisher: Yale University Press
ISBN: 0300082517
Category : Biography & Autobiography
Languages : en
Pages : 292
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Book Description
The fact that Picasso joined the French Communist Party in 1944 and remained a loyal member to the end of his long life presents puzzling contradictions. How can the image of him as a protean genius be reconciled with his membership in a repressive political organization that maintained an authoritarian hold on its artistic community and all but obliterated the freedom of the creative mind? How could the creator of Guernica, lauded at that time as the champion of civilian victims of totalitarian aggression, support the policies of the Soviet Union? This stimulating book is the first comprehensive examination of Picasso’s political commitment, his motivations to join the French Communist Party, and his contributions as an active member. Gertje R. Utley assesses the impact communism had on the artist’s life and explores how Picasso’s political beliefs and the doctrines of the Communist Party affected his artistic production. Utley provides the first account in English of the intricate relations between the French Communist Party and its artists in the years immediately following the Liberation. She then examines in detail the role Picasso played within the Communist agenda, his financial and moral support, his active participation at Party events, and his artistic endorsement of the Party’s most important ideological positions during the Cold War years. Addressing Picasso’s unfailing loyalty in the face of both the Party’s untenable political positions and the opposition within the Party to his art, this book offers new insight into aspects of the artist’s thought and art that have been little considered before.
Author: John Richardson
Publisher: Knopf
ISBN: 0525656758
Category : Biography & Autobiography
Languages : en
Pages : 369
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Book Description
The beautifully illustrated fourth volume of Picasso’s life—set in France and Spain during the Spanish Civil War and World War II—covers friendships with the surrealist painters; artistic inspiration around Guernica and the Minotaur; and his muses Marie-Thérèse, Dora Maar, and Françoise Gilot; and much more. Including 271 stunning illustrations and drawing on original and exhaustive research from interviews and never-before-seen material in the Picasso family archives, this book opens with a visit by the Hungarian-French photographer Brassaï to Picasso’s chateau in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Marie-Thérèse, Picasso’s mistress and muse. Picasso was contributing to André Breton’s Minotaur magazine and he was also spending more time with the likes of Man Ray, Salvador Dalí, Lee Miller, and the poet Paul Éluard, in Paris as well as in the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur—head of a bull, body of a man—and created his most famous etching, Minotauromachie. Richardson shows us the artist is as prolific as ever, painting Marie-Thérèse, but also painting the surrealist photographer Dora Maar who has become a muse, a collaborator and more. In April 1937, the bombing of the town of Guernica during the Spanish Civil War inspires Picasso’s vast masterwork of the same name, which he paints in just a few weeks for the Spanish Pavilion at the Paris World’s Fair. When the Nazis occupy Paris in 1940, Picasso chooses to remain in the city despite the threat that his art would be confiscated. In 1943, Picasso meets Françoise Gilot who would replace Dora, and as Richardson writes, “rejuvenate his psyche, reawaken his imagery and inspire a brilliant sequence of paintings.” As always, Richardson tells Picasso’s story through his work during this period, analyzing how it shows what the artist was feeling and thinking. His fascinating and accessible narrative immerses us in one of the most exciting moments in twentieth century cultural history, and brings to a close the definitive and critically acclaimed account of one of the world’s most celebrated artists.
