Author: Michael Frishkopf
Publisher: University of Texas Press
ISBN: 147731248X
Category : Architecture
Languages : en
Pages : 477
Book Description
Tracing the connections between music making and built space in both historical and contemporary times, Music, Sound, and Architecture in Islam brings together domains of intellectual reflection that have rarely been in dialogue to promote a greater understanding of the centrality of sound production in constructed environments in Muslim religious and cultural expression. Representing the fields of ethnomusicology, anthropology, art history, architecture, history of architecture, religious studies, and Islamic studies, the volume’s contributors consider sonic performances ranging from poetry recitation to art, folk, popular, and ritual musics—as well as religious expressions that are not usually labeled as “music” from an Islamic perspective—in relation to monumental, vernacular, ephemeral, and landscape architectures; interior design; decoration and furniture; urban planning; and geography. Underscoring the intimate relationship between traditional Muslim sonic performances, such as the recitation of the Qur’an or devotional songs, and conventional Muslim architectural spaces, from mosques and Sufi shrines to historic aristocratic villas, gardens, and gymnasiums, the book reveals Islam as an ideal site for investigating the relationship between sound and architecture, which in turn proves to be an innovative and significant angle from which to explore Muslim cultures.
Music, Sound, and Architecture in Islam
Author: Michael Frishkopf
Publisher: University of Texas Press
ISBN: 147731248X
Category : Architecture
Languages : en
Pages : 477
Book Description
Tracing the connections between music making and built space in both historical and contemporary times, Music, Sound, and Architecture in Islam brings together domains of intellectual reflection that have rarely been in dialogue to promote a greater understanding of the centrality of sound production in constructed environments in Muslim religious and cultural expression. Representing the fields of ethnomusicology, anthropology, art history, architecture, history of architecture, religious studies, and Islamic studies, the volume’s contributors consider sonic performances ranging from poetry recitation to art, folk, popular, and ritual musics—as well as religious expressions that are not usually labeled as “music” from an Islamic perspective—in relation to monumental, vernacular, ephemeral, and landscape architectures; interior design; decoration and furniture; urban planning; and geography. Underscoring the intimate relationship between traditional Muslim sonic performances, such as the recitation of the Qur’an or devotional songs, and conventional Muslim architectural spaces, from mosques and Sufi shrines to historic aristocratic villas, gardens, and gymnasiums, the book reveals Islam as an ideal site for investigating the relationship between sound and architecture, which in turn proves to be an innovative and significant angle from which to explore Muslim cultures.
Publisher: University of Texas Press
ISBN: 147731248X
Category : Architecture
Languages : en
Pages : 477
Book Description
Tracing the connections between music making and built space in both historical and contemporary times, Music, Sound, and Architecture in Islam brings together domains of intellectual reflection that have rarely been in dialogue to promote a greater understanding of the centrality of sound production in constructed environments in Muslim religious and cultural expression. Representing the fields of ethnomusicology, anthropology, art history, architecture, history of architecture, religious studies, and Islamic studies, the volume’s contributors consider sonic performances ranging from poetry recitation to art, folk, popular, and ritual musics—as well as religious expressions that are not usually labeled as “music” from an Islamic perspective—in relation to monumental, vernacular, ephemeral, and landscape architectures; interior design; decoration and furniture; urban planning; and geography. Underscoring the intimate relationship between traditional Muslim sonic performances, such as the recitation of the Qur’an or devotional songs, and conventional Muslim architectural spaces, from mosques and Sufi shrines to historic aristocratic villas, gardens, and gymnasiums, the book reveals Islam as an ideal site for investigating the relationship between sound and architecture, which in turn proves to be an innovative and significant angle from which to explore Muslim cultures.
Music, Sound, and Architecture in Islam
Author: Michael Frishkopf
Publisher: University of Texas Press
ISBN: 1477312463
Category : Architecture
Languages : en
Pages : 477
Book Description
Bringing together the perspectives of ethnomusicology, Islamic studies, art history, and architecture, this edited collection investigates how sound production in built environments is central to Muslim religious and cultural expression.
Publisher: University of Texas Press
ISBN: 1477312463
Category : Architecture
Languages : en
Pages : 477
Book Description
Bringing together the perspectives of ethnomusicology, Islamic studies, art history, and architecture, this edited collection investigates how sound production in built environments is central to Muslim religious and cultural expression.
Philosophies of Music in Medieval Islam
Author: Fadlou Shehadi
Publisher: BRILL
ISBN: 9004247211
Category : History
Languages : en
Pages : 182
Book Description
This surveys the philosophies of music of the most important thinkers in Islam between the 9th and the 15th centuries A.D. It covers topics ranging from the physics and aesthetics of sound, the nature of music, its place in the total scheme of things and in human life, the relation between music, astronomy, astrology and meteorology, the relation between music and human feelings character and behaviour, to the question of whether a good Muslim should be allowed to listen to music at all, and if so, to which type. The book traces the influence of Greek, in particular Pythagorean and Aristoxenian, thinking in Islam on this subject, and aims to provide a philosophically coherent statement of thinking of the Islamic writers concerned, a clarification of their central arguments, as well as a critical evaluation of their line of thought. The author introduces a wide range of material from manuscript sources, including much that has not been published before.
Publisher: BRILL
ISBN: 9004247211
Category : History
Languages : en
Pages : 182
Book Description
This surveys the philosophies of music of the most important thinkers in Islam between the 9th and the 15th centuries A.D. It covers topics ranging from the physics and aesthetics of sound, the nature of music, its place in the total scheme of things and in human life, the relation between music, astronomy, astrology and meteorology, the relation between music and human feelings character and behaviour, to the question of whether a good Muslim should be allowed to listen to music at all, and if so, to which type. The book traces the influence of Greek, in particular Pythagorean and Aristoxenian, thinking in Islam on this subject, and aims to provide a philosophically coherent statement of thinking of the Islamic writers concerned, a clarification of their central arguments, as well as a critical evaluation of their line of thought. The author introduces a wide range of material from manuscript sources, including much that has not been published before.
Alaturka: Style in Turkish Music (1923–1938)
Author: John Morgan O'Connell
Publisher: Routledge
ISBN: 1317182766
Category : Music
Languages : en
Pages : 358
Book Description
The early-Republican era (1923-1938) was a major period of musical and cultural change in Turkey. Alaturka: Style in Turkish Music is a study of the significance of style in Turkish music and, in particular, the polemical debate about an eastern style of Turkish music (called, alaturka) that developed during this rich and complicated era of Turkish history. Representing more than twenty years of research, the book explores the stylistic categories that show the intersection between music and culture; the different chapters treat musical materials, musical practices and musical contexts in turn. Informed by critical approaches to musical aesthetics in ethnomusicology as well as musicology and anthropology, the book focuses upon a native discourse about musical style, highlighting a contemporary apprehension about the appropriate constitution of a national identity. The argument over style discloses competing conceptions of Turkish space and time where definitions of the east and the west, and interpretations of the past and the present respectively were hotly contested. John Morgan O'Connell makes a significant contribution to the study of Turkish music in particular and Turkish history in general. Conceived as a historical ethnography, the book brings together archival sources and ethnographic materials to provide a critical revision of Turkish historiography, music providing a locus for interrogating singular representations of a national past.
Publisher: Routledge
ISBN: 1317182766
Category : Music
Languages : en
Pages : 358
Book Description
The early-Republican era (1923-1938) was a major period of musical and cultural change in Turkey. Alaturka: Style in Turkish Music is a study of the significance of style in Turkish music and, in particular, the polemical debate about an eastern style of Turkish music (called, alaturka) that developed during this rich and complicated era of Turkish history. Representing more than twenty years of research, the book explores the stylistic categories that show the intersection between music and culture; the different chapters treat musical materials, musical practices and musical contexts in turn. Informed by critical approaches to musical aesthetics in ethnomusicology as well as musicology and anthropology, the book focuses upon a native discourse about musical style, highlighting a contemporary apprehension about the appropriate constitution of a national identity. The argument over style discloses competing conceptions of Turkish space and time where definitions of the east and the west, and interpretations of the past and the present respectively were hotly contested. John Morgan O'Connell makes a significant contribution to the study of Turkish music in particular and Turkish history in general. Conceived as a historical ethnography, the book brings together archival sources and ethnographic materials to provide a critical revision of Turkish historiography, music providing a locus for interrogating singular representations of a national past.
The Topkapi Scroll
Author: Gülru Necipoğlu
Publisher: Getty Publications
ISBN: 0892363355
Category : Art
Languages : en
Pages : 414
Book Description
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.
Publisher: Getty Publications
ISBN: 0892363355
Category : Art
Languages : en
Pages : 414
Book Description
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.
Music, Sound and Space
Author: Georgina Born
Publisher: Cambridge University Press
ISBN: 1107310555
Category : Music
Languages : en
Pages : 375
Book Description
Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of MP3 players to the controversial use of sound as an instrument of torture. In this book, leading scholars explore the spatialisation of music and sound, their capacity to engender modes of publicness and privacy, their constitution of subjectivity, and the politics of sound and space. Chapters discuss music and sound in relation to distinctive genres, technologies and settings, including sound installation art, popular music recordings, offices and hospitals, and music therapy. With international examples, from the Islamic soundscape of the Kenyan coast, to religious music in Europe, to First Nation musical sociability in Canada, this book offers a new global perspective on how music and sound and their spatialising capacities transform the nature of public and private experience.
Publisher: Cambridge University Press
ISBN: 1107310555
Category : Music
Languages : en
Pages : 375
Book Description
Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of MP3 players to the controversial use of sound as an instrument of torture. In this book, leading scholars explore the spatialisation of music and sound, their capacity to engender modes of publicness and privacy, their constitution of subjectivity, and the politics of sound and space. Chapters discuss music and sound in relation to distinctive genres, technologies and settings, including sound installation art, popular music recordings, offices and hospitals, and music therapy. With international examples, from the Islamic soundscape of the Kenyan coast, to religious music in Europe, to First Nation musical sociability in Canada, this book offers a new global perspective on how music and sound and their spatialising capacities transform the nature of public and private experience.
Soundscapes of Uyghur Islam
Author: Rachel Harris
Publisher: Indiana University Press
ISBN: 0253050197
Category : Religion
Languages : en
Pages : 266
Book Description
China's Xinjiang Uyghur Autonomous Region is experiencing a crisis of securitization and mass incarceration. In Soundscapes of Uyghur Islam, author Rachel Harris examines the religious practice of a group of Uyghur women in a small village now engulfed in this chaos. Despite their remote location, these village women are mobile and connected, and their religious soundscapes flow out across transnational networks. Harris explores the spiritual and political geographies they inhabit, moving outward from the village to trace connections with Mecca, Istanbul, Bishkek, and Beijing. Sound, embodiment, and territoriality illuminate both the patterns of religious change among Uyghurs and the policies of cultural erasure used by the Chinese state to reassert its control over the land the Uyghurs occupy. By drawing on contemporary approaches to the circulation of popular music, Harris considers how various forms of Islam that arrive via travel and the internet come into dialogue with local embodied practices. Synthesized together, these practicies create new forms that facilitate powerful, affective experiences of faith.
Publisher: Indiana University Press
ISBN: 0253050197
Category : Religion
Languages : en
Pages : 266
Book Description
China's Xinjiang Uyghur Autonomous Region is experiencing a crisis of securitization and mass incarceration. In Soundscapes of Uyghur Islam, author Rachel Harris examines the religious practice of a group of Uyghur women in a small village now engulfed in this chaos. Despite their remote location, these village women are mobile and connected, and their religious soundscapes flow out across transnational networks. Harris explores the spiritual and political geographies they inhabit, moving outward from the village to trace connections with Mecca, Istanbul, Bishkek, and Beijing. Sound, embodiment, and territoriality illuminate both the patterns of religious change among Uyghurs and the policies of cultural erasure used by the Chinese state to reassert its control over the land the Uyghurs occupy. By drawing on contemporary approaches to the circulation of popular music, Harris considers how various forms of Islam that arrive via travel and the internet come into dialogue with local embodied practices. Synthesized together, these practicies create new forms that facilitate powerful, affective experiences of faith.
Aural Architecture in Byzantium: Music, Acoustics, and Ritual
Author: Bissera Pentcheva
Publisher: Taylor & Francis
ISBN: 135178689X
Category : Architecture
Languages : en
Pages : 273
Book Description
Aural architecture identifies those features of a building that can be perceived by the act of listening in them. Emerging from the challenge to reconstruct sonic and spatial experiences of the deep past, this book invites readers into the complex world of the Byzantine liturgy, experienced in its chanted form in interiors covered with monumental mosaics and frescoes. The multidisciplinary collection of ten essays explores the intersection of Byzantine liturgy, music, acoustics, and architecture in the Late Antique churches of Constantinople, Jerusalem and Rome, and reflects on the role digital technology can play in re-creating aspects of the sensually rich performance of the divine word.
Publisher: Taylor & Francis
ISBN: 135178689X
Category : Architecture
Languages : en
Pages : 273
Book Description
Aural architecture identifies those features of a building that can be perceived by the act of listening in them. Emerging from the challenge to reconstruct sonic and spatial experiences of the deep past, this book invites readers into the complex world of the Byzantine liturgy, experienced in its chanted form in interiors covered with monumental mosaics and frescoes. The multidisciplinary collection of ten essays explores the intersection of Byzantine liturgy, music, acoustics, and architecture in the Late Antique churches of Constantinople, Jerusalem and Rome, and reflects on the role digital technology can play in re-creating aspects of the sensually rich performance of the divine word.
Music and Media in the Arab World
Author: Michael Aaron Frishkopf
Publisher: American Univ in Cairo Press
ISBN: 9789774162930
Category : Art
Languages : en
Pages : 332
Book Description
Frishkopf, Michael: Introduction: Music and media in the Arab world and music and media in the Arab world as music and media in the Arab world : a metadiscourse. - S. 1-64 Nassar, Zein: A history of music and singing on Egyptian radio and television. - S. 67-76 Abdel-Aziz, Moataz: Arabic music videos and their implications for Arab music and media. - S. 77-89 Wassimi, Mounir al-: Arab music and changes in the Arab media. - S. 91-96 Cestor, Elisabeth: Music and television in Lebanon. - S. 97-110 Ulaby, Laith: Mass media and music in the Arab Persian Gulf. - S. 111-126 Abdel-Latif, Yasser: Music of the streets : the story of a television program. - S. 129-136 Grippo, James R.: What's not on Egyptian television and radio! : locating the 'popular' in Egyptian Sha'bi . - S. 137-162 Elmessiri, Abdel-Wahab: Ruby and the checkered heart. - S. 163-172 Kubala, Patricia: The controversy over satellite : music television in contemporary Egypt. - S. 173-224 Barghouti, Tamim al-: Caliphs and clips. - S. 225-230 Armbrust, Walter: What would Sayyid Qutb say? : some reflections on video clips. - S. 231-254 Darwish, Hany: Images of women in advertisements and video clips : a case study of Sherif Sabri. - S. 255-263 Khachab, Walid El-: Arab video music : imagined territories and the liberation of desire (or sex lives in video (clip)). - S. 265-275 Abdel-Fattah, Wael: The biographies of Stalets today : revolutions in sound and images. - S. 277-290 Meizel, Katherine: Real-politics : televised talent competitions and democracy promotion in the Middle East. - S. 291-308.
Publisher: American Univ in Cairo Press
ISBN: 9789774162930
Category : Art
Languages : en
Pages : 332
Book Description
Frishkopf, Michael: Introduction: Music and media in the Arab world and music and media in the Arab world as music and media in the Arab world : a metadiscourse. - S. 1-64 Nassar, Zein: A history of music and singing on Egyptian radio and television. - S. 67-76 Abdel-Aziz, Moataz: Arabic music videos and their implications for Arab music and media. - S. 77-89 Wassimi, Mounir al-: Arab music and changes in the Arab media. - S. 91-96 Cestor, Elisabeth: Music and television in Lebanon. - S. 97-110 Ulaby, Laith: Mass media and music in the Arab Persian Gulf. - S. 111-126 Abdel-Latif, Yasser: Music of the streets : the story of a television program. - S. 129-136 Grippo, James R.: What's not on Egyptian television and radio! : locating the 'popular' in Egyptian Sha'bi . - S. 137-162 Elmessiri, Abdel-Wahab: Ruby and the checkered heart. - S. 163-172 Kubala, Patricia: The controversy over satellite : music television in contemporary Egypt. - S. 173-224 Barghouti, Tamim al-: Caliphs and clips. - S. 225-230 Armbrust, Walter: What would Sayyid Qutb say? : some reflections on video clips. - S. 231-254 Darwish, Hany: Images of women in advertisements and video clips : a case study of Sherif Sabri. - S. 255-263 Khachab, Walid El-: Arab video music : imagined territories and the liberation of desire (or sex lives in video (clip)). - S. 265-275 Abdel-Fattah, Wael: The biographies of Stalets today : revolutions in sound and images. - S. 277-290 Meizel, Katherine: Real-politics : televised talent competitions and democracy promotion in the Middle East. - S. 291-308.
What is “Islamic” Art?
Author: Wendy M. K. Shaw
Publisher: Cambridge University Press
ISBN: 1108474659
Category : Art
Languages : en
Pages : 387
Book Description
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Publisher: Cambridge University Press
ISBN: 1108474659
Category : Art
Languages : en
Pages : 387
Book Description
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.