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Author: William Kinderman
Publisher: Oxford University Press
ISBN: 0199880166
Category : Music
Languages : en
Pages : 652
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Book Description
Mozart's emergence as a mature artist coincides with the rise to prominence of the piano, an instrument that came alive under his fingers and served as medium for many of his finest compositions. In Mozart's Piano Music, William Kinderman reconsiders common assumptions about Mozart's life and art while offering comprehensive and incisive commentary on the solo music and concertos. After placing Mozart's pianistic legacy in its larger biographical and cultural context, Kinderman addresses the lively gestural and structural aspects of Mozart's musical language and explores the nature of his creative process. Incorporating the most recent research throughout this encompassing study, Kinderman expertly surveys each of the major genres of the keyboard music, including the four-hand and two-piano works. Beyond examining issues such as Mozart's earliest childhood compositions, his musical rhetoric and expression, the social context of his Viennese concertos, and affinities between his piano works and operas, Kinderman's main emphasis falls on detailed discussion of selected individual compositions.
Author: William Kinderman
Publisher: Oxford University Press
ISBN: 0199880166
Category : Music
Languages : en
Pages : 652
Get Book Here
Book Description
Mozart's emergence as a mature artist coincides with the rise to prominence of the piano, an instrument that came alive under his fingers and served as medium for many of his finest compositions. In Mozart's Piano Music, William Kinderman reconsiders common assumptions about Mozart's life and art while offering comprehensive and incisive commentary on the solo music and concertos. After placing Mozart's pianistic legacy in its larger biographical and cultural context, Kinderman addresses the lively gestural and structural aspects of Mozart's musical language and explores the nature of his creative process. Incorporating the most recent research throughout this encompassing study, Kinderman expertly surveys each of the major genres of the keyboard music, including the four-hand and two-piano works. Beyond examining issues such as Mozart's earliest childhood compositions, his musical rhetoric and expression, the social context of his Viennese concertos, and affinities between his piano works and operas, Kinderman's main emphasis falls on detailed discussion of selected individual compositions.
Author: Christine H. Barden
Publisher: Alfred Music
ISBN: 9781457409134
Category : Music
Languages : en
Pages : 52
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Book Description
The unique Music Discovery Book contains songs that allow the students to experience music through singing, movement and rhythm activities. Music appreciation is fostered through carefully chosen music; Mozart, Beethoven and Sousa are introduced. Melodies to sing, using either solfege or letter names, help students learn to match pitch and discover tonal elements of music. Correlates to the Music Lesson Book 1. Familiar songs include If You're Happy and You Know It, Mexican Hat Dance and Twinkle, Twinkle, Little Star.
Author: Christine H. Barden
Publisher: Alfred Music
ISBN: 1457409127
Category : Music
Languages : en
Pages : 50
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Book Description
Lesson Book 1 is geared for pre-reading students. Concepts taught are: * How to sit at the piano * Correct hand position * High and low * Loud and soft (forte and piano) * Keyboard topography * Bar line and measure, Quarter, half, whole notes and rests * Repeat signs The first pieces in the book are played on the black keys. Later in the book, C D E for the RH and C B A for the LH (Middle C position) are taught with letter notes (the name of the note is written inside the note head).
Author: John Irving
Publisher: Routledge
ISBN: 1317004752
Category : Music
Languages : en
Pages : 172
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Book Description
Mozart's piano sonatas are among the most familiar of his works and stand alongside those of Haydn and Beethoven as staples of the pianist's repertoire. In this study, John Irving looks at a wide selection of contextual situations for Mozart's sonatas, focusing on the variety of ways in which they assume identities and achieve meanings. In particular, the book seeks to establish the provisionality of the sonatas' notated texts, suggesting that the texts are not so much identifiers as possibilities and that their identity resides in the usage. Close attention is paid to reception matters, analytical approaches, organology, the role of autograph manuscripts, early editions and editors, and aspects of historical performance practice - all of which go beyond the texts in opening windows onto Mozart's sonatas. Treating the sonatas collectively as a repertoire, rather than as individual works, the book surveys broad thematic issues such as the role of historical writing about music in defining a generic space for Mozart's sonatas, their construction within pedagogical traditions, the significance of sound as opposed to sight in these works (and in particular their sound on fortepianos of the later eighteenth-century) , and the creative role of the performer in their representation beyond the frame of the text. Drawing together and synthesizing this wealth of material, Irving provides an invaluable reference source for those already familiar with this repertoire.
Author: Christine H. Barden
Publisher: Alfred Music
ISBN: 9781457409189
Category : Music
Languages : en
Pages : 68
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Book Description
The Teacher's Handbook for Levels 1 & 2 of Music for Little Mozarts serves as an aid in curriculum development and daily lesson planning while providing information related to teaching young children. The suggested lesson plans provide teachers with a starting point to adapt this series for their own teaching situation. A special section provides helpful teaching tips for using the Music Discovery Book and teacher examples for the ear training pages in the Music Workbook are also given. Beginning teachers of young students should find the handbooks extremely useful.
Author: John Irving
Publisher: Cambridge University Press
ISBN: 0521496314
Category : Music
Languages : en
Pages : 239
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Book Description
An examination of Mozart's piano sonatas, showing them to be a microcosm of the composer's changing style.
Author: Christine H. Barden
Publisher: Alfred Music
ISBN: 9780882849690
Category : Music
Languages : en
Pages : 0
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Book Description
Lesson Book 2 starts as pre-reading, then moves to reading on the staff. After a review, the new concepts taught are: Dotted quarter note and 4/4 time, 4/4 time, Mezzo-forte, Staff and note reading, Steps and skips, Grand staff. New notes taught are F and G in the LH and RH, completing the Middle C position. Characters introduced: Clara Schumann-Cat, J. S. Bunny, and Pachelbel Penguin The music from this book is available in the Piano Maestro app that's downloadable at http://app.appsflyer.com/id604699751?pid=web&c=alfred. Learn more About JoyTunes, the maker of Piano Maestro at http://teachers.joytunes.com/?jt&utm_source=alfred&utm_campaign=web.
Author: Maurice Hinson
Publisher: Alfred Music
ISBN: 9780739021873
Category : Music
Languages : en
Pages : 0
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Book Description
This edition will assist piano students in achieving a better, more stylistically correct interpretation of some of Mozart's finest keyboard music written at the intermediate to early advanced levels. Historical background, including Mozart's own letters, are included to help clarify his style of performance. All dynamic, pedal and metronome marks are editorial, except where indicated. Includes: Andante in B-flat Major, K. 5b (9b); Siciliano in D Minor, K. 15u; Andante in G Minor, K. 15r; Fantasy in D Minor, K. 397 (385g); Rondo in D Major, K. 485; and Twelve Variations on "Ah, Vous Dirai-Je, Maman," K. 300e (265).
Author: John Irving
Publisher: Routledge
ISBN: 1351557890
Category : Music
Languages : en
Pages : 297
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Book Description
Mozart's piano concertos stand alongside his operas and symphonies as his most frequently performed and best loved music. They have attracted the attention of generations of musicologists who have explored their manifold meanings from a variety of viewpoints. In this study, John Irving brings together the various strands of scholarship surrounding Mozart's concertos including analytical approaches, aspects of performance practice and issues of compositional genesis based on investigation of manuscript and early printed editions. Treating the concertos collectively as a repertoire, rather than as individual works, the first section of the book tackles broad thematic issues such as the role of the piano concerto in Mozart's quasi-freelance life in late eighteenth-century Vienna, the origin of his concertos in earlier traditions of concerto writing; eighteenth-century theoretical frameworks for the understanding of movement forms, subsequent historical shifts in the perception of the concerto's form, listening strategies and performance practices. This is followed by a 'documentary register' which proceeds through all 23 original works, drawing together information on the source materials. Accounts of the concertos' compositional genesis, early performance history and reception are also included here, drawing extensively on the Mozart family correspondence and other contemporary reports. Drawing together and synthesizing this wealth of material, Irving provides an invaluable reference source for those already familiar with this repertoire.
Author:
Publisher: Alfred Music Publishing
ISBN: 9780739004425
Category : Music
Languages : en
Pages : 68
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Book Description
Some of Mozart's most popular works are contained in this volume, including the Fantasia in D Minor," the "Sonata in C Major" (first movement) and the "Turkish March" from the Sonata in A Major. Other selections include intermediate-level transcriptions from operas and orchestral works. Arranged in the order of difficulty, each piece is prefaced by a short description. A biographical sketch of the composer is also provided."
