Author: Jonas Mekas
Publisher: Columbia University Press
ISBN: 0231541589
Category : Performing Arts
Languages : en
Pages : 496
Book Description
In his Village Voice "Movie Journal" columns, Jonas Mekas captured the makings of an exciting movement in 1960s American filmmaking. Works by Andy Warhol, Gregory J. Markapoulos, Stan Brakhage, Jack Smith, Robert Breer, and others echoed experiments already underway elsewhere, yet they belonged to a nascent tradition that only a true visionary could identify. Mekas incorporated the most essential characteristics of these films into a unique conception of American filmmaking's next phase. He simplified complex aesthetic strategies for unfamiliar audiences and appreciated the subversive genius of films that many dismissed as trash. This new edition presents Mekas's original critiques in full, with additional material on the filmmakers, film studies scholars, and popular and avant-garde critics whom he inspired and transformed.
Movie Watching Journal
Author: Zoe Swan
Publisher:
ISBN: 9781671739420
Category :
Languages : en
Pages : 122
Book Description
Book viewing journal for those who love to watch movies Watching movies is one of the most rewarding hobbies anyone at any age can have. This movie viewing log is made for those who are frequent film watchers, and who may loose track of what they have and have not seen, or would simply like to record their thoughts and ideas about the films they have seen. This movie log is something many people will keep for their entire lives. The earlier you start recording, the more logs you will finish, and the more you will have to show for it. It also makes a great gift to be passed down through generations, as a great piece of personal, sentimental history. What does this book contain? Cover page with space for owner information and logbook number Space to rate, review and record 200 different films Quick Recap Listat the end of the journal which acts as a contents page for your reviews, ensuring you are able to quickly find what you are looking for Lined notes pages at the back of the book to record other relevant information (Such as movie wishlist, seual information etc) What do the review pages contain? Title Director Length Year Genre and Subject Actors Overall Rating (1-10) Quick Notes / Review Book Features 6 x 9 Inch - Very convenient size 120 pages (100 pages for reviews - 200 movies) Softcover (Paperback) with professional perfect binding Printed on white paper Awesome cover design Numbered pages with recap to make your own contents page
Publisher:
ISBN: 9781671739420
Category :
Languages : en
Pages : 122
Book Description
Book viewing journal for those who love to watch movies Watching movies is one of the most rewarding hobbies anyone at any age can have. This movie viewing log is made for those who are frequent film watchers, and who may loose track of what they have and have not seen, or would simply like to record their thoughts and ideas about the films they have seen. This movie log is something many people will keep for their entire lives. The earlier you start recording, the more logs you will finish, and the more you will have to show for it. It also makes a great gift to be passed down through generations, as a great piece of personal, sentimental history. What does this book contain? Cover page with space for owner information and logbook number Space to rate, review and record 200 different films Quick Recap Listat the end of the journal which acts as a contents page for your reviews, ensuring you are able to quickly find what you are looking for Lined notes pages at the back of the book to record other relevant information (Such as movie wishlist, seual information etc) What do the review pages contain? Title Director Length Year Genre and Subject Actors Overall Rating (1-10) Quick Notes / Review Book Features 6 x 9 Inch - Very convenient size 120 pages (100 pages for reviews - 200 movies) Softcover (Paperback) with professional perfect binding Printed on white paper Awesome cover design Numbered pages with recap to make your own contents page
Movie Journal
Author: Jonas Mekas
Publisher: Columbia University Press
ISBN: 0231541589
Category : Performing Arts
Languages : en
Pages : 496
Book Description
In his Village Voice "Movie Journal" columns, Jonas Mekas captured the makings of an exciting movement in 1960s American filmmaking. Works by Andy Warhol, Gregory J. Markapoulos, Stan Brakhage, Jack Smith, Robert Breer, and others echoed experiments already underway elsewhere, yet they belonged to a nascent tradition that only a true visionary could identify. Mekas incorporated the most essential characteristics of these films into a unique conception of American filmmaking's next phase. He simplified complex aesthetic strategies for unfamiliar audiences and appreciated the subversive genius of films that many dismissed as trash. This new edition presents Mekas's original critiques in full, with additional material on the filmmakers, film studies scholars, and popular and avant-garde critics whom he inspired and transformed.
Publisher: Columbia University Press
ISBN: 0231541589
Category : Performing Arts
Languages : en
Pages : 496
Book Description
In his Village Voice "Movie Journal" columns, Jonas Mekas captured the makings of an exciting movement in 1960s American filmmaking. Works by Andy Warhol, Gregory J. Markapoulos, Stan Brakhage, Jack Smith, Robert Breer, and others echoed experiments already underway elsewhere, yet they belonged to a nascent tradition that only a true visionary could identify. Mekas incorporated the most essential characteristics of these films into a unique conception of American filmmaking's next phase. He simplified complex aesthetic strategies for unfamiliar audiences and appreciated the subversive genius of films that many dismissed as trash. This new edition presents Mekas's original critiques in full, with additional material on the filmmakers, film studies scholars, and popular and avant-garde critics whom he inspired and transformed.
Alternative Movie Posters
Author: Graffito Books
Publisher:
ISBN: 9781909051034
Category : Cult films
Languages : en
Pages : 0
Book Description
The world s best, wittiest lowbrow designers reimagine movie posters for 150 cult films that are built into the DNA of any movie buff "Nightmare on Elm Street," "Psycho," "Vertigo," "Poltergeist," "Metropolis," "Ghostbusters," "Blue Velvet," "Blade Runner," "Star Wars," "Alien," "Mad Max," "Robocop," "Reservoir Dogs," "Jaws," " The Big Lebowski," "Rosemary's Baby," " Taxi Driver," "The Postman Always Rings Twice," and many more films are given new art by the likes of Grimb, Coop, O'Connell, Alderete, Hertz, Pullin, and more. Almost always better than the originals, these new visual takes on iconic movies will delight anyone with an interest in film. For the Hollywood aficionado this visual feast makes a perfect gift; while for graphic designers, both professional and students, this makes for a great source of ideas and inspiration."
Publisher:
ISBN: 9781909051034
Category : Cult films
Languages : en
Pages : 0
Book Description
The world s best, wittiest lowbrow designers reimagine movie posters for 150 cult films that are built into the DNA of any movie buff "Nightmare on Elm Street," "Psycho," "Vertigo," "Poltergeist," "Metropolis," "Ghostbusters," "Blue Velvet," "Blade Runner," "Star Wars," "Alien," "Mad Max," "Robocop," "Reservoir Dogs," "Jaws," " The Big Lebowski," "Rosemary's Baby," " Taxi Driver," "The Postman Always Rings Twice," and many more films are given new art by the likes of Grimb, Coop, O'Connell, Alderete, Hertz, Pullin, and more. Almost always better than the originals, these new visual takes on iconic movies will delight anyone with an interest in film. For the Hollywood aficionado this visual feast makes a perfect gift; while for graphic designers, both professional and students, this makes for a great source of ideas and inspiration."
Movie Review Journal
Author: Scarlett Maxwell
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
Movie Review Journal If you're a movie enthusiast who loves to get into the finer details of movie making, then look no further than this amazing movie review journal. Includes over 100 pages for reviewing and critiquing your favorite movies! Features: Movie review pages - Over 100 pages for reviewing your favorite movies. Each movie page includes the following prompts: Movie title, Director, Genre, Year, Date watched, Star rating, review, and notes Index pages - Includes pages at the front for writing down movie titles along with the page numbers they're on Movies to watch - For writing down a list of movies you intend to watch in the future Book details - 6" x9" size, 120 pages, premium quality Grab your journal today!
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
Movie Review Journal If you're a movie enthusiast who loves to get into the finer details of movie making, then look no further than this amazing movie review journal. Includes over 100 pages for reviewing and critiquing your favorite movies! Features: Movie review pages - Over 100 pages for reviewing your favorite movies. Each movie page includes the following prompts: Movie title, Director, Genre, Year, Date watched, Star rating, review, and notes Index pages - Includes pages at the front for writing down movie titles along with the page numbers they're on Movies to watch - For writing down a list of movies you intend to watch in the future Book details - 6" x9" size, 120 pages, premium quality Grab your journal today!
Cinema Expanded
Author: Jonathan Walley
Publisher: Oxford University Press
ISBN: 0190938668
Category : Performing Arts
Languages : en
Pages : 577
Book Description
Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it. Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's unique aesthetic terrain - its ontology, its independence, its identity. In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change.
Publisher: Oxford University Press
ISBN: 0190938668
Category : Performing Arts
Languages : en
Pages : 577
Book Description
Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it. Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's unique aesthetic terrain - its ontology, its independence, its identity. In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change.
The Social Science of Cinema
Author: James C. Kaufman
Publisher: Oxford University Press, USA
ISBN: 0199797811
Category : Performing Arts
Languages : en
Pages : 325
Book Description
This book compiles research from such varied disciplines as psychology, economics, sociology business, and communications to find the best empirical research being done on the movies, based on perspectives that many filmgoers have never considered.
Publisher: Oxford University Press, USA
ISBN: 0199797811
Category : Performing Arts
Languages : en
Pages : 325
Book Description
This book compiles research from such varied disciplines as psychology, economics, sociology business, and communications to find the best empirical research being done on the movies, based on perspectives that many filmgoers have never considered.
The Global Sixties in Sound and Vision
Author: T. Brown
Publisher: Springer
ISBN: 113737523X
Category : History
Languages : en
Pages : 301
Book Description
Despite the explosion of interest in the "global 1968," the arts in this period - both popular and avant-garde forms - have too often been neglected. This interdisciplinary volume brings together scholars in history, cultural studies, musicology and other areas to explore the symbiosis of the sonic and the visual in the counterculture of the 1960s.
Publisher: Springer
ISBN: 113737523X
Category : History
Languages : en
Pages : 301
Book Description
Despite the explosion of interest in the "global 1968," the arts in this period - both popular and avant-garde forms - have too often been neglected. This interdisciplinary volume brings together scholars in history, cultural studies, musicology and other areas to explore the symbiosis of the sonic and the visual in the counterculture of the 1960s.
Predicting Movie Success at the Box Office
Author: Barrie Gunter
Publisher: Springer
ISBN: 3319718037
Category : Performing Arts
Languages : en
Pages : 270
Book Description
This book explores the different factors that can influence a new movie’s prospects at the box office. Looking at factors such as the production budget, distribution model, genre, stars and audience reactions of films, Gunter asks how such aspects may reduce the uncertainties of success so common in the movie industry. The reader is taken on a journey through filmmaking factors that, research suggests, impact box office performance. While box office revenues represent only part of a movie’s earning potential, Gunter highlights how theatrical performances remain central to what the movie business is about. The chapters illustrate how ticket sales are largely influenced by the production budget but also cultural differences and new movie platforms.
Publisher: Springer
ISBN: 3319718037
Category : Performing Arts
Languages : en
Pages : 270
Book Description
This book explores the different factors that can influence a new movie’s prospects at the box office. Looking at factors such as the production budget, distribution model, genre, stars and audience reactions of films, Gunter asks how such aspects may reduce the uncertainties of success so common in the movie industry. The reader is taken on a journey through filmmaking factors that, research suggests, impact box office performance. While box office revenues represent only part of a movie’s earning potential, Gunter highlights how theatrical performances remain central to what the movie business is about. The chapters illustrate how ticket sales are largely influenced by the production budget but also cultural differences and new movie platforms.
To Free the Cinema
Author: David E. James
Publisher: Princeton University Press
ISBN: 0691219559
Category : Performing Arts
Languages : en
Pages : 344
Book Description
Jonas Mekas, one of the driving forces behind New York's alternative film culture from the 1950s through the 1980s, made for an unlikely counterculture hero: a Lithuanian emigr and fervent nationalist from an agrarian family, he had not grown up with either capitalist commercialism or the postwar rebellion against it. By focusing on his sensitivity to political struggle, however, leading film commentators here offer fascinating insights into Mekas's career as a writer, filmdistributor, and film-maker, while exploring the history of independent cinema in New York since World War II. This collection of essays, interviews, and photographs addresses such topics as Mekas's column in the Village Voice, his foundation and editorship of Film Culture, his role in the establishment of Anthology Film Archives and The Film-Makers Co-op (the major distribution center for independent film), his interaction with other artists, including John Lennon and Yoko Ono, and finally the critical assessment of his own films, from Guns of the Trees and The Brig in the sixties to the diary films that followed Walden. The contributors to this volume are Paul Arthur, Vyt Bakaitis, Stan Brakhage, Robert Breer, Rudy Burckhardt, David Curtis, Richard Foreman, Tom Gunning, Bob Harris, J. Hoberman, David E. James, Marjorie Keller, Peter Kubelka, George Kuchar, Richard Leacock, Barbara Moore, Peter Moore, Scott Nygren, John Pruitt, Lauren Rabinovitz, Michael Renov, Jeffrey K. Ruoff, and Maureen Turim.
Publisher: Princeton University Press
ISBN: 0691219559
Category : Performing Arts
Languages : en
Pages : 344
Book Description
Jonas Mekas, one of the driving forces behind New York's alternative film culture from the 1950s through the 1980s, made for an unlikely counterculture hero: a Lithuanian emigr and fervent nationalist from an agrarian family, he had not grown up with either capitalist commercialism or the postwar rebellion against it. By focusing on his sensitivity to political struggle, however, leading film commentators here offer fascinating insights into Mekas's career as a writer, filmdistributor, and film-maker, while exploring the history of independent cinema in New York since World War II. This collection of essays, interviews, and photographs addresses such topics as Mekas's column in the Village Voice, his foundation and editorship of Film Culture, his role in the establishment of Anthology Film Archives and The Film-Makers Co-op (the major distribution center for independent film), his interaction with other artists, including John Lennon and Yoko Ono, and finally the critical assessment of his own films, from Guns of the Trees and The Brig in the sixties to the diary films that followed Walden. The contributors to this volume are Paul Arthur, Vyt Bakaitis, Stan Brakhage, Robert Breer, Rudy Burckhardt, David Curtis, Richard Foreman, Tom Gunning, Bob Harris, J. Hoberman, David E. James, Marjorie Keller, Peter Kubelka, George Kuchar, Richard Leacock, Barbara Moore, Peter Moore, Scott Nygren, John Pruitt, Lauren Rabinovitz, Michael Renov, Jeffrey K. Ruoff, and Maureen Turim.
Maximum Movies—Pulp Fictions
Author: Peter Stanfield
Publisher: Rutgers University Press
ISBN: 081355103X
Category : Performing Arts
Languages : en
Pages : 245
Book Description
In the words of Richard Maltby . . . "Maximum Movies--Pulp Fictions describes two improbably imbricated worlds and the piece of cultural history their intersections provoked." One of these worlds comprises a clutch of noisy, garish pulp movies--Kiss Me Deadly, Shock Corridor, Fixed Bayonets!, I Walked with a Zombie, The Lineup, Terror in a Texas Town, Ride Lonesome--pumped out for the grind houses at the end of the urban exhibition chain by the studios' B-divisions and fly-by-night independents. The other is occupied by critics, intellectuals, cinephiles, and filmmakers such as Jean-Luc Godard, Manny Farber, and Lawrence Alloway, who championed the cause of these movies and incited the cultural guardians of the day by attacking a rigorously policed canon of tasteful, rarified, and ossified art objects. Against the legitimate, and in defense of the illegitimate, in an insolent and unruly manner, they agitated for the recognition of lurid sensational crime stories, war pictures, fast-paced Westerns, thrillers, and gangster melodramas were claimed as examples of the true, the real, and the authentic in contemporary culture--the foundation upon which modern film studies sits.
Publisher: Rutgers University Press
ISBN: 081355103X
Category : Performing Arts
Languages : en
Pages : 245
Book Description
In the words of Richard Maltby . . . "Maximum Movies--Pulp Fictions describes two improbably imbricated worlds and the piece of cultural history their intersections provoked." One of these worlds comprises a clutch of noisy, garish pulp movies--Kiss Me Deadly, Shock Corridor, Fixed Bayonets!, I Walked with a Zombie, The Lineup, Terror in a Texas Town, Ride Lonesome--pumped out for the grind houses at the end of the urban exhibition chain by the studios' B-divisions and fly-by-night independents. The other is occupied by critics, intellectuals, cinephiles, and filmmakers such as Jean-Luc Godard, Manny Farber, and Lawrence Alloway, who championed the cause of these movies and incited the cultural guardians of the day by attacking a rigorously policed canon of tasteful, rarified, and ossified art objects. Against the legitimate, and in defense of the illegitimate, in an insolent and unruly manner, they agitated for the recognition of lurid sensational crime stories, war pictures, fast-paced Westerns, thrillers, and gangster melodramas were claimed as examples of the true, the real, and the authentic in contemporary culture--the foundation upon which modern film studies sits.