Morgan Fisher PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Morgan Fisher PDF full book. Access full book title Morgan Fisher by Morgan Fisher. Download full books in PDF and EPUB format.
Author: Morgan Fisher
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : en
Pages : 288
Get Book
Book Description
For Morgan Fisher a form of appropriation, transformation, irony and lightness are also part of a reflection on the history and the techniques of seeing.This way of reading (art) history and autobiographical traits are characteristic of Morgan Fisher's long awaited writings. In it, Fisher has interwoven each of his works in a cosmos of intellectual figures, autobiographical and historical references.This 'autobiographical part' is complemented by articles on Carl Andre, Blinky Palermo and many more.
Author: Morgan Fisher
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : en
Pages : 288
Get Book
Book Description
For Morgan Fisher a form of appropriation, transformation, irony and lightness are also part of a reflection on the history and the techniques of seeing.This way of reading (art) history and autobiographical traits are characteristic of Morgan Fisher's long awaited writings. In it, Fisher has interwoven each of his works in a cosmos of intellectual figures, autobiographical and historical references.This 'autobiographical part' is complemented by articles on Carl Andre, Blinky Palermo and many more.
Author: Jean-Philippe Antoine
Publisher: Les presses du réel
ISBN: 2840669420
Category : Art
Languages : en
Pages :
Get Book
Book Description
A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices. Positioned at the intersection of cinema, painting, installation, architecture, video, drawing and photography, the work of filmmaker Morgan Fisher remains to be explored, as is its influence on new generations of artists. This collection considers Morgan Fisher's filmography in relation to his other artistic practices, and investigates the very special temporality created by Fisher's structural interventions. The publication gathers researchers, artists and critics, to draw up the unprecedented profile of a work guided by the love of cinema, while going beyond it. Morgan Fisher, an artist and filmmaker, was born in Washington, D.C., in 1942. He received an A.B. in art history from Harvard College, then studied film production in Los Angeles. His early work was predominantly in film. His films have been shown at international film festivals (Berlin, Rotterdam, London, among others) and in one-person screenings or exhibitions at, among other places, Tate Modern, Museum of Modern Art, New York, Whitney Museum of American Art, and Museum of Contemporary Art, Los Angeles. In the early 1990s he started making works on paper, then paintings and sculptures. One-person exhibitions that included examples of such work were at Portikus, Raven Row, Museum Abteiberg, Generali Foundation, and Aspen Art Museum. More recently, he has exhibited photographs. He was in the 1985, 2004, and 2014 Whitney Biennials. A collection of his writings was published in 2012 by Walther König. He has been a visiting teacher at Brown University, California Institute of the Arts, and the University of California, Los Angeles. He lives and works in Los Angeles.
Author: Scott MacDonald
Publisher: CUP Archive
ISBN: 9780521388214
Category : Performing Arts
Languages : en
Pages : 230
Get Book
Book Description
The past thirty years have seen the proliferation of forms of independent cinema that challenge the conventions of mass-market commercial movies from within the movie theatre. Avant-Garde Film examines fifteen of the most suggestive and useful films from this film tradition. The films discussed include No. 4 (Bottoms) by Yoko Ono, Wavelength by Michael Snow, Serene Velocity by Ernie Gehr, Print Generation by J. J. Murphy, Standard Gauge by Morgan Fisher, Zorns Lemma by Hollis Frampton, The Ties that Bind by Su Friedrich, From the Pole to the Equator by Yervant Gianikian and The Carriage Trade by Warren Sonbert. Through in-depth readings of these works, Scott MacDonald takes viewers on a critical circumnavigation of the conventions of movie going as seen by filmmakers who have rebelled against the conventions. MacDonald's discussions do not merely analyse the films; they provide a useful, accessible, jargon-free critical apparatus for viewing avant-garde film and communicate the author's pleasure in exploring 'impenetrable' works.
Author: United States. National Labor Relations Board
Publisher:
ISBN:
Category : Labor laws and legislation
Languages : en
Pages : 1284
Get Book
Book Description
Author: Marijke de Valck
Publisher: Amsterdam University Press
ISBN: 9053567682
Category : Performing Arts
Languages : en
Pages : 239
Get Book
Book Description
They obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as François Truffaut's Hitchcock; they happily subscribe to the Sundance Channel—they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, Cinephilia documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recording devices, online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, Cinephilia breaks new ground for students and scholars alike.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 416
Get Book
Book Description
Author: Morgan Fisher
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 256
Get Book
Book Description
American artist Morgan Fisher became prominent in the early 1970s as an experimental filmmaker in the structuralist milieu, whose main interest was not the content of that depicted but rather the analysis of the medium itself. This title explores Fisher's work.
Author: Morgan Fisher
Publisher:
ISBN: 9783901107641
Category :
Languages : en
Pages : 276
Get Book
Book Description
Author: David James
Publisher: Univ of California Press
ISBN: 9780520938199
Category : Performing Arts
Languages : en
Pages : 572
Get Book
Book Description
Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films, pornography, documentaries, and many other far-flung corners of film culture. This glorious panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true center of avant-garde cinema in the United States. As he brilliantly delineates the cultural perimeter of the film business from the earliest days of cinema to the contemporary scene, David James argues that avant-garde and minority filmmaking in Los Angeles has in fact been the prototypical attempt to create emancipatory and progressive culture. Drawing from urban history and geography, local news reporting, and a wide range of film criticism, James gives astute analyzes of scores of films—many of which are to found only in archives. He also looks at some of the most innovative moments in Hollywood, revealing the full extent of the cross-fertilization the occurred between the studio system and films created outside it. Throughout, he demonstrates that Los Angeles has been in the aesthetic and social vanguard in all cinematic periods—from the Socialist cinemas of the early teens and 1930s; to the personal cinemas of psychic self-investigation in the 1940s; to attempts in the 1960s to revitalize the industry with the counterculture’s utopian visions; and to the 1970s, when African Americans, Asian Americans, Latinos, women, gays, and lesbians worked to create cinemas of their own. James takes us up to the 1990s and beyond to explore new forms of art cinema that are now transforming the representation of Southern California’s geography.
Author: Laura Mulvey
Publisher: Reaktion Books
ISBN: 178914163X
Category : Performing Arts
Languages : en
Pages : 287
Get Book
Book Description
Marking a return for Laura Mulvey to questions of film theory and feminism, as well as a reconsideration of new and old film technologies, this urgent and compelling collection of essays is essential reading for anyone interested in the power and pleasures of moving images. Its title, Afterimages, alludes to the dislocation of time that runs through many of the films and works it discusses as well as to the way we view them. Beginning with a section on the theme of woman as spectacle, a shift in focus leads to films from across the globe, directed by women and about women, all adopting radical cinematic strategies. Mulvey goes on to consider moving image works made for art galleries, arguing that the aesthetics of cinema have persisted into this environment. Structured in three main parts, Afterimages also features an appendix of ten frequently asked questions on her classic feminist essay “Visual Pleasure and Narrative Cinema,” in which Mulvey addresses questions of spectatorship, autonomy, and identity that are crucial to our era today.
