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Author: Stuart Lawrence
Publisher: OUP Oxford
ISBN: 0199659761
Category : History
Languages : en
Pages : 347
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Book Description
Lawrence's volume provides a detailed discussion and analyses of the moral awareness of major characters in Greek tragedy, focusing particularly on the characters' recognition of moral issues and crises, their ability to reflect on them, and their consciousness of doing so. Beginning with a definition of morality and examining the implications of analysing the moral performance of fictional characters, Lawrence considers concepts of the self and the problem of autonomy and personal responsibility in the context of divine intervention, which is a crucial feature of the genre. The volume then moves on to the individual plays (Aeschylus' Seven Against Thebes and Oresteia; Sophocles' Ajax, Trachiniae, Oedipus Tyrannus, Electra, and Philoctetes; and Euripides' Medea, Hecuba, Hippolytus, Heracles, Electra, and Bacchae), focusing in each case on a crisis or crises faced by a major character and examining the background which led to it. Lawrence then considers the individual character's moral response and relates it to the critical issues formulated in the volume's opening discussions. The book will be important to any student of Classical Studies and those in Philosophy or Literature interested in a theoretical discussion of the morality of literary characters.
Author: Stuart Lawrence
Publisher: OUP Oxford
ISBN: 0199659761
Category : History
Languages : en
Pages : 347
Get Book Here
Book Description
Lawrence's volume provides a detailed discussion and analyses of the moral awareness of major characters in Greek tragedy, focusing particularly on the characters' recognition of moral issues and crises, their ability to reflect on them, and their consciousness of doing so. Beginning with a definition of morality and examining the implications of analysing the moral performance of fictional characters, Lawrence considers concepts of the self and the problem of autonomy and personal responsibility in the context of divine intervention, which is a crucial feature of the genre. The volume then moves on to the individual plays (Aeschylus' Seven Against Thebes and Oresteia; Sophocles' Ajax, Trachiniae, Oedipus Tyrannus, Electra, and Philoctetes; and Euripides' Medea, Hecuba, Hippolytus, Heracles, Electra, and Bacchae), focusing in each case on a crisis or crises faced by a major character and examining the background which led to it. Lawrence then considers the individual character's moral response and relates it to the critical issues formulated in the volume's opening discussions. The book will be important to any student of Classical Studies and those in Philosophy or Literature interested in a theoretical discussion of the morality of literary characters.
Author: N. J. Sewell-Rutter
Publisher: Oxford University Press
ISBN: 0199227330
Category : Drama
Languages : en
Pages : 217
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Book Description
Blighted and accursed families are an inescapable feature of Greek tragedy. N.J. Sewell-Rutter gives the familiar issues of inherited guilt, curses, and divine causation a fresh appraisal, with particular reference to Aeschylus' Seven against Thebes and the Phoenician Women of Euripides. All Greek quotations are translated.
Author: Ari Hirvonen
Publisher:
ISBN: 9781910761090
Category : Philosophy
Languages : en
Pages : 344
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Book Description
Ari Hirvonen's profound analysis of Greek tragedies, especially refugee tragedies and Sophocles' Oedipus-trilogy, that presents the sense and ethics of tragedy in a time of rapacious capitalism and ecocatastrophe.
Author: Peter J. Ahrensdorf
Publisher: Cambridge University Press
ISBN: 1139475584
Category : History
Languages : en
Pages : 193
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Book Description
In this book, Peter Ahrensdorf examines Sophocles' powerful analysis of a central question of political philosophy and a perennial question of political life: should citizens and leaders govern political society by the light of unaided human reason or religious faith? Through an examination of Sophocles' timeless masterpieces - Oedipus the Tyrant, Oedipus at Colonus and Antigone - Ahrensdorf offers a sustained challenge to the prevailing view, championed by Nietzsche in his attack on Socratic rationalism, that Sophocles is an opponent of rationalism. Ahrensdorf argues that Sophocles is a genuinely philosophical thinker and a rationalist, albeit one who advocates a cautious political rationalism. Ahrensdorf concludes with an incisive analysis of Nietzsche, Socrates and Aristotle on tragedy and philosophy. He argues, against Nietzsche, that the rationalism of Socrates and Aristotle incorporates a profound awareness of the tragic dimension of human existence and therefore resembles in fundamental ways the somber and humane rationalism of Sophocles.
Author: Emma M. Griffiths
Publisher: Oxford University Press
ISBN: 0192560573
Category : Literary Criticism
Languages : en
Pages : 354
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Book Description
Astyanax is thrown from the walls of Troy; Medeia kills her children as an act of vengeance against her husband; Aias reflects with sorrow on his son's inheritance, yet kills himself and leaves Eurysakes vulnerable to his enemies. The pathos created by threats to children is a notable feature of Greek tragedy, but does not in itself explain the broad range of situations in which the ancient playwrights chose to employ such threats. Rather than casting children in tragedy as simple figures of pathos, this volume proposes a new paradigm to understand their roles, emphasizing their dangerous potential as the future adults of myth. Although they are largely silent, passive figures on stage, children exert a dramatic force that transcends their limited physical presence, and are in fact theatrically complex creations who pose a danger to the major characters. Their multiple projected lives create dramatic palimpsests which are paradoxically more significant than their immediate emotional effects: children are never killed because of their immediate weakness, but because of their potential strength. This re-evaluation of the significance of child characters in Greek tragedy draws on a fresh examination of the evidence for child actors in fifth-century Athens, which concludes that the physical presence of children was a significant factor in their presentation. However, child roles can only be fully appreciated as theatrical phenomena, utilizing the inherent ambiguities of drama: as such, case studies of particular plays and playwrights are underpinned by detailed analysis of staging considerations, opening up new avenues for interpretation and challenging traditional models of children in tragedy.
Author: Richard G. A. Buxton
Publisher: Cambridge University Press
ISBN: 0521241804
Category : History
Languages : en
Pages : 270
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Book Description
In this study, R. G. A. Buxton examines the Greek concept of peitho (persuasion) before analysing plays by Aischylos, Sophokles and Euripides.
Author: P. J. Finglass
Publisher: Cambridge University Press
ISBN: 1108864708
Category : History
Languages : en
Pages : 297
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Book Description
How were women represented in Greek tragedy? This question lies at the heart of much modern scholarship on ancient drama, yet it has typically been approached using evidence drawn only from the thirty-two tragedies that survive complete - neglecting tragic fragments, especially those recently discovered and often very substantial fragmentary papyri from plays that had been thought lost. Drawing on the latest research on both gender in tragedy and on tragic fragments, the essays in this volume examine this question from a fresh perspective, shedding light on important mythological characters such as Pasiphae, Hypsipyle, and Europa, on themes such as violence, sisterhood, vengeance, and sex, and on the methodology of a discipline which needs to take fragmentary evidence to heart in order to gain a fuller understanding of ancient tragedy. All Greek is translated to ensure wide accessibility.
Author: David Stuttard
Publisher: Bloomsbury Publishing
ISBN: 1350320862
Category : Drama
Languages : en
Pages : 265
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Book Description
This is a vital and accessible overview of Greek drama from its origins to its later reception, including chapters on authors and dramas in their social and religious context as well as key aspects such as structure, character, staging and music. With contributions by 13 international scholars, world experts in their field, it provides readers with clear, authoritative, up-to-date considerations of both the theory and practice of Greek drama. While each chapter can stand in isolation, the overall structure takes readers on a natural progression – beginning with sources of evidence and origins, considering the major genres and their authors, examining the traditional Aristotelean components of drama in the context of performance, and ending with later reception. In doing so, it explores Greek drama as at once a religious act, a stage for political propaganda, an opportunity for questioning social issues, and pure entertainment – a stunning melange of poetry, music, dance, and visual spectacle, specific to, yet transcending, its immediate context. Written for students, practitioners and a general readership, it forms part of Bloomsbury's Looking at... series, appealing to the same readership and providing context to existing volumes which focus on individual plays.
Author: Andreas Fountoulakis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311051978X
Category : Literary Criticism
Languages : en
Pages : 387
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Book Description
This collection of essays, published in honour of Professor Georgia Xanthakis-Karamanos, addresses topics which lie at the forefront of current research on the fields of Greek drama and classical reception studies. It brings together internationally distinguished scholars who provide fresh insights into issues pertaining to the origins of Greek tragedy and comedy, their generic identity, the structure, the morality or the divine and human characters emerging from individual plays, the presence of Greek drama outside Athens in post-classical times, the associations between drama and genres such as epic and oratory or even the reception of Greek drama in operatic works such as Wagner’s Tristan und Isolde. Related art forms, such as music, receive particular attention. Focusing on either broader topics or specific texts, the essays of this volume provide a wide range of theoretical perspectives often combining modern critical trends such as reception studies, narratology or cultural studies with close and acute readings of individual passages. The volume is of particular interest to scholars and students of Greek drama and its reception as well as to anyone interested in Greek culture and its various manifestations.
Author: Anna A. Lamari
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311062169X
Category : Literary Criticism
Languages : en
Pages : 734
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Book Description
This volume examines whether dramatic fragments should be approached as parts of a greater whole or as self-contained entities. It comprises contributions by a broad spectrum of international scholars: by young researchers working on fragmentary drama as well as by well-known experts in this field. The volume explores another kind of fragmentation that seems already to have been embraced by the ancient dramatists: quotations extracted from their context and immersed in a new whole, in which they work both as cohesive unities and detachable entities. Sections of poetic works circulated in antiquity not only as parts of a whole, but also independently, i.e. as component fractions, rather like quotations on facebook today. Fragmentation can thus be seen operating on the level of dissociation, but also on the level of cohesion. The volume investigates interpretive possibilities, quotation contexts, production and reception stages of fragmentary texts, looking into the ways dramatic fragments can either increase the depth of fragmentation or strengthen the intensity of cohesion.
