Author: René Rapin
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 548
Book Description
The Whole Critical Works of Monsieur Rapin in Two Volumes
Author: René Rapin
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 548
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 548
Book Description
Cornell Studies in English
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 222
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 222
Book Description
A Bibliography of the Poetics of Aristotle
Author: Lane Cooper
Publisher:
ISBN:
Category :
Languages : en
Pages : 220
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 220
Book Description
The Prose of Things
Author: Cynthia Sundberg Wall
Publisher: University of Chicago Press
ISBN: 022622502X
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
Virginia Woolf once commented that the central image in Robinson Crusoe is an object—a large earthenware pot. Woolf and other critics pointed out that early modern prose is full of things but bare of setting and description. Explaining how the empty, unvisualized spaces of such writings were transformed into the elaborate landscapes and richly upholstered interiors of the Victorian novel, Cynthia Sundberg Wall argues that the shift involved not just literary representation but an evolution in cultural perception. In The Prose of Things, Wall analyzes literary works in the contexts of natural science, consumer culture, and philosophical change to show how and why the perception and representation of space in the eighteenth-century novel and other prose narratives became so textually visible. Wall examines maps, scientific publications, country house guides, and auction catalogs to highlight the thickening descriptions of domestic interiors. Considering the prose works of John Bunyan, Samuel Pepys, Aphra Behn, Daniel Defoe, Samuel Richardson, David Hume, Ann Radcliffe, and Sir Walter Scott, The Prose of Things is the first full account of the historic shift in the art of describing.
Publisher: University of Chicago Press
ISBN: 022622502X
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
Virginia Woolf once commented that the central image in Robinson Crusoe is an object—a large earthenware pot. Woolf and other critics pointed out that early modern prose is full of things but bare of setting and description. Explaining how the empty, unvisualized spaces of such writings were transformed into the elaborate landscapes and richly upholstered interiors of the Victorian novel, Cynthia Sundberg Wall argues that the shift involved not just literary representation but an evolution in cultural perception. In The Prose of Things, Wall analyzes literary works in the contexts of natural science, consumer culture, and philosophical change to show how and why the perception and representation of space in the eighteenth-century novel and other prose narratives became so textually visible. Wall examines maps, scientific publications, country house guides, and auction catalogs to highlight the thickening descriptions of domestic interiors. Considering the prose works of John Bunyan, Samuel Pepys, Aphra Behn, Daniel Defoe, Samuel Richardson, David Hume, Ann Radcliffe, and Sir Walter Scott, The Prose of Things is the first full account of the historic shift in the art of describing.
Literary Knowing in Neoclassical France
Author: Ann T. Delehanty
Publisher: Rowman & Littlefield
ISBN: 1611484898
Category : Literary Criticism
Languages : en
Pages : 221
Book Description
Literary Knowing in Neoclassical France analyzes the work of several literary critics in France and England, at the end of the seventeenth and beginning of the eighteenth centuries, who were inspired by the idea that literature - especially the literary sublime - might offer us the deepest kind of knowledge. Dominique Bouhours, Nicolas Boileau, Ren Rapin, John Dennis, and the abb Dubos believed that literature could deliver truths that transcend our world and were analogous or even equal to the truths of divine revelation. Ann Delehanty argues that this shift towards the transcendental realm pushed the definition of the literary work away from describing its objective properties and towards its effects on the mind of the reader. After placing these ideas about literature in the context of the religious and philosophical thinking of Blaise Pascal, Delehanty traces the evolution of a debate about literature in the writings of the critics in question. They embraced theories of sentiment and the passions as the epistemological means of identifying and knowing the transcendental aspects of a literary work that eventually came to be known as aesthetics. By tracing the historical evolution of the relationship between transcendentalism and aesthetics in French and English neoclassical thought, Literary Knowing in Neoclassical France provides new and engaging insights into an important moment in our literary history.
Publisher: Rowman & Littlefield
ISBN: 1611484898
Category : Literary Criticism
Languages : en
Pages : 221
Book Description
Literary Knowing in Neoclassical France analyzes the work of several literary critics in France and England, at the end of the seventeenth and beginning of the eighteenth centuries, who were inspired by the idea that literature - especially the literary sublime - might offer us the deepest kind of knowledge. Dominique Bouhours, Nicolas Boileau, Ren Rapin, John Dennis, and the abb Dubos believed that literature could deliver truths that transcend our world and were analogous or even equal to the truths of divine revelation. Ann Delehanty argues that this shift towards the transcendental realm pushed the definition of the literary work away from describing its objective properties and towards its effects on the mind of the reader. After placing these ideas about literature in the context of the religious and philosophical thinking of Blaise Pascal, Delehanty traces the evolution of a debate about literature in the writings of the critics in question. They embraced theories of sentiment and the passions as the epistemological means of identifying and knowing the transcendental aspects of a literary work that eventually came to be known as aesthetics. By tracing the historical evolution of the relationship between transcendentalism and aesthetics in French and English neoclassical thought, Literary Knowing in Neoclassical France provides new and engaging insights into an important moment in our literary history.
Shakespeare as a Dramatic Artist
Author: Thomas Raynesford Lounsbury
Publisher:
ISBN:
Category :
Languages : en
Pages : 528
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 528
Book Description
Early English Books, 1641-1700
Author: University Microfilms International
Publisher: Ann Arbor, Mich. : U.M.I.
ISBN: 9780835721028
Category : Reference
Languages : en
Pages : 952
Book Description
Publisher: Ann Arbor, Mich. : U.M.I.
ISBN: 9780835721028
Category : Reference
Languages : en
Pages : 952
Book Description
Shakespearean Wars
Author: Thomas R. Lounsbury
Publisher:
ISBN:
Category :
Languages : en
Pages : 482
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 482
Book Description
Bibliographical Collections and Notes (1474-1700)
Author: William Carew Hazlitt
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 124
Book Description
Collections and Notes, 1867-1876
Author: William Carew Hazlitt
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 124
Book Description