Author: Julie LeBlanc
Publisher:
ISBN: 9780920351505
Category : Autobiography
Languages : fr
Pages : 304
Book Description
L'autobiographique
Author: Julie LeBlanc
Publisher:
ISBN: 9780920351505
Category : Autobiography
Languages : fr
Pages : 304
Book Description
Publisher:
ISBN: 9780920351505
Category : Autobiography
Languages : fr
Pages : 304
Book Description
Philosophy manual: a South-South perspective
Author: Chanthalangsy, Phinith
Publisher: UNESCO Publishing
ISBN: 9231010069
Category : Philosophy
Languages : en
Pages : 236
Book Description
Publisher: UNESCO Publishing
ISBN: 9231010069
Category : Philosophy
Languages : en
Pages : 236
Book Description
Pierre Klossowski
Author: Ian James
Publisher: Routledge
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 288
Book Description
Novelist, essayist, translator and painter Pierre Klossowski (1905- ) is one of the most singular figures in twentieth-century French thought and writing. His readings of Sade and Nietzsche exerted a decisive influence on a subsequent generation of writers including, among others, Deleuze, Lyotard and Foucault. Klossowski is also the author of a number of significant novels, among them the trilogy Les Lois de l'hospitalite and Le Baphomet (winner of the 1965 Prix de Critiques). This is the first book in English devoted to Klossowski's writing, and aims to show the key contribution he makes to the development of post-modern thought and aesthetics. (Legenda 2000)
Publisher: Routledge
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 288
Book Description
Novelist, essayist, translator and painter Pierre Klossowski (1905- ) is one of the most singular figures in twentieth-century French thought and writing. His readings of Sade and Nietzsche exerted a decisive influence on a subsequent generation of writers including, among others, Deleuze, Lyotard and Foucault. Klossowski is also the author of a number of significant novels, among them the trilogy Les Lois de l'hospitalite and Le Baphomet (winner of the 1965 Prix de Critiques). This is the first book in English devoted to Klossowski's writing, and aims to show the key contribution he makes to the development of post-modern thought and aesthetics. (Legenda 2000)
Les Tragiques...
Author: Agrippa d' Aubigné
Publisher:
ISBN: 9781314964714
Category : History
Languages : en
Pages : 458
Book Description
Publisher:
ISBN: 9781314964714
Category : History
Languages : en
Pages : 458
Book Description
Consuming the Past
Author: Elizabeth Emery
Publisher: Routledge
ISBN: 0429840640
Category : History
Languages : en
Pages : 400
Book Description
First published in 2003 Consuming the Past covers pilgrimages to popular festivals, from modern spectacles to advertising, from the work of avant-garde painters to the novels of Emile Zola, and explores the complexity of the fin-de-siècle French fascination with the Middle Ages. The authors map the cultural history of the period from the end of the Franco-Prussian war to the 1905 separation of Church and State illuminating the powerful appeal that the medieval past held for a society undergoing the rapid changes of industrialisation.
Publisher: Routledge
ISBN: 0429840640
Category : History
Languages : en
Pages : 400
Book Description
First published in 2003 Consuming the Past covers pilgrimages to popular festivals, from modern spectacles to advertising, from the work of avant-garde painters to the novels of Emile Zola, and explores the complexity of the fin-de-siècle French fascination with the Middle Ages. The authors map the cultural history of the period from the end of the Franco-Prussian war to the 1905 separation of Church and State illuminating the powerful appeal that the medieval past held for a society undergoing the rapid changes of industrialisation.
Furniture in England, France and the Netherlands from the Twelfth to the Fifteenth Century
Author: Penelope Eames
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 404
Book Description
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 404
Book Description
How to Hold a Crocodile
Author: Diagram Group
Publisher: Firefly Books
ISBN: 9781552978054
Category : Amusements
Languages : en
Pages : 200
Book Description
Explains how to do practical and improbable things, such as how to roast an ox, handle a hamster, photography a fish, play the bagpipes, and vanquish a vampire.].
Publisher: Firefly Books
ISBN: 9781552978054
Category : Amusements
Languages : en
Pages : 200
Book Description
Explains how to do practical and improbable things, such as how to roast an ox, handle a hamster, photography a fish, play the bagpipes, and vanquish a vampire.].
Self Portrait in Green
Author: Marie NDiaye
Publisher: Influx Press
ISBN: 1910312908
Category : Fiction
Languages : en
Pages : 81
Book Description
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Publisher: Influx Press
ISBN: 1910312908
Category : Fiction
Languages : en
Pages : 81
Book Description
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Nadja
Author: André Breton
Publisher: Grove Press
ISBN: 9780802150264
Category : Fiction
Languages : en
Pages : 164
Book Description
"Nadja, " originally published in France in 1928, is the first and perhaps best Surrealist romance ever written, a book which defined that movement's attitude toward everyday life. The principal narrative is an account of the author's relationship with a girl in teh city of Paris, the story of an obsessional presence haunting his life. The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various "surreal" people, places, and objects which the author visits or is haunted by in naja's presence and which inspire him to mediate on their reality or lack of it. "The Nadja of the book is a girl, but, like Bertrand Russell's definition of electricity as "not so much a thing as a way things happen, " Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, k a kind of vision, and the reader sometimes wonders whether she exists at all. yet it is Nadja who gives form and structure to the novel.
Publisher: Grove Press
ISBN: 9780802150264
Category : Fiction
Languages : en
Pages : 164
Book Description
"Nadja, " originally published in France in 1928, is the first and perhaps best Surrealist romance ever written, a book which defined that movement's attitude toward everyday life. The principal narrative is an account of the author's relationship with a girl in teh city of Paris, the story of an obsessional presence haunting his life. The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various "surreal" people, places, and objects which the author visits or is haunted by in naja's presence and which inspire him to mediate on their reality or lack of it. "The Nadja of the book is a girl, but, like Bertrand Russell's definition of electricity as "not so much a thing as a way things happen, " Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, k a kind of vision, and the reader sometimes wonders whether she exists at all. yet it is Nadja who gives form and structure to the novel.
Crow Gulch
Author: Douglas Walbourne-Gough
Publisher: Icehouse Poetry
ISBN: 9781773101019
Category : Poetry
Languages : en
Pages : 0
Book Description
Winner, E.J. Pratt Poetry Award Shortlisted, NL Reads, Derek Walcott Prize for Poetry and Raymond Souster Award Longlisted, First Nation Communities READ Award From the author: I cannot let the story of Crow Gulch -- the story of my family and, subsequently, my own story -- go untold. This book is my attempt to resurrect dialogue and story, to honour who and where I come from, to remind Corner Brook of the glaring omission in its social history. In his debut poetry collection, Douglas Walbourne-Gough reflects on the legacy of a community that sat on the shore of the Bay of Islands, less than two kilometres west of downtown Corner Brook. Crow Gulch began as a temporary shack town to house migrant workers in the 1920s during the construction of the pulp and paper mill. After the mill was complete, some of the residents, many of Indigenous ancestry, settled there permanently -- including the poet's great-grandmother Amelia Campbell and her daughter, Ella -- and those the locals called the "jackytars," a derogatory epithet used to describe someone of mixed French and Mi'kmaq descent. Many remained there until the late 1970s, when the settlement was forcibly abandoned and largely forgotten. Walbourne-Gough lyrically sifts through archival memory and family accounts, resurrecting story and conversation, to patch together a history of a people and place. Here he finds his own identity within the legacy of Crow Gulch and reminds those who have forgotten of a glaring omission in history.
Publisher: Icehouse Poetry
ISBN: 9781773101019
Category : Poetry
Languages : en
Pages : 0
Book Description
Winner, E.J. Pratt Poetry Award Shortlisted, NL Reads, Derek Walcott Prize for Poetry and Raymond Souster Award Longlisted, First Nation Communities READ Award From the author: I cannot let the story of Crow Gulch -- the story of my family and, subsequently, my own story -- go untold. This book is my attempt to resurrect dialogue and story, to honour who and where I come from, to remind Corner Brook of the glaring omission in its social history. In his debut poetry collection, Douglas Walbourne-Gough reflects on the legacy of a community that sat on the shore of the Bay of Islands, less than two kilometres west of downtown Corner Brook. Crow Gulch began as a temporary shack town to house migrant workers in the 1920s during the construction of the pulp and paper mill. After the mill was complete, some of the residents, many of Indigenous ancestry, settled there permanently -- including the poet's great-grandmother Amelia Campbell and her daughter, Ella -- and those the locals called the "jackytars," a derogatory epithet used to describe someone of mixed French and Mi'kmaq descent. Many remained there until the late 1970s, when the settlement was forcibly abandoned and largely forgotten. Walbourne-Gough lyrically sifts through archival memory and family accounts, resurrecting story and conversation, to patch together a history of a people and place. Here he finds his own identity within the legacy of Crow Gulch and reminds those who have forgotten of a glaring omission in history.