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Author: Kathleen A. Pyne
Publisher: Univ of California Press
ISBN: 9780520241893
Category : Art
Languages : en
Pages : 339
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Book Description
Kathleen Pyne adds fascinating but overlooked material to the history of modernism in New York with this book, which accompanies a major exhibition of the artists' works." "With abundant illustrations and detailed discussions of each artist's work, this book argues that O'Keeffe was not the only woman artist in the Stieglitz circle worthy of our contemplation."--BOOK JACKET.
Author: Kathleen A. Pyne
Publisher: Univ of California Press
ISBN: 9780520241893
Category : Art
Languages : en
Pages : 339
Get Book Here
Book Description
Kathleen Pyne adds fascinating but overlooked material to the history of modernism in New York with this book, which accompanies a major exhibition of the artists' works." "With abundant illustrations and detailed discussions of each artist's work, this book argues that O'Keeffe was not the only woman artist in the Stieglitz circle worthy of our contemplation."--BOOK JACKET.
Author: Susan Sniader Lanser
Publisher: Cornell University Press
ISBN: 9780801480201
Category : Fiction
Languages : en
Pages : 304
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Book Description
Annotation Writing from positions of cultural exclusion, women have faced constraints not only upon the "content" of fiction but upon the act of narration itself. Narrative voice thus becomes a matter not simply of technique but of social authority: how to speak publicly, to whom, and in whose name. Susan Sniader Lanser here explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. Drawing upon narratological and feminist theory, Lanser sheds new light on the history of "voice" as a narrative strategy and as a means of attaining social power.
Author: Luke Thurston
Publisher: Routledge
ISBN: 1136282475
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
This book resituates the ghost story as a matter of literary hospitality and as part of a vital prehistory of modernism, seeing it not as a quaint neo-gothic ornament, but as a powerful literary response to the technological and psychological disturbances that marked the end of the Victorian era. Linking little-studied authors like M. R. James and May Sinclair to such canonical figures as Dickens, Henry James, Woolf, and Joyce, Thurston argues that the literary ghost should be seen as no mere relic of gothic style but as a portal of discovery, an opening onto the central modernist problem of how to write ‘life itself.’ Ghost stories are split between an ironic, often parodic reference to Gothic style and an evocation of ‘life itself,’ an implicit repudiation of all literary style. Reading the ghost story as both a guest and a host story, this book traces the ghost as a disruptive figure in the ‘hospitable’ space of narrative from Maturin, Poe and Dickens to the fin de siècle, and then on into the twentieth century.
Author: Gerald Izenberg
Publisher: University of Chicago Press
ISBN: 0226388697
Category : Art
Languages : en
Pages : 279
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Book Description
Modernism and Masculinity argues that a crisis of masculinity among European writers and artists played a key role in the modernist revolution. Gerald Izenberg revises the notion that the feminine provided a premodern refuge for artists critical of individualism and materialism. Industrialization and the growing power of the market inspired novelist Thomas Mann, playwright Frank Wedelind, and painter Wassily Kandinsky to feel the problematic character of their own masculinity. As a result, these artists each came to identify creativity, transcendence, and freedom with the feminine. But their critique of masculinity created enormous challenges: How could they appropriate a feminine aesthetic while retaining their own masculine idenitites? How did appropiating the feminine affect their personal relationships or their political views? Modernism and Masculinity seeks to answer these questions. In this absorbing combination of biography and formal critique, Izenberg reconsiders the works of Mann, Wedekind, Kandinsky and semonstrates how the cirses of masculinity they endure are found not just within the images and forms of their art, but in the distinct and very personal impulses that inspired it.
Author: Kostas Boyiopoulos
Publisher: Routledge
ISBN: 0429537433
Category : Literary Criticism
Languages : en
Pages : 422
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Book Description
Our collection of essays re-evaluates the much critically contested term of Modernism that, eventually, came to be used of the dominant, or paradigmatic, strain of literary discourse in early-twentieth-century culture. Modernism as a category is one which is constantly challenged, hybridised, and fractured by voices operating from inside and outside the boundaries it designates. These concerns are reflected by those figures addressed by our contributors’ chapters, which include Rupert Brooke, G. K. Chesterton, E.M. Forster, Thomas Hardy, M. R. James, C.L.R James, Vernon Lee, D.H. Lawrence, Richard La Galliene, Pamela Colman Smith, Arthur Symons, and H.G. Wells. Alert to these disturbing voices or unsettling presences that vex accounts of an emergent Modernism in late nineteenth-century and early twentieth-century literary cultures predominately between 1890-1939, our volume questions traditional critical mappings, taxonomies, and periodisations of this vital literary cultural moment. Our volume is equally sensitive to how the avant garde felt for those living and writing within the period with a view to offering a renewed sense of the literary and cultural alternatives to Modernism.
Author: Kathleen Pyne
Publisher: Yale University Press
ISBN: 0300249942
Category : Photography
Languages : en
Pages : 245
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Book Description
The life and work of an essential photographer whose feminism and pictorialist images distanced her from the mainstream In the first book devoted to Anne Brigman (1869–1950), Kathleen Pyne traces the groundbreaking photographer’s life from Hawai‘i to the Sierra and elsewhere in California, revealing how her photographs emerged from her experience of local place and cultural politics. Brigman’s work caught the eye of the well-known photographer Alfred Stieglitz, who welcomed her as one of the original members of his Photo-Secession group. He promoted her work as exemplary of his modernism and praised her Sierra landscapes with female nudes—work that at the time separated Brigman from the spiritualized upper-class femininity of other women photographers. Stieglitz later drew on Brigman’s images of the expressive female body in shaping the public persona of Georgia O’Keeffe into his ideal woman artist. This nuanced account reasserts Brigman’s place among photography’s most important early advocates and provides new insight into the gender and racialist dynamics of the early twentieth-century art world, especially on the West Coast of the United States.
Author: Linda M. Grasso
Publisher: University of New Mexico Press
ISBN: 0826358810
Category : Art
Languages : en
Pages : 336
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Book Description
Cover -- Half Title -- Title Page -- Copyright -- Dedication -- Epigraph -- Contents -- Illustrations -- Acknowledgments -- Introduction: Georgia O'Keeffe and Feminism -- Chapter One. Living Feminism in the 1910s -- Chapter Two. The Artist Idea -- Chapter Three. Women in the Picture -- Chapter Four. "You Are No Stranger to Me": Women's Fan Letters -- Chapter Five. Georgia O'Keeffe's Self-Portrait -- Chapter Six. Feminism as Politics and Art -- Notes -- Bibliography -- Index
Author: Ellie M. Hisama
Publisher: Cambridge University Press
ISBN: 0521028434
Category : Music
Languages : en
Pages : 221
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Book Description
This book explores the work of three significant American women composers of the twentieth century: Ruth Crawford, Marion Bauer and Miriam Gideon. It offers information on both their lives and music and skillfully interweaves history and musical analysis in ways that both the specialist and the more general reader will find compelling. Ellie Hisama suggests that recognising the impact of a composer's identity on the music itself imparts valuable ways of hearing and understanding these works and breaks important new ground towards constructing a feminist music theory.
Author: Nancy J. Scott
Publisher: Reaktion Books
ISBN: 178023466X
Category : Biography & Autobiography
Languages : en
Pages : 255
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Book Description
Georgia O’Keeffe, the most famous woman artist of American modernism and a pioneer in abstract art, created a vision without precedent. She expressed the grandeur of her world in the Southwest, from the high desert mesas to the smallest flower, with fierce independence. And a separate world has risen up around her fame: from the photographic nudes of her by Alfred Stieglitz to the iconic images of her, years later, set in the stunning landscapes of New Mexico. In this book, Nancy J. Scott draws on extensive sources—including many of O’Keeffe’s letters—to offer a sensitive and incisive examination of her groundbreaking works, their evolution, and how their reception has been caught in conflicts between O’Keeffe’s inner self and public persona. Following the young artist as her path-breaking, abstract charcoal landscapes caught the attention of gallery impresario Stieglitz, Scott tells the story of their partnership, of Stieglitz’s nudes, and the development of O’Keeffe’s early reputation as a sexually inspired, Freudian-minded artist. Scott explores the independent expression that O’Keeffe forged in opposition to the interpretations of her abstract work and the hybrid space that O’Keeffe’s works came to inhabit. Ultimately, she blended the abstract with the real in interpretations of flowers, bones, shells, rocks, and landscapes, which would become her hallmark subjects. Unique to this biography is the inclusion of her letters—which have only recently been made available. They show that her words can be just as revelatory as her paintings, and they offer the intimate voice of an artist alive in an era of great artistic development. The result is a succinct yet comprehensive account of one of the most prolific and important artists of the twentieth century.
Author: Christine Froula
Publisher: Columbia University Press
ISBN: 023110443X
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
Froula argues that James Joyce's modernist portraits of the artist are also portraits of his culture.
