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Author:
Publisher:
ISBN:
Category : Philology, Modern
Languages : en
Pages : 1016
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Book Description
Author:
Publisher:
ISBN:
Category : Philology, Modern
Languages : en
Pages : 1016
Get Book Here
Book Description
Author: Cynthia J. Miller
Publisher: McFarland
ISBN: 1476671303
Category : Performing Arts
Languages : en
Pages : 269
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Book Description
From Faust (1926) to The Babadook (2014), books have been featured in horror films as warnings, gateways, prisons and manifestations of the monstrous. Ancient grimoires such as the Necronomicon serve as timeless vessels of knowledge beyond human comprehension, while runes, summoning diaries, and spell books offer their readers access to the powers of the supernatural--but at what cost? This collection of new essays examines nearly a century of genre horror in which on-screen texts drive and shape their narratives, sometimes unnoticed. The contributors explore American films like The Evil Dead (1981), The Prophecy (1995) and It Follows (2014), as well as such international films as Eric Valette's Malefique (2002), Paco Cabeza's The Appeared (2007) and Lucio Fulci's The Beyond (1981).
Author: Timothy Barker
Publisher: Bloomsbury Publishing USA
ISBN: 1501363840
Category : Social Science
Languages : en
Pages : 346
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Book Description
What happens when communication breaks down? Is it the condition for mistakes and errors that is characteristic of digital culture? And if mistakes and errors have a certain power, what stands behind it? To address these questions, this collection assembles a range of cutting-edge philosophical, socio-political, art historical and media theoretical inquiries that address contemporary culture as a terrain of miscommunication. If the period since the industrial revolution can be thought of as marked by the realisation of the possibilities for global communication, in terms of the telephone, telegraph, television, and finally the internet, Miscommunications shows that to think about the contemporary historical moment, a new history and theory of these devices needs to be written, one which illustrates the emergence of the current cultures of miscommunication and the powers of the false. The essays in the book chart the new conditions for discourse in the 21st century and collectively show how studies of communication can be refigured when we focus on the capacity for errors, accidents, mistakes, malfunctions and both intentional and non-intentional miscommunications.
Author: Federico Windhausen
Publisher: John Wiley & Sons
ISBN: 111910792X
Category : Performing Arts
Languages : en
Pages : 484
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Book Description
An exploration of what experimental cinema was, is, and might become A Companion to Experimental Cinema is a collection of original essays organized around both theoretical and historical issues of concern to film scholars, programmers, filmmakers, and viewers. Newly-commissioned essays written by specialists in the field, along with dialogues conducted with a diverse range of practitioners, focus on core subjects to present an international array of overlapping and contrasting perspectives. This unique text not only provides detailed accounts of particular films and filmmakers, but also discusses new approaches of understanding, characterizing, and shaping experimental cinema. The Companion offers readers an accessible point of entry to the material while seeking to contribute to scholarly debates. Essays explore a wide range of topics within the realm of experimental film, including the shift from traditional biography to broader contexts, the increased attention afforded to local and transnational circuits of exchange, and the deepening of theoretical considerations regarding cultural identity and cinematic aesthetics. Key themes and concepts are inter-woven throughout the text, offering fresh perspectives on experimental cinema’s dialogues with other modes and practices of film and video, its interactions with the non-cinematic arts, its responses to changing technological landscapes, and more. An essential addition to the field, the Companion: Balances introductory summaries and scholarly dialogue with existing literature Explores how the study of experimental cinema can benefit from scholarship in other disciplines Includes numerous analyses of films that are readily available to view via digital media Discusses both canonical and obscure or neglected works Examines the effects of the growing diversification of experimental film scholarship A Companion to Experimental Cinema is a valuable resource for scholars of film studies and art history, curators and programmers, critics and bloggers, filmmakers and artists, and anyone interested in exploring experimental or avant-garde cinema.
Author: Stanislava Dikova
Publisher: Bloomsbury Publishing USA
ISBN: 1501387383
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
Love and the Politics of Intimacy articulates the concept of love within the relationship between the intimate and the social, rethinking how intimacy is conceived and experienced in the context of 21st-century neoliberalism. Reflecting on experiences of intimate, romantic and sexual love, and the role of individual identity, these essays explore historical trajectories that have culminated in particular, contemporary experiences of intimate love. Politically, this work links identity and articulation of the self to liberatory practices in the arenas of friendship, romance and sex. This interdisciplinary exploration of what love means in the 21st century incorporates academic writing and original creative work from established and emerging scholars around the globe. Essays from across the humanities and social sciences – including literary studies, sociology, psychology, philosophy and gender studies – interrogate the role of relational intimacy on topics of 'Love and Romance', 'Love and Liberation' and 'Love and Technologies of Intimacy'. The volume looks at the past, present and future in search of inspiration for transforming and re-charting the pathways of love, seeking a more diverse and emancipatory model of social life and what it would take to restore love to social and institutional spaces.
Author: R. Jon McGee
Publisher: Rowman & Littlefield
ISBN: 1538183927
Category : Social Science
Languages : en
Pages : 847
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Book Description
Anthropological Theory: An Introductory History presents a selection of critical essays in anthropology from 1860 to the present day. Classic authors such as Marx, Durkheim, Boas, Malinowski and Douglas are joined by contemporary thinkers including Das, Ortner, Boellstorff and Simpson. McGee and Warms’ detailed introductions examine critical developments in theory, introduce key people, and discuss historical and personal influences on theorists. In extensive footnotes, the editors provide commentary that puts the writing in historical and cultural context, defines unusual terms, translates non-English phrases, identifies references to other scholars and their works, and offers paraphrases and summaries of complex passages. The notes identify and provide background information on concepts important in the development of anthropology. New to the Eighth Edition: “Anthropology, Decolonization and Whiteness” puts the anthropology of resistance in historical context, explores the history of the anthropology of decolonization and whiteness, and presents some recent controversies in anthropology “Phenomenological Anthropology and The Anthropology of the Good” broadens the focus of the previous anthropology of the good section to provide a more diverse overview of philosophical anthropology. Revised introductions to every section in the book offer suggested readings for important works in each area beyond what’s offered in the text New readings include works by Sherry Ortner, Michel-Rolf Trouillot, Jason Throop, Audra Simpson, and Orisanmi Burton
Author: Colleen Lucey
Publisher: Cornell University Press
ISBN: 1501758888
Category : History
Languages : en
Pages : 270
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Book Description
Love for Sale is the first study to examine the ubiquity of commercial sex in Russian literary and artistic production from the nineteenth century through the fin de siècle. Colleen Lucey offers a compelling account of how the figure of the sex worker captivated the public's imagination through depictions in fiction and fine art, bringing to light how imperial Russians grappled with the issue of sexual commerce. Studying a wide range of media—from little-known engravings that circulated in newspapers to works of canonical fiction—Lucey shows how writers and artists used the topic of prostitution both to comment on women's shifting social roles at the end of tsarist rule and to express anxieties about the incursion of capitalist transactions in relations of the heart. Each of the book's chapters focus on a type of commercial sex, looking at how the street walker, brothel worker, demimondaine, kept woman, impoverished bride, and madam traded in sex as a means to acquire capital. Lucey argues that prostitution became a focal point for imperial Russians because it signaled both the promises of modernity and the anxieties associated with Westernization. Love for Sale integrates historical analysis, literary criticism, and feminist theory and conveys how nineteenth-century beliefs about the "fallen woman" drew from medical, judicial, and religious discourse on female sexuality. Lucey invites readers to draw a connection between rhetoric of the nineteenth century and today's debate on sex workers' rights, highlighting recent controversies concerning Russian sex workers to show how imperial discourse is recycled in the twenty-first century.
Author: Richard Hillman
Publisher: Manchester University Press
ISBN: 1526144093
Category : Drama
Languages : en
Pages : 317
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Book Description
In exploring links between the early modern English theatre and France, Richard Hillman focuses on Shakespeare’s deployment of genres whose dominant Italian models and affinities might seem to leave little scope for French ones. The author draws on specific and unsuspected points of contact, whilst also pointing out a broad tendency by the dramatist, to draw on French material, both dramatic and non-dramatic, to inflect comic forms in potentially tragic directions. The resulting internal tensions are evident from the earliest comedies to the latest tragicomedies (or ‘romances’). While its many original readings will interest specialists and students of Shakespeare, this book will have broader appeal: it contributes significantly, from an unfamiliar angle, to the contemporary discourse concerned with early modern English culture within the European context. At the same time, it is accessible to a wide range of readers, with translations provided for all non-English citations.
Author: Natalie Jayne Goodison
Publisher: University of Wales Press
ISBN: 1786838419
Category : History
Languages : en
Pages : 167
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Book Description
Birds have always been a popular and accessible subject, but most books about medieval birds are an overview of their symbolism generally: owl for ill-omen, the pelican as a Eucharistic image and the like. The unique selling point of this book is to focus on one bird and explore it in detail from medieval reality to artistic concept. This book also traces how and why the medieval perception of the swan shifted from hypocritical to courtly within the medieval period. With special attention to ‘The Knight of the Swan’, the book traces the rise and popularity of the medieval swan through literature, history, courtly practices, and art. The book uses thoroughly readable language to appeal to a wide audience and explains some of the reasons why the swan holds such resonance today by covering views of the swan from classic to early modern times.
Author: Kristin M.S. Bezio
Publisher: Edward Elgar Publishing
ISBN: 1788979265
Category : Business & Economics
Languages : en
Pages : 245
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Book Description
Leadership, Populism, and Resistance draws upon the study of history, politics, policy, media, virtue, and heroism to examine the ways in which populism and popular movements have evolved, what we have learned (and failed to learn) from them, how we depict and discuss them through popular media and the press, and, finally, how we can understand virtue and heroism as a consequence—or reaction—to populism and popularity.
