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Author: Paul Hammond
Publisher: Oxford University Press
ISBN: 0198810113
Category : Literary Criticism
Languages : en
Pages : 498
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Book Description
Every major poet or philosopher develops their own distinctive semantic field around those terms which matter most to them, or which contribute most profoundly to the imagined world of a particular work. This book explores the specific meanings which Milton develops around key words in Paradise Lost. Some of these are theological or philosophical terms (e.g. 'evil', 'grace', 'reason'); others are words which shape the imagined world of the poem (e.g. 'dark', 'fall', 'within'); yet others are small words or even prefixes which subtly move the argument in new directions (e.g. 'if', 'not', 're-'). Milton seems to expect his readers to be alert to the special semantic field which he creates around such words, often by infusing them with biblical and literary connotations, and activating their etymological roots; alert also to the patterns created by the repetitions of such words, and particularly to their diverse use (and often their blatant misuse) by different characters. To understand the migrations and malleability of key words is part of the education of Milton's reader.
Author: Paul Hammond
Publisher: Oxford University Press
ISBN: 0198810113
Category : Literary Criticism
Languages : en
Pages : 498
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Book Description
Every major poet or philosopher develops their own distinctive semantic field around those terms which matter most to them, or which contribute most profoundly to the imagined world of a particular work. This book explores the specific meanings which Milton develops around key words in Paradise Lost. Some of these are theological or philosophical terms (e.g. 'evil', 'grace', 'reason'); others are words which shape the imagined world of the poem (e.g. 'dark', 'fall', 'within'); yet others are small words or even prefixes which subtly move the argument in new directions (e.g. 'if', 'not', 're-'). Milton seems to expect his readers to be alert to the special semantic field which he creates around such words, often by infusing them with biblical and literary connotations, and activating their etymological roots; alert also to the patterns created by the repetitions of such words, and particularly to their diverse use (and often their blatant misuse) by different characters. To understand the migrations and malleability of key words is part of the education of Milton's reader.
Author: Michael Cavanagh
Publisher: Catholic University of America Press
ISBN: 0813232465
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
A record of a teacher’s lifelong love affair with the beauty, wit, and profundity of Paradise Lost, celebrating John Milton’s un-doctrinal, complex, and therefore deeply satisfying perception of the human condition. After surveying Milton’s recurrent struggle as a reconciler of conflicting ideals, this Primer undertakes a book-by-book reading of Paradise Lost, reviewing key features of Milton’s “various style,” and why we treasure that style. Cavanagh constantly revisits Milton the singer and maker, and the artistic problems he faced in writing this almost impossible poem. This book is emphatically for first-time readers of Milton, with little or no prior exposure, but with ambition to encounter challenging poetry. These are readers who tell you they “have always been meaning to read Paradise Lost,” who seek to enjoy the epic without being overwhelmed by its daunting learning and expansive frame of reference. Avoiding the narrowly specialized focus of most Milton scholarship, Cavanagh deals forthrightly with issues that recur across generations of readers, gathering selected voices—from scholars and poets alike—from 1674 through the present. Lively and jargon-free, this Primer makes Paradise Lost accessible and fresh, offering a credible beginning to what is a great intellectual and aesthetic adventure.
Author: John Milton
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 464
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Book Description
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
Author: Denise Gigante
Publisher: Yale University Press
ISBN: 0300133057
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
div What does eating have to do with aesthetic taste? While most accounts of aesthetic history avoid the gustatory aspects of taste, this book rewrites standard history to uncover the constitutive and dramatic tension between appetite and aesthetics at the heart of British literary tradition. From Milton through the Romantics, the metaphor of taste serves to mediate aesthetic judgment and consumerism, gusto and snobbery, gastronomes and gluttons, vampires and vegetarians, as well as the philosophy and physiology of food. The author advances a theory of taste based on Milton’s model of the human as consumer (and digester) of food, words, and other commodities—a consumer whose tasteful, subliminal self remains haunted by its own corporeality. Radically rereading Wordsworth’s feeding mind, Lamb’s gastronomical essays, Byron’s cannibals and other deviant diners, and Kantian nausea, Taste resituates Romanticism as a period that naturally saw the rise of the restaurant and the pleasures of the table as a cultural field for the practice of aesthetics. /DIV
Author: Annabel Patterson
Publisher: OUP Oxford
ISBN: 0191571504
Category : Literary Collections
Languages : en
Pages : 221
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Book Description
Milton's Words approaches John Milton in both an old and a new way, focusing on his genius with words: keywords - the keys to a text or a theory; words of sexual avoidance and distress; words of abuse; words of privilege because 'Scripture'; big learned words; and cunning little words, easily overlooked. After a short account of Milton's life as a writer, Patterson guides us through most of the poetry and polemical prose, all too often kept in separate compartments. She shows how new challenges and crises required shifts in vocabulary, as well as changes in Milton's views. What do Milton's words look like when we acknowledge their freight of personal and political history; when we track them from text to text; when we consider not only the big, important, learned words but also the very small ones, such as 'perhaps', which Milton deployed with consummate skill at some crucial moments in both poetry and prose, or the phrase 'he who', which replicates the Latinate 'ille qui', but to which Milton gives a psychological twist; when we consider not only word frequency, but infrequency, uniqueness or near uniqueness, as a signal of Milton's interest in a word; when we tackle these issues in the Latin texts for which there is not, as yet, a concordance; when we consider the possibility that certain words gain or lose value for Milton as he proceeds through his writer's life, and that certain words become keywords to a particular text, as 'book' becomes to Areopagitica; when we reconsider the question of Milton's coinages not from the stern legalistic perspective as to whether he should have made them, but why he needed them? No one person could complete all these tasks, and nobody would wish to read a book that appeared to have completed them. Understanding Milton's words is, and should remain, a work in progress. But close attention to Milton's words is not all that this book offers. It tells a slightly different story about Milton himself than the ones we have been used to. Starting with an abbreviated 'writer's life', it explains the shape of Milton's writing career, the life-long tension between his literary ambitions and the pressure of exhilarating political circumstances. The Milton you will find here walked no straight path from his Cambridge degree to the epic he had been talking of writing when he was still at university, but instead cut his teeth as a writer in an entirely different field, political controversy. The effect on his vocabulary of his campaign to reform his country's church government and its divorce laws was galvanic, not least because he had to reconstitute his own image from that of a shy and bookish person to that of a crusader. He discovered that he enjoyed not only verbal conflict, but also mudslinging, and rude words became part of his arsenal in his very first prose tract. 'Marriage' and 'divorce', on the other hand, became loaded words for Milton for personal reasons, and he developed a new set of verbal resources, which Patterson calls 'words of avoidance', to help him tackle the subject. He never got over the experience of writing the divorce tracts. It was still on his mind when at the end of his life he revised his Latin treatise on theology, De Doctrina Christiana. Then, for about a decade, he was called upon to justify the Long Parliament's execution of Charles I, which forced him to come to terms with the political keywords of his generation, words such as 'king', 'liberty', 'tyranny', and 'the people'. When the republican experiment collapsed on the death of Oliver Cromwell, after one last brave salvo against the restoration of the monarchy Milton retired back into the role of private intellectual and poet.
Author: David Parry
Publisher: Bloomsbury Publishing
ISBN: 1350165158
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
This rhetorical study of the persuasive practice of English Puritan preachers and writers demonstrates how they appeal to both reason and imagination in order to persuade their hearers and readers towards conversion, assurance of salvation and godly living. Examining works from a diverse range of preacher-writers such as William Perkins, Richard Sibbes, Richard Baxter and John Bunyan, this book maps out continuities and contrasts in the theory and practice of persuasion. Tracing the emergence of Puritan allegory as an alternative, imaginative mode of rhetoric, it sheds new light on the paradoxical question of how allegories such as John Bunyan's The Pilgrim's Progress came to be among the most significant contributions of Puritanism to the English literary canon, despite the suspicions of allegory and imagination that were endemic in Puritan culture. Concluding with reflections on how Milton deploys similar strategies to persuade his readers towards his idiosyncratic brand of godly faith, this book makes an original contribution to current scholarly conversations around the textual culture of Puritanism, the history of rhetoric, and the rhetorical character of theology.
Author: C. S. Lewis
Publisher: Cosimo, Inc.
ISBN: 1596053720
Category : Poetry
Languages : en
Pages : 89
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Book Description
@Published in 1919 when Lewis was only twenty, these early poems give an insight into the author's youthful agnosticism. The poems are written in various metrical forms, but are unified by a central idea, expressing his conviction that nature was malevolent and beauty the only true spirituality. Preface by Walter Hooper.@@
Author: BookCaps
Publisher: BookCaps Study Guides
ISBN: 1621072126
Category : Fiction
Languages : en
Pages : 1596
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Book Description
John Milton put a twist on the story of Adam and Eve--in the process he created what some have called one of the greatest literary works in the English Language. It has inspired music, art, film, and even video games. But it's hundreds of years old and reading it today sometimes is a little tough. BookCaps is here to help! BookCaps puts a fresh spin on Milton’s classic by using language modern readers won't struggle to make sense of. The original English text is also presented in the book, along with a comparable version of both text. We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCapsTM can help. We are a small, but growing company, and are adding titles every month.
Author: Stephen B. Dobranski
Publisher: Cambridge University Press
ISBN: 1107094399
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
Milton's Visual Imagination contends that Milton enriches his biblical source text with acute and sometimes astonishing visual details.
