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Author: John Stevens
Publisher: London : Hutchinson
ISBN:
Category : English poetry
Languages : en
Pages : 264
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Book Description
Author: John Stevens
Publisher: London : Hutchinson
ISBN:
Category : English poetry
Languages : en
Pages : 264
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Book Description
Author: John Stevens
Publisher:
ISBN:
Category : Romances History and Criticism
Languages : en
Pages : 255
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Book Description
Author: Derek Brewer
Publisher: Boydell & Brewer Ltd
ISBN: 9780859912471
Category : English literature
Languages : en
Pages : 216
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Book Description
Interest in the literary form of romance has greatly increased over the past few years and begins to equal that of tragedy. Romance is seen as a potent model of life equal but opposite to tragedy. The modern widespread realisation that art its most powerful is not necessarily a direct realistic 'imitation' or mimesis of ordinary life, together with the accompanying interest in fantasy, folktale and science fiction, have all opened out new vistas of literary experience.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 252
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Book Description
Author: Corinne J. Saunders
Publisher: Boydell & Brewer
ISBN: 1843842211
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
"This study looks at a wide range of medieval Englisih romance texts, including the works of Chaucer and Malory, from a broad cultural perspective, to show that while they employ magic in order to create exotic, escapist worlds, they are also grounded in a sense of possibility, and reflect a complex web of inherited and current ideas." --Book Jacket.
Author: Phillipa Hardman
Publisher: DS Brewer
ISBN: 9780859917612
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
Twelve essays address a central concern of medieval romance, the matter of identity. Identity is a central concern of medieval romance. Here it is approached through essays on issues of origin and parentage, transformation and identity, and fundamental questions of what constitutes the human. The construction of knightly identity through education and testing is explored, and placed in relation to female identity; the significance of the motif of doubling is studied. Shifting perceptions of identities are traced through the histories of specific texts, and the identity of romance itself is the subject of several essays discussing ideas of genre (the overlap between romance and hagiography is a theme linking a number of articles in the collection). Medieval romanceis shown as a marketable commodity in the printed output of William Copland, and as an opportunity for literary experimentation in the work of John Metham. The texts discussed include: Chevalere Assigne, Sir Gowther, Sir Ysumbras, Beves of Hamtoun, Robert of Cisyle, the Fierabras romances, Breton lays, Thomas's Tristan and Marie de France's Eliduc. Contributors: W.A. DAVENPORT, JOANNE CHARBONNEAU, CORINNE SAUNDERS, AMANDA HOPKINS, MORGAN DICKSON, MARIANNE AILES, JUDITH WEISS, JOHN SIMONS, RHIANNON PURDIE, MALDWYN MILLS, A.S.G. EDWARDS, ROGER DALRYMPLE.
Author: K.S. Whetter
Publisher: Routledge
ISBN: 1317004922
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Unique in combining a comprehensive and comparative study of genre with a study of romance, this book constitutes a significant contribution to ongoing critical debates over the definition of romance and the genre and artistry of Malory's Morte Darthur. K.S. Whetter offers an original approach to these issues by prefacing a comprehensive study of romance with a wide-ranging and historically diverse study of genre and genre theory. In doing so Whetter addresses the questions of why and how romance might usefully be defined and how such an awareness of genre-and the expectations that come with such awareness-impact upon both our understanding of the texts themselves and of how they may have been received by their contemporary medieval audiences. As an integral part the study Whetter offers a detailed examination of Sir Thomas Malory's Le Morte Darthur, a text usually considered a straightforward romance but which Whetter argues should be re-classified and reconsidered as a generic mixture best termed tragic-romance. This new classification is important in helping to explain a number of so-called inconsistencies or puzzles in Malory's text and further elucidates Malory's artistry. Whetter offers a powerful meditation upon genre, romance and the Morte which will be of interest to faculty, graduate students and undergraduates alike.
Author: Katherine C. Little
Publisher: Oxford University Press
ISBN: 0192514369
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Medieval romances with their magic fountains, brave knights, and beautiful maidens have come to stand for the Middle Ages more generally. This close connection between the medieval and the romance has had consequences for popular conceptions of the Middle Ages, an idealized fantasy of chivalry and hierarchy, and also for our understanding of romances, as always already archaic, part of a half-forgotten past. And yet, romances were one of the most influential and long-lasting innovations of the medieval period. To emphasize their novelty is to see the resources medieval people had for thinking about their contemporary concern and controversies, whether social order, Jewish/ Christian relations, the Crusades, the connectivity of the Mediterranean, women's roles as mothers, and how to write a national past. This volume takes up the challenge to 'think romance', investigating the various ways that romances imagine, reflect, and describe the challenges of the medieval world.
Author: Roberta L. Krueger
Publisher: Cambridge University Press
ISBN: 9780521556873
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
This Companion presents fifteen original and engaging essays by leading scholars on one of the most influential genres of Western literature. Chapters describe the origins of early verse romance in twelfth-century French and Anglo-Norman courts and analyze the evolution of verse and prose romance in France, Germany, England, Italy, and Spain throughout the Middle Ages. The volume introduces a rich array of traditions and texts and offers fresh perspectives on the manuscript context of romance, the relationship of romance to other genres, popular romance in urban contexts, romance as mirror of familiar and social tensions, and the representation of courtly love, chivalry, 'other' worlds and gender roles. Together the essays demonstrate that European romances not only helped to promulgate the ideals of elite societies in formation, but also held those values up for questioning. An introduction, a chronology and a bibliography of texts and translations complete this lively, useful overview.
Author: Nicholas Perkins
Publisher: Boydell & Brewer Ltd
ISBN: 1843843900
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Studies of how the physical manifests itself in medieval romance - and medieval romances as objects themselves. Medieval romance narratives glitter with the material objects that were valued and exchanged in late-medieval society: lovers' rings and warriors' swords, holy relics and desirable or corrupted bodies. Romance, however, is also agenre in which such objects make meaning on numerous levels, and not always in predictable ways. These new essays examine from diverse perspectives how romances respond to material culture, but also show how romance as a genre helps to constitute and transmit that culture. Focusing on romances circulating in Britain and Ireland between the twelfth and sixteenth centuries, individual chapters address such questions as the relationship between objects and protagonists in romance narrative; the materiality of male and female bodies; the interaction between visual and verbal representations of romance; poetic form and manuscript textuality; and how a nineteenth-century edition of medieval romances provoked artists to homage and satire. NICHOLAS PERKINS is Associate Professor and Tutor in English at St Hugh's College, University of Oxford. Contributors: Siobhain Bly Calkin, Nancy Mason Bradbury, Aisling Byrne, Anna Caughey, Neil Cartlidge, Mark Cruse, Morgan Dickson, Rosalind Field, Elliot Kendall, Megan G. Leitch, Henrike Manuwald, Nicholas Perkins, Ad Putter, Raluca L. Radulescu, Robert Allen Rouse,