Medieval Architectural Drawing PDF Download
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Author: Arnold Pacey
Publisher: History Press
ISBN: 9780752444048
Category : Architecture
Languages : en
Pages : 0
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Book Description
How monuments such as Wells Cathedral or York Minster were conceived and built will always excite wonder, but for the first time this book presents newly discovered clues based on some of the builders' drawings. It also offers a long view of craftsmen's drawing techniques over five centuries. Several of the discovered drawings are on plaster tracing floors or on walls, but drawings on parchment and paper are also considered. The author also investigates the drawing techniques of carpenters and wood-carvers. He shows that the medieval drawing techniques continued in use after the end of the Middle Ages, and demonstrates how craftsmen working for Christopher Wren used some of the old techniques. This is a work of major importance for all architectural historians and medieval historians.
Author: Arnold Pacey
Publisher: History Press
ISBN: 9780752444048
Category : Architecture
Languages : en
Pages : 0
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Book Description
How monuments such as Wells Cathedral or York Minster were conceived and built will always excite wonder, but for the first time this book presents newly discovered clues based on some of the builders' drawings. It also offers a long view of craftsmen's drawing techniques over five centuries. Several of the discovered drawings are on plaster tracing floors or on walls, but drawings on parchment and paper are also considered. The author also investigates the drawing techniques of carpenters and wood-carvers. He shows that the medieval drawing techniques continued in use after the end of the Middle Ages, and demonstrates how craftsmen working for Christopher Wren used some of the old techniques. This is a work of major importance for all architectural historians and medieval historians.
Author: Melanie Holcomb
Publisher: Metropolitan Museum of Art
ISBN: 1588393186
Category : Drawing, Medieval
Languages : en
Pages : 204
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Book Description
Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.
Author: Robert Bork
Publisher: Routledge
ISBN: 1351888978
Category : History
Languages : en
Pages : 783
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Book Description
The flowering of Gothic architecture depended to a striking extent on the use of drawing as a tool of design. By drawing precise "blueprints" with simple tools such as the compass and straightedge, Gothic draftsmen were able to develop a linearized architecture of unprecedented complexity and sophistication. Examination of their surviving drawings can provide valuable and remarkably intimate information about the Gothic design process. Gothic drawings include compass pricks, uninked construction lines, and other telltale traces of the draftsman's geometrically based working method. The proportions of the drawings, moreover, are those actually intended by the designer, uncompromised by errors introduced in the construction process. All of these features make these drawings ideal subjects for the study of Gothic design practice, but their geometry has to date received little systematic attention. This book offers a new perspective on Gothic architectural creativity. It shows, in a series of rigorous geometrical case studies, how Gothic design evolved over time, in two senses: in the hours of the draftsman's labor, and across the centuries of the late Middle Ages. In each case study, a series of computer graphics show in unprecedented detail how a medieval designer could have developed his architectural concept step by step, using only basic geometrical operations. Taken together, these analyses demonstrate both remarkable methodological continuity across the Gothic era, and the progressive development of new and sophisticated permutations on venerable design themes. This rich tradition ultimately gave way in the Renaissance not because of any inherent problem with Gothic architecture, but because the visual language of Classicism appealed more directly to the pretensions of Humanist princes than the more abstract geometrical order of Gothic design, as the book's final chapter demonstrates.
Author: Costanza Beltrami
Publisher: Paul Holberton Publishing
ISBN: 9781907372933
Category : Architecture
Languages : en
Pages : 0
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Book Description
Prompted by the recent discovery of a 3-metre tall Gothic drawing of a soaring tower that was never built, this book offers a rare insight into the processes of designing and building a major Gothic project. Who drew this, and when? This book explores these questions, and uncovers the dramatic circumstances in which the drawing was created.
Author: Robert Odell Bork
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409422280
Category : Architecture
Languages : en
Pages : 260
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Book Description
The contributors to this book are among those at the forefront of the emergence of new critical perspectives and new technologies. Several of the essays present dramatic reinterpretations of canonical monuments; consider broader methodological issues such as the applications of geometry, workshop practice, and the shaping of historical narratives; and others demonstrate how high-tech scanning and visualization methods can enhance our understanding of construction methods and the behavior of buildings.
Author: Jim Bradbury
Publisher: Simon and Schuster
ISBN: 164313633X
Category : History
Languages : en
Pages : 236
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Book Description
A rousing historical narrative of the best-known and arguably most significant battle in English history. The effects of the Battle of Hastings were deeply felt at the time, causing a lasting shift in British cultural identity and national pride. Jim Bradbury explores the full military background of the battle and investigates both what actually happened on that fateful day in 1066 and the role that the battle plays in the British national myth. The Battle of Hastings starts by looking at the Normans—who they were, where they came from—and the career of William the Conqueror before 1066. Next, the narrative turns to the Saxons in England, and to Harold Godwineson, successor to Edward the Confessor, and his attempts to create unity in the divided kingdom. This provides the background to an examination of the military development of the two sides up to 1066, detailing differences in tactics, arms, and armor. The core of the book is a move-by-move reconstruction of the battle itself, including the advance planning, the site, the composition of the two armies, and the use of archers, feigned retreats, and the death of Harold Godwineson. In looking at the consequences of the battle, Jim Bradbury deals with the conquest of England and the ongoing resistance to the Normans. The effects of the conquest are also seen in the creation of castles and developments in feudalism, and in links with Normandy that revealed themselves particularly in church appointments. This is the first time a military historian has attempted to make accessible to the general reader all that is known about the Battle of Hastings and to present as detailed a reconstruction as is possible. Furthermore, the author places the battle in the military context of eleventh-century Europe, painting a vivid picture of the combatants themselves—soldiery, cavalry, and their horses—as they struggled for victory. This is a book that any reader interested in England’s history will find indispensable.
Author: Gemma Hollman
Publisher: The History Press
ISBN: 0750993502
Category : Biography & Autobiography
Languages : en
Pages : 343
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Book Description
'An important and timely book.' - Philippa Gregory Joan of Navarre was the richest woman in the land, at a time when war-torn England was penniless. Eleanor Cobham was the wife of a weak king's uncle – and her husband was about to fall from grace. Jacquetta Woodville was a personal enemy of Warwick the Kingmaker, who was about to take his revenge. Elizabeth Woodville was the widowed mother of a child king, fighting Richard III for her children's lives. In Royal Witches, Gemma Hollman explores the lives of these four unique women, looking at how rumours of witchcraft brought them to their knees in a time when superstition and suspicion was rife.
Author: Ulrike Laule
Publisher: Feierabend Verlag, Ohg
ISBN:
Category : Architecture
Languages : en
Pages : 312
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Book Description
The architecture of the Middle Ages is still vividly present in the cities of Europe. This highly pictorial text provides information on medieval buildings, introducing the fundamentals and the unique features of the Romanesque and Gothic art of building, and especially of sacred buildings.
Author: Michael Camille
Publisher: Reaktion Books
ISBN: 1780232500
Category : Art
Languages : en
Pages : 178
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Book Description
What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.
Author: Gülru Necipoğlu
Publisher: Getty Publications
ISBN: 0892363355
Category : Art
Languages : en
Pages : 414
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Book Description
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.
