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Author: Editors of Phaidon Press
Publisher: Phaidon Press
ISBN: 9780714837727
Category : Photography
Languages : en
Pages : 0
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Book Description
A collection of pictures of the movie industry by Magnum photographers.
Author: Editors of Phaidon Press
Publisher: Phaidon Press
ISBN: 9780714837727
Category : Photography
Languages : en
Pages : 0
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Book Description
A collection of pictures of the movie industry by Magnum photographers.
Author: Graham Tarrant
Publisher: Summersdale Publishers LTD
ISBN: 1783725117
Category : Performing Arts
Languages : en
Pages : 125
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Book Description
Have you ever wondered what year Alfred Hitchcock released his first film, which film made the biggest box office loss of all time, or who were the first actors to receive separate Oscars for playing the same role? This fascinating miscellany contains the answers to these questions and more! Packed with profiles of the heroes and villains of film, explorations of genre, statistics and infographics, Cinema is perfect for any movie buff who loves the storytelling magic of the silver screen.
Author: Alfio Leotta
Publisher: Lexington Books
ISBN: 1498543731
Category : Language Arts & Disciplines
Languages : en
Pages : 159
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Book Description
This book is devoted to the critical study of the cinema of John Milius, filling a major gap in the literature by combining the examination of the artistic, historical and cultural significance of Milius’ work, with an in-depth analysis of his films. Although most contemporary film-viewers have forgotten him, John Milius has been one of the most influential and controversial film-makers in the history of American cinema. Along with the likes of George Lucas, Francis Ford Coppola and Martin Scorsese, Milius was a central figure of the so called ‘New Hollywood’. Milius, who gained an Academy Award nomination as screenwriter for Apocalypse Now (1979), reached the apex of his directorial career in the 1980s with films such as Conan the Barbarian (1982) and Red Dawn (1984). More recently, he was involved in a series of innovative projects such as the creation of the HBO series Rome (2005-2007) and the invention of the Ultimate Fighting Championship.
Author: Gary Bettinson
Publisher: Bloomsbury Publishing
ISBN: 135036214X
Category : Performing Arts
Languages : en
Pages : 184
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Book Description
An in-depth exploration of the stardom and authorship of Stephen Chow Sing-chi, one of Hong Kong cinema's most enduringly popular stars and among its most commercially successful directors. In the West, Stephen Chow is renowned as the ground-breaking director and star of global blockbusters such as Kung Fu Hustle (2004) and Shaolin Soccer (2001). Among Hong Kong audiences, Chow is celebrated as the leading purveyor of local comedy, popularising the so-called mo-lei-tau (“gibberish”) brand of Cantonese vernacular humour, and cultivating a style of madcap comedy that often masks a trenchant social commentary. This volume approaches Chow from a diverse range of critical perspectives. Each of the essays, written by a host of renowned international scholars, offers compelling new interpretations of familiar hits such as From Beijing with Love (1994) and Journey to the West (2013). The detailed case studies of seminal local and global movies provide overdue critical attention to Chow's filmmaking, highlighting the aesthetic power, economic significance, and cultural impact of his films in both domestic and global markets.
Author: Peter Bondanella
Publisher: Bloomsbury Publishing USA
ISBN: 1501307649
Category : Performing Arts
Languages : en
Pages : 753
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Book Description
A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars. The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.
Author: George Melnyk
Publisher: University of Toronto Press
ISBN: 9780802084446
Category : Performing Arts
Languages : en
Pages : 378
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Book Description
Melnyk argues passionately that Canadian cinema has never been a singular entity, but has continued to speak in the languages and in the voices of Canada's diverse population.
Author: Roger Hallas
Publisher: Oxford University Press
ISBN: 0190057769
Category : Art
Languages : en
Pages : 281
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Book Description
"Having undergone profound material, aesthetic, and institutional transformations since the arrival of digital technologies, photography and film frequently intersect in the processes of convergence (the shared technological basis of diverse media in digital code) and remediation (the mutual reshaping of old and new media). However, the foundational relations between film and photography have a long history extending well back into the nineteenth century. This history includes many acclaimed practitioners who have worked in both media, such as Albert Kahn, Helen Levitt, Agnès Varda, Chris Marker, Robert Frank, Wim Wenders, Abbas Kiarostami, and Fiona Tan, but it also involves a range of intermedial forms that combine elements of both media, such as the film still, the film photonovel, and the photofilm. These hybrid forms were long neglected critically because they were considered marginal forms of paratextuality or deviations from medium specificity-the idea that a medium must be deployed according to its own specific capacities compared to other media"--
Author: Nadya Bair
Publisher:
ISBN: 0520300351
Category : Art
Languages : en
Pages : 333
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Book Description
"Since its founding in 1947, the legendary Magnum Photos agency has been telling its own story: Its photographers were concerned witnesses to history and artists on the hunt for decisive moments; their pictures were humanist documents of the postwar world. Based in unprecedented archival research, The Decisive Network peels back layers of the Magnum mythology to offer a new history of what it meant to shoot, edit, and sell news images after World War II. Between the 1940s and 1960s, Magnum expanded the human-interest story - about the everyday life of ordinary people - to global dimensions while bringing the aesthetic of news pictures into new markets. Its best-known work started as humanitarian aid promotion, travel campaigns, corporate publicity, and advertising. Working with this range of clients, Magnum made photojournalism integral to visual culture. Yet Magnum's photographers could not have done this alone. This book unpacks the collaborative nature of photojournalism as it transpired on a daily basis, focusing on how picture editors, sales agents, spouses, and publishers helped Magnum photographers succeed in their assignments and achieve fame. The Decisive Network concludes in the late 1960s and early 1970s, when, amidst the decline of magazine publishing and the rise of an art market for photography, Magnum turned to photo books and exhibitions to manage its growing picture archives and consolidate its brand. In that moment, Magnum's photojournalists became artists and their assignments turned into oeuvres. Such ideas were necessary publicity, and they also managed to shape discussions about photography for decades. Bridging art history, media studies, cultural history, and the history of communication, this book transforms our understanding of the photographic profession and the global circulation of images in the pre-digital world"--
Author: Linda Williams
Publisher: McGraw-Hill Education (UK)
ISBN: 0335228437
Category : Performing Arts
Languages : en
Pages : 584
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Book Description
“One of the rare collections I would recommend for use in undergraduate teaching – the chapters are lucid without being oversimplified and the contributors are adept at analyzing the key industrial, technological and ideological features of contemporary U.S. cinema.” Diane Negra, University of East Anglia, UK. “Contemporary American Cinema offers a fresh and sometimes revisionist look at developments in the American film industry from the 1960s to the present … Readers will find it lively and provocative.” Chuck Maland, University of Tennessee, USA. “Contemporary American Cinema is the book on the subject that undergraduate classes have been waiting for … Comprehensive, detailed, and intelligently organized [and] written in accessible and compelling prose … Contemporary American Cinema will be embraced by instructors and students alike.” Charlie Keil, Director, Cinema Studies Program, University of Toronto, Canada. “Contemporary American Cinema usefully gathers together a range of materials that provide a valuable resource for students and scholars. It is also a pleasure to read.” Hilary Radner, University of Otago, New Zealand. “Contemporary American Cinema deepens our knowledge of American cinema since the 1960s. … This is an important collection that will be widely used in university classrooms.” Lee Grieveson, University College London, UK. “Contemporary American Cinema is a clear-sighted and tremendously readable anthology, mapping the terrain of post-sixties US cinema with breadth and critical verve.” Paul Grainge, University of Nottingham, UK. “This collection of freshly written essays by leading specialists in the field will most likely be one of the most important works of reference for students and film scholars for years to come.” Liv Hausken, University of Oslo, Norway. Contemporary American Cinema is the first comprehensive introduction to American cinema since 1960. The book is unique in its treatment of both Hollywood, alternative and non-mainstream cinema. Critical essays from leading film scholars are supplemented by boxed profiles of key directors, producers and actors; key films and key genres; and statistics from the cinema industry. Illustrated in colour and black and white with film stills, posters and production images, the book has two tables of contents allowing students to use the book chronologically, decade-by-decade, or thematically by subject. Designed especially for courses in cinema studies and film studies, cultural studies and American studies, Contemporary American Cinema features a glossary of key terms, fully referenced resources and suggestions for further reading, questions for class discussion, and a comprehensive filmography. Individual chapters include: The decline of the studio system The rise of American new wave cinema The history of the blockbuster The parallel histories of independent and underground film Black cinema from blaxploitation to the 1990s Changing audiences The effects of new technology Comprehensive overview of US documentary from 1960 to the present Contributors include: Stephen Prince, Steve Neale, Susan Jeffords,Yvonne Tasker, Barbara Klinger, Jim Hillier, Peter Kramer, Mark Shiel,Sheldon Hall, Eithne Quinn, Michele Aaron, Jonathan Munby.
Author: Roger A. Salerno
Publisher: McFarland
ISBN: 1476680906
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
This book studies a grouping of films set in New York City between 1965 and 1995, reflecting a town besieged by rampant criminality, social distress and physical decay. "Fear City" is a term the NYPD used to label New York as a frightening environment, incapable of securing the safety of its residents. This book not only deals with the social problems evident in New York during this period, but also provides a study of how independent filmmakers were able to capture unsettling urban imagery, capitalizing on feelings of paranoia and dread. The author explores how the tone of these films reflects upon the anti-urbanism that led to the War on Crime, the mass exodus of working-class people from the city and mass incarceration of young Black men.
