Author: David Stevenson Andrew
Publisher: Urbana : University of Illinois Press
ISBN:
Category : Architecture
Languages : en
Pages : 276
Book Description
Louis Sullivan and the Polemics of Modern Architecture
Author: David Stevenson Andrew
Publisher: Urbana : University of Illinois Press
ISBN:
Category : Architecture
Languages : en
Pages : 276
Book Description
Publisher: Urbana : University of Illinois Press
ISBN:
Category : Architecture
Languages : en
Pages : 276
Book Description
Louis Sullivan
Author: Hugh Morrison
Publisher: W. W. Norton & Company
ISBN: 9780393321616
Category : Architecture
Languages : en
Pages : 404
Book Description
"The first definitive biography of the now-famous architect, Hugh Morrison's Louis Sullivan: Prophet of Modern Architecture is still the best introduction to his work. This reissue provides Morrison's original text and illustrations in a larger, more modern format. It also offers an assessment of Morrison's ground-breaking research, in Timothy J. Samuelson's Introduction, and, most important, an authoritative revision of the chronological List of Buildings, including corrections of the data in light of six decades of research. Working from Morrison's original notes, Samuelson has restored a number of photographic images intended for the original edition and has replaced some photographs with alternate images that more accurately represent the buildings. He has also added a selected bibliography of important works about Sullivan"--Page 4 of cover
Publisher: W. W. Norton & Company
ISBN: 9780393321616
Category : Architecture
Languages : en
Pages : 404
Book Description
"The first definitive biography of the now-famous architect, Hugh Morrison's Louis Sullivan: Prophet of Modern Architecture is still the best introduction to his work. This reissue provides Morrison's original text and illustrations in a larger, more modern format. It also offers an assessment of Morrison's ground-breaking research, in Timothy J. Samuelson's Introduction, and, most important, an authoritative revision of the chronological List of Buildings, including corrections of the data in light of six decades of research. Working from Morrison's original notes, Samuelson has restored a number of photographic images intended for the original edition and has replaced some photographs with alternate images that more accurately represent the buildings. He has also added a selected bibliography of important works about Sullivan"--Page 4 of cover
Louis H. Sullivan and a 19th-Century Poetics of Naturalized Architecture
Author: LaurenS. Weingarden
Publisher: Routledge
ISBN: 1351559729
Category : Art
Languages : en
Pages : 457
Book Description
For most of the twentieth century, modernist viewers dismissed the architectural ornament of Louis H. Sullivan (1856-1924) and the majority of his theoretical writings as emotional outbursts of an outmoded romanticism. In this study, Lauren Weingarden reveals Sullivan's eloquent articulation of nineteenth-century romantic practices - literary, linguistic, aesthetic, spiritual, and nationalistic - and thus rescues Sullivan and his legacy from the narrow role imposed on him as a pioneer of twentieth-century modernism. Using three interpretive models, discourse theory, poststructural semiotic analysis, and a pragmatic concept of sign-functions, she restores the integrity of Sullivan's artistic choices and his historical position as a culminating figure within nineteenth-century romanticism. By giving equal weight to Louis Sullivan's writings and designs, Weingarden shows how he translated both Ruskin's tenets of Gothic naturalism and Whitman's poetry of the American landscape into elemental structural forms and organic ornamentation. Viewed as a site where various romantic discourses converged, Sullivan's oeuvre demands a cross-disciplinary exploration of each discursive practice, and its "rules of accumulation, exclusion, reactivation." The overarching theme of this study is the interrogation and restitution of those Foucauldian rules that enabled Sullivan to articulate architecture as a pictorial mode of landscape art, which he considered co-equal with the spiritual and didactic functions of landscape poetry.
Publisher: Routledge
ISBN: 1351559729
Category : Art
Languages : en
Pages : 457
Book Description
For most of the twentieth century, modernist viewers dismissed the architectural ornament of Louis H. Sullivan (1856-1924) and the majority of his theoretical writings as emotional outbursts of an outmoded romanticism. In this study, Lauren Weingarden reveals Sullivan's eloquent articulation of nineteenth-century romantic practices - literary, linguistic, aesthetic, spiritual, and nationalistic - and thus rescues Sullivan and his legacy from the narrow role imposed on him as a pioneer of twentieth-century modernism. Using three interpretive models, discourse theory, poststructural semiotic analysis, and a pragmatic concept of sign-functions, she restores the integrity of Sullivan's artistic choices and his historical position as a culminating figure within nineteenth-century romanticism. By giving equal weight to Louis Sullivan's writings and designs, Weingarden shows how he translated both Ruskin's tenets of Gothic naturalism and Whitman's poetry of the American landscape into elemental structural forms and organic ornamentation. Viewed as a site where various romantic discourses converged, Sullivan's oeuvre demands a cross-disciplinary exploration of each discursive practice, and its "rules of accumulation, exclusion, reactivation." The overarching theme of this study is the interrogation and restitution of those Foucauldian rules that enabled Sullivan to articulate architecture as a pictorial mode of landscape art, which he considered co-equal with the spiritual and didactic functions of landscape poetry.
Frank Lloyd Wright, Louis Sullivan, and the Skyscraper
Author: Donald Hoffmann
Publisher: Courier Corporation
ISBN: 9780486402093
Category : Architecture
Languages : en
Pages : 110
Book Description
This profusely illustrated work offers abundant insights into the early development of the skyscraper and the influence of two master builders who played key roles in its evolution. Rare photos, floor plans, and renderings document such influential structures as Sullivan's Wainwright Building in St. Louis, Wright's Larkin building in Buffalo and many others.
Publisher: Courier Corporation
ISBN: 9780486402093
Category : Architecture
Languages : en
Pages : 110
Book Description
This profusely illustrated work offers abundant insights into the early development of the skyscraper and the influence of two master builders who played key roles in its evolution. Rare photos, floor plans, and renderings document such influential structures as Sullivan's Wainwright Building in St. Louis, Wright's Larkin building in Buffalo and many others.
Makers of Modern Architecture
Author: Martin Filler
Publisher: New York Review of Books
ISBN: 9781590172278
Category : Architecture
Languages : en
Pages : 372
Book Description
Everyone knows what modern architecture looks like, but few understand how this revolutionary new form of building emerged little more than a century ago or what its aesthetic, social, even spiritual aspirations were. Through illuminating studies of the leading men and women who forever changed our built environment, veteran architecture critic Martin Filler offers fresh insights into this unprecedented cultural transformation. From Louis Sullivan, father of the skyscraper, to Frank Gehry, magician of post-millennial museum, Filler emphasizes how their force of personality has had a decisive effect on everything from how we inhabit our homes to how we shape our cities. Why was the sudden shift in architectural fashion that wrecked the career of the Scottish designer Charles Rennie Mackintosh not enough to destroy the indomitable spirit of Frank Lloyd Wright, who rose from adversity to become America’s greatest architect? Why was Philip Johnson, “dean of American architecture” during the 1980s, so haunted by the superior talent of this less-fortunate contemporary Louis Kahn that he could barely utter his name even at the peak of his own success? How did Ludwig Mies van der Rohe’s dictum “Less is more” give way to Robert Venturi’s “Less is a bore”? Surveying such current urban design sagas as the reconstruction of Ground Zero and the reunification of Berlin, Filler also trains his sharp eye on some of the biggest names in architecture today, puncturing more than one overinflated reputation while identifying the true masters who are now building for the ages.
Publisher: New York Review of Books
ISBN: 9781590172278
Category : Architecture
Languages : en
Pages : 372
Book Description
Everyone knows what modern architecture looks like, but few understand how this revolutionary new form of building emerged little more than a century ago or what its aesthetic, social, even spiritual aspirations were. Through illuminating studies of the leading men and women who forever changed our built environment, veteran architecture critic Martin Filler offers fresh insights into this unprecedented cultural transformation. From Louis Sullivan, father of the skyscraper, to Frank Gehry, magician of post-millennial museum, Filler emphasizes how their force of personality has had a decisive effect on everything from how we inhabit our homes to how we shape our cities. Why was the sudden shift in architectural fashion that wrecked the career of the Scottish designer Charles Rennie Mackintosh not enough to destroy the indomitable spirit of Frank Lloyd Wright, who rose from adversity to become America’s greatest architect? Why was Philip Johnson, “dean of American architecture” during the 1980s, so haunted by the superior talent of this less-fortunate contemporary Louis Kahn that he could barely utter his name even at the peak of his own success? How did Ludwig Mies van der Rohe’s dictum “Less is more” give way to Robert Venturi’s “Less is a bore”? Surveying such current urban design sagas as the reconstruction of Ground Zero and the reunification of Berlin, Filler also trains his sharp eye on some of the biggest names in architecture today, puncturing more than one overinflated reputation while identifying the true masters who are now building for the ages.
Louis Henry Sullivan
Author: Mario Manieri-Elia
Publisher: Princeton Architectural Press
ISBN: 1568980922
Category : Architects
Languages : en
Pages : 202
Book Description
Louis Henry Sullivan traces his life and oeuvre. It addresses his most famous buildings - including the Auditorium Building in Chicago, the Wainwright Building in Saint Louis, the Guaranty Building in Buffalo, and the National Farmers Bank in Owatonna, Minnesota - and reveals many of his lesser-known projects to be underappreciated masterpieces. For the first time, Sullivan's work, which has often been misappropriated, is explored in its historical and theoretical context.
Publisher: Princeton Architectural Press
ISBN: 1568980922
Category : Architects
Languages : en
Pages : 202
Book Description
Louis Henry Sullivan traces his life and oeuvre. It addresses his most famous buildings - including the Auditorium Building in Chicago, the Wainwright Building in Saint Louis, the Guaranty Building in Buffalo, and the National Farmers Bank in Owatonna, Minnesota - and reveals many of his lesser-known projects to be underappreciated masterpieces. For the first time, Sullivan's work, which has often been misappropriated, is explored in its historical and theoretical context.
"Symbolic Essence" and Other Writings on Modern Architecture and American Culture
Author: William H. Jordy
Publisher: Yale University Press
ISBN: 9780300094497
Category : Architecture
Languages : en
Pages : 340
Book Description
'The Symbolic Essence of Modern European Architecture of the Twenties and Its Continuing Influence'), this collection contains critical writings on works by Mies, Corbusier, Kahn, and Venturi, as well as one previously unpublished text. Jordy leads readers to discover important connections of architecture with art, literature, intellectual history, symbolic structures, social purpose and community. He significantly shaped the way we understand the character and meaning of modern architecture and American culture.
Publisher: Yale University Press
ISBN: 9780300094497
Category : Architecture
Languages : en
Pages : 340
Book Description
'The Symbolic Essence of Modern European Architecture of the Twenties and Its Continuing Influence'), this collection contains critical writings on works by Mies, Corbusier, Kahn, and Venturi, as well as one previously unpublished text. Jordy leads readers to discover important connections of architecture with art, literature, intellectual history, symbolic structures, social purpose and community. He significantly shaped the way we understand the character and meaning of modern architecture and American culture.
Designs and Their Consequences
Author: Richard Hill
Publisher: Yale University Press
ISBN: 9780300079487
Category : Architecture
Languages : en
Pages : 312
Book Description
A discussion of the many-faceted relationship between aesthetic theory and architecture. It analyzes the relationship between buildings and designs, explores the notion of architectural experience, and covers modern architecture's aim to deepen the connection between usefulness and design.
Publisher: Yale University Press
ISBN: 9780300079487
Category : Architecture
Languages : en
Pages : 312
Book Description
A discussion of the many-faceted relationship between aesthetic theory and architecture. It analyzes the relationship between buildings and designs, explores the notion of architectural experience, and covers modern architecture's aim to deepen the connection between usefulness and design.
The Black Skyscraper
Author: Adrienne Brown
Publisher: JHU Press
ISBN: 1421423847
Category : Literary Criticism
Languages : en
Pages : 277
Book Description
How did writers and artists view the intersection of architecture and race in the modernist era? Winner of the MSA First Book Prize of the Modernist Studies Association With the development of the first skyscrapers in the 1880s, urban built environments could expand vertically as well as horizontally. Tall buildings emerged in growing cities to house and manage the large and racially diverse populations of migrants and immigrants flocking to their centers following Reconstruction. Beginning with Chicago's early 10-story towers and concluding with the 1931 erection of the 102-story Empire State Building, Adrienne Brown's The Black Skyscraper provides a detailed account of how scale and proximity shape our understanding of race. Over the next half-century, as city skylines grew, American writers imagined the new urban backdrop as an obstacle to racial differentiation. Examining works produced by writers, painters, architects, and laborers who grappled with the early skyscraper's outsized and disorienting dimensions, Brown explores this architecture's effects on how race was seen, read, and sensed at the turn of the twentieth century. In lesser-known works of apocalyptic science fiction, light romance, and Jazz Age melodrama, as well as in more canonical works by W. E. B. Du Bois, F. Scott Fitzgerald, Aaron Douglas, and Nella Larsen, the skyscraper mediates the process of seeing and being seen as a racialized subject. From its distancing apex—reducing bodies to specks—to the shadowy mega-blocks it formed at street level, the skyscraper called attention, Brown argues, to the malleable nature of perception. A highly interdisciplinary work, The Black Skyscraper reclaims the influence of race on modern architectural design as well as the less-well-understood effects these designs had on the experience and perception of race.
Publisher: JHU Press
ISBN: 1421423847
Category : Literary Criticism
Languages : en
Pages : 277
Book Description
How did writers and artists view the intersection of architecture and race in the modernist era? Winner of the MSA First Book Prize of the Modernist Studies Association With the development of the first skyscrapers in the 1880s, urban built environments could expand vertically as well as horizontally. Tall buildings emerged in growing cities to house and manage the large and racially diverse populations of migrants and immigrants flocking to their centers following Reconstruction. Beginning with Chicago's early 10-story towers and concluding with the 1931 erection of the 102-story Empire State Building, Adrienne Brown's The Black Skyscraper provides a detailed account of how scale and proximity shape our understanding of race. Over the next half-century, as city skylines grew, American writers imagined the new urban backdrop as an obstacle to racial differentiation. Examining works produced by writers, painters, architects, and laborers who grappled with the early skyscraper's outsized and disorienting dimensions, Brown explores this architecture's effects on how race was seen, read, and sensed at the turn of the twentieth century. In lesser-known works of apocalyptic science fiction, light romance, and Jazz Age melodrama, as well as in more canonical works by W. E. B. Du Bois, F. Scott Fitzgerald, Aaron Douglas, and Nella Larsen, the skyscraper mediates the process of seeing and being seen as a racialized subject. From its distancing apex—reducing bodies to specks—to the shadowy mega-blocks it formed at street level, the skyscraper called attention, Brown argues, to the malleable nature of perception. A highly interdisciplinary work, The Black Skyscraper reclaims the influence of race on modern architectural design as well as the less-well-understood effects these designs had on the experience and perception of race.
Three American Architects
Author: James F. O'Gorman
Publisher: University of Chicago Press
ISBN: 9780226620725
Category : Architecture
Languages : en
Pages : 194
Book Description
''Discusses the individual and collective achievement of the three American architects.''--
Publisher: University of Chicago Press
ISBN: 9780226620725
Category : Architecture
Languages : en
Pages : 194
Book Description
''Discusses the individual and collective achievement of the three American architects.''--