Author: Publisher: TheBookEdition
ISBN: 2959561805
Category :
Languages : en
Pages : 101
Book Description
Author: Publisher: TheBookEdition
ISBN: 2959561805
Category :
Languages : en
Pages : 101
Book Description
Light and Obscurity in Symbolism
Author: Deborah CibelliPublisher: Cambridge Scholars Publishing
ISBN: 1443887595
Category : Poetry
Languages : en
Pages : 426
Book Description
The idea of light and darkness is one of the central ideas of the Symbolist movement, since this is a movement of contrasts. It encompasses the major themes of Symbolism, such as good and evil, beauty and ugliness, the visible and the invisible, and the divine and the earthly. This volume brings together a range of studies in order to understand the notion of light and darkness and a variety of its Symbolist interpretations. It also stresses the interdisciplinary nature of the concepts of light and darkness in Symbolism, as well as the cohabitation and symbiosis of both, which are together or separately at the core of this movement.
Legendary Lives in La Princesse de Clèves
Author: Janet LettsPublisher: Rookwood Press
ISBN: 9781886365087
Category : History
Languages : en
Pages : 322
Book Description
Weighing debates over reasons for the inclusion of apparently extraneous narratives in the 1678 novel by Comtesse Marie- Madelaine de Lafayette, the author presents her case that details on historical personages such as Anne Boleyn, Henry VIII, Henri II, and Catherine de Medici were intended to influence readers rather than convey "a sort of sentimental education for the heroine." She relies primarily on French language references, passages she excerpts and translates, the literary information base of early readers, and a 16th-century chronology. Annotation copyrighted by Book News, Inc., Portland, OR
Paul Valery's Album des Vers Anciens
Author: Suzanne NashPublisher: Princeton University Press
ISBN: 1400856221
Category : Poetry
Languages : en
Pages : 340
Book Description
Questioning the view that the work is not representative of the poet's mature accomplishment, Suzanne Nash argues that the revisionary process involved in its creation led Valery to reflect on problems fundamental to poetic production and thus provided inspiration for all his later poetry. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Courtly Romance
Author: Guy R. MermierPublisher:
ISBN:
Category : Family & Relationships
Languages : en
Pages : 328
Book Description
Bestiaires de Voltaire
Author: Christiane MervaudPublisher:
ISBN:
Category : History
Languages : fr
Pages : 460
Book Description
Christiane Mervaud, 'Bestiaires de Voltaire' Pourquoi s'int resser la pr sence des b tes dans l'uvre de Voltaire? Le nombre d'occurrences relatives au r gne animal ne peut laisser indiff rent. Sans n gliger l'apport de la biographie, la recherche s'est efforc e d'abord de d terminer comment la philosophie de Voltaire r agit l' preuve de l'animalit , ce qui a conduit souligner son rejet de la th orie cart sienne de l'animal-machine, son int r t pour les singularit s de la nature. Mais si Voltaire se tient au courant des d veloppements des sciences naturelles, il s'int resse surtout, en historien, au statut de l'animal dans les soci t s et son r le dans les mythologies. Les b tes servent d'observatoire privil gi pour juger de la marche de l'esprit humain. La typologie zoologique d pend d'une typologie textuelle. Alors que la m nagerie du pol miste exploite sans vergogne pr jug s et clich s, dans les bestiaires fabuleux et religieux se d ploie une activit ludique et d sacralisante. Le bestiaire amoureux se permet des variations sur le th me de la bestialit , dans une atmosph re irr elle ou surr elle. L'animal est, bien des titres, un r v lateur de la pens e de Voltaire, une pierre de touche de sa philosophie, un condens de recherches historico-religieuses, un d clic pour la cr ation litt raire, un champ ouvert sa r flexion et sa fantaisie. Fr d ric Deloffre, 'Gen se de Candide tude de la cr ation des personnages et de l' laboration du roman' La pr sente tude ne consid re pas Candide comme une uvre philosophique, mais comme un roman. Voltaire a toujours profess que l'magination ne cr e pas, mais ne fait qu'arranger ce que lui fournit la m moire; nous avons donc recherch quels v nements personnels lui avaient fourni le sch ma de son histoire, quels personnages rencontr s lui avaient inspir ses h ros. Nous n'avons retenu comme significatives que les donn es qui se rattachent des ensembles, parmi lesquels nous avons privil gi celui qui s'organise autour du lieu fondateur, Thunder-ten-Tronckh, transposition satirique du ch teau de B ckeburg. C'est l que Voltaire a rencontr Henri Le Ma tre, chapelain du lieu, dont il fera Pangloss, et Mme Bentinck, la 'franche westphalienne' qui pr tera des traits Cun gonde; c'est l aussi que fut voqu Fr d ric II, qui passera dans le second chapitre du roman sous le nom du 'roi de Bulgares'. Ce 'fonds m moriel' de B ckeburg/Thunder-ten-tronckh fournit la mati re des quatre premiers chapitres, consacr s respectivement aux conversations de B ckeburg, Pangloss, Cun gonde, et aux relations entre 'Candide et le roi des Bulgares'. Le chapitre 5 tudie le processus par lequel le jeu de r les entre Voltaire et Mme Bentinck finit par rejoindre la fois le roman et la r alit . C'est un nouvel aspect du romancier qui se profile ainsi derri re le philosophe.
Encyclopedia of French Film Directors
Author: Philippe RègePublisher: Scarecrow Press
ISBN: 081086939X
Category : Performing Arts
Languages : en
Pages : 1486
Book Description
Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.
Nathalie Sarraute and the Feminist Reader
Author: Sarah BarbourPublisher: Bucknell University Press
ISBN: 9780838752357
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
Situated at an intersection of feminist critical practice in the United States and feminist cultural theory in France, Nathalie Sarraute and the Feminist Reader is an investigation of the way in which this French New Novelist's first eight works, in their increasing dramatization of the issue of reading, problematize certain feminist literary analyses, especially in relation to "l'ecriture feminine." After an exploration of the difficulty Sarraute's writing poses for the critical enterprise through a lengthy reading of Sarrautien criticism in the U.S. and France, Sarah Barbour shows how Sarraute's works eventually prohibit any fixed reading and open up instead a space in which we as readers are moved toward a more personal understanding of our use of narrative and of socio-sexual constructs in the continual, day-to-day constitution and reconstitution of subjectivity. Nathalie Sarraute conceives of the evolution of the novel as a movement through history and thus situates her work within a tradition of psychological realism at the same time that she proposes radical innovations of the tradition. Her novels do not discard or revise past works but rather internalize them in an effort to expand the notion of what is possible for psychological realism. This study takes as its model Sarraute's example of simultaneity, which invites an understanding of time both as a diachronic movement through "phases, ": from the psychological realism of Dostoyevski to that of Kafka to her own, and as a synchronic encounter that elicits simultaneous relationships to different "phases." Within the movement of feminist literary criticism scholars have often discerned what are also referred to as "phases;" that is, criticism in the United States has moved from its initial concern with images of women in fiction by male writers to a desire to establish a feminine tradition of women's writing. Nathalie Sarraute and the Feminist Reader is not an attempt to claim that Sarraute's work represents "ecriture feminine." Reading Sarraute's novels in their "evolution," Sarah Barbour has found that they forced her own reading and understanding of this term to "evolve." She therefore proposes that the novels open up a space that is beyond the frozen shells of gender, which continue to bind women and men personally and critically. The power of Sarraute's work lies in the solitary experience of our encounter with her presentation and perception of reality. In this encounter we are forced to experience the fluid nature of subjectivity; that is, to internalize and explore differences within personal and sexual identity that, by extension, affect the identity of larger political movements.
Poems 1906 to 1926
Author: Rainer Maria RilkePublisher:
ISBN:
Category : Poets, German
Languages : en
Pages : 440
Book Description
Translation of Gedichte 1906 bis 1926.
Symbolists and Decadents
Author: John MilnerPublisher:
ISBN:
Category : Art
Languages : en
Pages : 180
Book Description
