Author: Wordsworth (Family)
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 548
Book Description
Letters of the Wordsworth Family from 1787-1855
Author: Wordsworth (Family)
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 548
Book Description
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 548
Book Description
Letters of the Wordworths family from 1787-1855
Author:
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 580
Book Description
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 580
Book Description
Romanticism and the Biopolitics of Modern War Writing
Author: Neil Ramsey
Publisher: Cambridge University Press
ISBN: 1009100440
Category : History
Languages : en
Pages : 303
Book Description
This book illuminates the genesis and development of modern war writing in relation to Romanticism, biopolitics and disciplinary theory.
Publisher: Cambridge University Press
ISBN: 1009100440
Category : History
Languages : en
Pages : 303
Book Description
This book illuminates the genesis and development of modern war writing in relation to Romanticism, biopolitics and disciplinary theory.
The Prelude; Or, Growth of a Poet's Mind
Author: William Wordsworth
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 706
Book Description
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 706
Book Description
The Prelude
Author: William Wordsworth
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 708
Book Description
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 708
Book Description
Plagiarism and Literary Property in the Romantic Period
Author: Tilar J. Mazzeo
Publisher: University of Pennsylvania Press
ISBN: 0812202732
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
In a series of articles published in Tait's Magazine in 1834, Thomas DeQuincey catalogued four potential instances of plagiarism in the work of his friend and literary competitor Samuel Taylor Coleridge. DeQuincey's charges and the controversy they ignited have shaped readers' responses to the work of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever since. But what did plagiarism mean some two hundred years ago in Britain? What was at stake when early nineteenth-century authors levied such charges against each other? How would matters change if we were to evaluate these writers by the standards of their own national moment? And what does our moral investment in plagiarism tell us about ourselves and about our relationship to the Romantic myth of authorship? In Plagiarism and Literary Property in the Romantic Period, Tilar Mazzeo historicizes the discussion of late eighteenth- and early nineteenth-century plagiarism and demonstrates that it had little in common with our current understanding of the term. The book offers a major reassessment of the role of borrowing, textual appropriation, and narrative mastery in British Romantic literature and provides a new picture of the period and its central aesthetic contests. Above all, Mazzeo challenges the almost exclusive modern association of Romanticism with originality and takes a fresh look at some of the most familiar writings of the period and the controversies surrounding them.
Publisher: University of Pennsylvania Press
ISBN: 0812202732
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
In a series of articles published in Tait's Magazine in 1834, Thomas DeQuincey catalogued four potential instances of plagiarism in the work of his friend and literary competitor Samuel Taylor Coleridge. DeQuincey's charges and the controversy they ignited have shaped readers' responses to the work of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever since. But what did plagiarism mean some two hundred years ago in Britain? What was at stake when early nineteenth-century authors levied such charges against each other? How would matters change if we were to evaluate these writers by the standards of their own national moment? And what does our moral investment in plagiarism tell us about ourselves and about our relationship to the Romantic myth of authorship? In Plagiarism and Literary Property in the Romantic Period, Tilar Mazzeo historicizes the discussion of late eighteenth- and early nineteenth-century plagiarism and demonstrates that it had little in common with our current understanding of the term. The book offers a major reassessment of the role of borrowing, textual appropriation, and narrative mastery in British Romantic literature and provides a new picture of the period and its central aesthetic contests. Above all, Mazzeo challenges the almost exclusive modern association of Romanticism with originality and takes a fresh look at some of the most familiar writings of the period and the controversies surrounding them.
The Publishers Weekly
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 918
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 918
Book Description
The North American Review
Author: Jared Sparks
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 992
Book Description
Vols. 277-230, no. 2 include Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930.
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 992
Book Description
Vols. 277-230, no. 2 include Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930.
Primitiae
Author: University of Liverpool
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 306
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 306
Book Description
North American Review
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 492
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 492
Book Description