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Author: Julie Sheldon
Publisher: Liverpool University Press
ISBN: 1789624215
Category : Literary Collections
Languages : en
Pages : 672
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Book Description
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. 2009 was the bicentenary of the birth of the English writer, translator, critic and amateur artist Elizabeth Rigby, Lady Eastlake (1809-1893). Bringing together a comprehensive collection of her surviving correspondence, the Letters of Elizabeth Rigby, Lady Eastlake reveals significant new material about this extraordinary figure in Victorian society. The scope of Lady Eastlake’s writing is wide and interdisciplinary, which recommends her as a significant figure in Victorian culture, giving rise to revelations about the ways in which different cultural activities were linked. Lady Eastlake lived for extended periods of time abroad in Germany and Estonia, and wrote an early work about her impressions of the Baltic, her subsequent writing took the form of reviews for the periodical press, including reviews of Jane Eyre, Vanity Fair, Ruskin, Coleridge, and Madame de Stael. She also wrote on women’s subjects, including articles on the education of women. However, the great proportions of her publications are art-related reviews: she wrote one of earliest critical texts on photography and produced several essays on artists. The lively correspondence of Lady Eastlake not only contributes to a more holistic understanding of nineteenth-century culture, it also shows how a well connected woman could play an important role in the Victorian art world.
Author: Julie Sheldon
Publisher: Liverpool University Press
ISBN: 1789624215
Category : Literary Collections
Languages : en
Pages : 672
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Book Description
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. 2009 was the bicentenary of the birth of the English writer, translator, critic and amateur artist Elizabeth Rigby, Lady Eastlake (1809-1893). Bringing together a comprehensive collection of her surviving correspondence, the Letters of Elizabeth Rigby, Lady Eastlake reveals significant new material about this extraordinary figure in Victorian society. The scope of Lady Eastlake’s writing is wide and interdisciplinary, which recommends her as a significant figure in Victorian culture, giving rise to revelations about the ways in which different cultural activities were linked. Lady Eastlake lived for extended periods of time abroad in Germany and Estonia, and wrote an early work about her impressions of the Baltic, her subsequent writing took the form of reviews for the periodical press, including reviews of Jane Eyre, Vanity Fair, Ruskin, Coleridge, and Madame de Stael. She also wrote on women’s subjects, including articles on the education of women. However, the great proportions of her publications are art-related reviews: she wrote one of earliest critical texts on photography and produced several essays on artists. The lively correspondence of Lady Eastlake not only contributes to a more holistic understanding of nineteenth-century culture, it also shows how a well connected woman could play an important role in the Victorian art world.
Author: Andrew Lang
Publisher:
ISBN:
Category :
Languages : en
Pages : 490
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Book Description
Author: Margaret Smith
Publisher: Clarendon Press
ISBN: 9780191513282
Category : Literary Collections
Languages : en
Pages : 440
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Book Description
This final volume of Charlotte Brontë's letters covers the period from 1852, when she eventually completed Villette, to March 1855, when she died at the early age of 38. Published in January 1853, Villette reflects experiences and moods conveyed with sharp immediacy in the correspondence of the preceding years. In December 1852 one of her most dramatic letters described the crucial event in her private life: Arthur Nicholls's proposal of marriage, when, 'shaking from head to foot' he made her feel 'what it costs a man to declare affection where he doubts response.' Mr Brontë's furious opposition to the match was not overcome until 1854, the year of Charlotte's marriage on 29 June. In the all too few months before her death, she came to love and trust Nicholls, her 'dear boy' and her 'tenderest nurse' during her final illness. The letters in this volume include on the one hand Charlotte's brief curt note to George Smith on his engagement to Elizabeth Blakeway, and on the other a newly discovered letter describing with cheerful briskness Charlotte's purchase of her own wedding trousseau. Complete texts of letters previously published inaccurately or in part provide valuable insight into her other friendships. Those to Elizabeth Gaskell in particular have an important bearing on our interpretation and assessment of her Life of Charlotte, published early in 1857; and the inclusion of Harriet Martineau's angry comments on the Life ('Hallucination!' [Friendship] was never attained.') enhances our understanding of Charlotte's break with Martineau after her review of Villette. The redating of a letter has shown that the long estrangement between Charlotte and her oldest friend, Ellen Nussey, caused by Ellen's hostility to the idea of Charlotte's marriage with Nicholls, lasted without a break from July 1853 until late February 1854. The volume includes some of the touching notes from Charlotte's bereaved husband and father, written in response to condolences on her death. Mrs Gaskell's graphic account of her visit to Haworth in 1853 forms one of the appendices; others provide the texts of fragmentary letters, identify known forgeries, and list addenda and corrigenda for volumes 1 and 2.
Author: ohne Autor
Publisher: BoD – Books on Demand
ISBN: 3846048305
Category : Art
Languages : en
Pages : 1034
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Book Description
Reprint of the original, first published in 1870.
Author: Dobell, P. J. & A. E., booksellers, London
Publisher:
ISBN:
Category :
Languages : en
Pages : 386
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Book Description
Author: Clement Kinloch Cooke
Publisher:
ISBN:
Category :
Languages : en
Pages : 546
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Book Description
Author: Linda H. Peterson
Publisher: Princeton University Press
ISBN: 1400833256
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
During the nineteenth century, women authors for the first time achieved professional status, secure income, and public fame. How did these women enter the literary profession; meet the demands of editors, publishers, booksellers, and reviewers; and achieve distinction as "women of letters"? Becoming a Woman of Letters examines the various ways women writers negotiated the market realities of authorship, and looks at the myths and models women writers constructed to elevate their place in the profession. Drawing from letters, contracts, and other archival material, Linda Peterson details the careers of various women authors from the Victorian period. Some, like Harriet Martineau, adopted the practices of their male counterparts and wrote for periodicals before producing a best seller; others, like Mary Howitt and Alice Meynell, began in literary partnerships with their husbands and pursued independent careers later in life; and yet others, like Charlotte Brontë, and her successors Charlotte Riddell and Mary Cholmondeley, wrote from obscure parsonages or isolated villages, hoping an acclaimed novel might spark a meteoric rise to fame. Peterson considers these women authors' successes and failures--the critical esteem that led to financial rewards and lasting reputations, as well as the initial successes undermined by publishing trends and pressures. Exploring the burgeoning print culture and the rise of new genres available to Victorian women authors, this book provides a comprehensive account of the flowering of literary professionalism in the nineteenth century.
Author: Joanne Wilkes
Publisher: Routledge
ISBN: 1134776950
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
Focusing particularly on the critical reception of Jane Austen, Charlotte Brontë and George Eliot, Joanne Wilkes offers in-depth examinations of reviews by eight female critics: Maria Jane Jewsbury, Sara Coleridge, Hannah Lawrance, Jane Williams, Julia Kavanagh, Anne Mozley, Margaret Oliphant and Mary Augusta Ward. What they wrote about women writers, and what their writings tell us about the critics' own sense of themselves as women writers, reveal the distinctive character of nineteenth-century women's contributions to literary history. Wilkes explores the different choices these critics, writing when women had to grapple with limiting assumptions about female intellectual capacities, made about how to disseminate their own writing. While several publishing in periodicals wrote anonymously, others published books, articles and reviews under their own names. Wilkes teases out the distinctiveness of nineteenth-century women's often ignored contributions to the critical reception of canonical women authors, and also devotes space to the pioneering efforts of Lawrance, Kavanagh and Williams to draw attention to the long tradition of female literary activity up to the nineteenth century. She draws on commentary by male critics of the period as well, to provide context for this important contribution to the recuperation of women's critical discourse in nineteenth-century Britain.
Author: Mary Charlotte Mair Simpson
Publisher:
ISBN:
Category : France
Languages : en
Pages : 464
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 816
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