Author: John Addington Symonds
Publisher: University of Pennsylvania Press
ISBN: 9780812217612
Category : Art
Languages : en
Pages : 550
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"Symonds's biography stands on its own as a solid, readable, compelling, and appropriate reading for the twenty-first century."--Sixteenth Century Journal
Author: John Addington Symonds
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 576
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Author: John Addington Symonds
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 586
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Author: Erwin Panofsky
Publisher: Princeton University Press
ISBN: 0691165262
Category : Art
Languages : en
Pages : 408
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Abstract: The discovery of the actual manuscript was featured on the front pages of the major German newspapers and reported throughout the world. It consists of 334 pages, typewritten, with extensive handwritten amendments, notes, and edits. According to Gerda Panofsky, her husbanded had continued to expand and edit the manuscript until 1922, and was preparing it for publication when he had to leave it behind. In this study, Panofsky provides a detailed analysis of Michelangelo's artistic style, comparing Michelangelo directly with Raphael, and then later taking a larger historical view. This text offers important new information about the evolution of Panofsky's scholarship, as well as on the state of research on Michelangelo and the High Renaissance during a period of transition for the discipline, in which formal readings of artworks began to take precedence over artists' biographies.
Author: Matthew Mindrup
Publisher: Routledge
ISBN: 131702446X
Category : Architecture
Languages : en
Pages : 280
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In recent years architectural discourse has witnessed a renewed interest in materiality under the guise of such familiar tropes as 'material honesty,' 'form finding,' or 'digital materiality.' Motivated in part by the development of new materials and an increasing integration of designers in fabricating architecture, a proliferation of recent publications from both practice and academia explore the pragmatics of materiality and its role as a protagonist of architectural form. Yet, as the ethos of material pragmatism gains more popularity, theorizations about the poetic imagination of architecture continue to recede. Compared to an emphasis on the design of visual form in architectural practice, the material imagination is employed when the architect 'thinks matter, dreams in it, lives in it, or, in other words, materializes the imaginary.' As an alternative to a formal approach in architectural design, this book challenges readers to rethink the reverie of materials in architecture through an examination of historical precedent, architectural practice, literary sources, philosophical analyses and everyday experience. Focusing on matter as the premise of an architect’s imagination, each chapter identifies and graphically illustrates how material imagination defines the conceptual premises for making architecture.
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1104
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Author: Lene Østermark-Johansen
Publisher: Routledge
ISBN: 0429760388
Category : Art
Languages : en
Pages : 348
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First published in 1998, this volume explores the reinvention of Michelangelo in the Victorian era. At the opening of the nineteenth century, Michelangelo’s reputation rested on the evidence of contemporary adulation recorded by Vasari and Condivi. Travel, photography, the shift of his drawings into public collections, and, in particular, the publication of his poems in their original form, transformed this situation. The complexity of his work commanded new attention and several biographies were published. As public curiosity and knowledge of the artist increased, so various groups began to ally themselves to aspects of Michelangelo’s persona. His Renaissance reputation as a towering genius, a man of great spiritual courage, who had journeyed through and for his art to the depths of despair, was important to the Pre-Raphaelites and other artists. His love for his own ‘Dark Lady’, Vittoria Colonna, aroused excited speculation among High Church advocates, who celebrated his friendship with the deeply religious woman-poet; and the emerging awareness that some half of his love poetry was dedicated to a younger man, Tommaso de’ Cavalieri, was of intense interest to the aestheticists, among them Oscar Wilde, Walter Pater and J.A. Symonds, who sought heroic figures from societies where masculinity was less rigorously defined. In this original and beautifully illustrated study, Lene Østermark-Johansen shows how the critical discussion of the artist’s genius and work became irretrievably bound up in contemporary debates about art, religion and gender and how the Romantic view of art and criticism as self-expression turned the focus from the work of art to the artist himself such that the two could never again be viewed in isolation.
Author: Comitato Fiorentino per le Feste del IV. Centenario dalla Nascita di Michelangelo (FLORENCE)
Publisher:
ISBN:
Category :
Languages : it
Pages : 744
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Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 604
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Author: Astor Library
Publisher: Cambridge [Mass.] : Riverside Press
ISBN:
Category :
Languages : en
Pages : 1140
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