Late Medieval and Renaissance Illuminated Manuscripts 1350-1525 PDF Download
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Author: Roger S. Wieck
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Roger S. Wieck
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Houghton Library
Publisher: Houghton Library
ISBN:
Category : Art
Languages : en
Pages : 220
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Book Description
Although the advent of the printing press heralded the end of the manuscript, the illuminated text still flourished through the late Middle Ages and the Renaissance. Many such manuscripts are works of extraordinary expressive power and have much to tell about the history of the graphic arts as well. Roger Wieck's catalogue carefully describes the extraordinary collection of graduals, breviaries, books of hours, and works of classical and vernacular literature assembled over the decades at Houghton Library.
Author: Roger S. Wieck
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
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Author: Georges Dogaer (historien de l'art.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Margaret Connolly
Publisher: Boydell & Brewer
ISBN: 184384575X
Category : History
Languages : en
Pages : 389
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Book Description
Essays bringing out the richness and vibrancy of pre-modern textual culture in all its variety.
Author: Lisa H. Cooper
Publisher: Routledge
ISBN: 1351894617
Category : History
Languages : en
Pages : 308
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Book Description
The Arma Christi, the cluster of objects associated with Christ’s Passion, was one of the most familiar iconographic devices of European medieval and early modern culture. From the weapons used to torment and sacrifice the body of Christ sprang a reliquary tradition that produced active and contemplative devotional practices, complex literary narratives, intense lyric poems, striking visual images, and innovative architectural ornament. This collection displays the fascinating range of intellectual possibilities generated by representations of these medieval ’objects,’ and through the interdisciplinary collaboration of its contributors produces a fresh view of the multiple intersections of the spiritual and the material in the Middle Ages and Renaissance. It also includes a new and authoritative critical edition of the Middle English Arma Christi poem known as ’O Vernicle’ that takes account of all twenty surviving manuscripts. The book opens with a substantial introduction that surveys previous scholarship and situates the Arma in their historical and aesthetic contexts. The ten essays that follow explore representative examples of the instruments of the Passion across a broad swath of history, from some of their earliest formulations in late antiquity to their reformulations in early modern Europe. Together, they offer the first large-scale attempt to understand the arma Christi as a unique cultural phenomenon of its own, one that resonated across centuries in multiple languages, genres, and media. The collection directs particular attention to this array of implements as an example of the potency afforded material objects in medieval and early modern culture, from the glittering nails of the Old English poem Elene to the coins of the Middle English poem ’Sir Penny,’ from garments and dice on Irish tomb sculptures to lanterns and ladders in Hieronymus Bosch’s panel painting of St. Christopher, and from the altar of the Sistine Chapel to the printed prayer books of the Reformation.
Author: Francesco Marco Aresu
Publisher: University of Notre Dame Pess
ISBN: 0268206473
Category : Literary Criticism
Languages : en
Pages : 416
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Book Description
Manuscript Poetics explores the interrelationship between the material features of textual artifacts and the literary aspects of the medieval Italian texts they preserve. This original study is both an investigation into the material foundations of literature and a reflection on notions of textuality, writing, and media in late medieval and early modern Italy. Francesco Marco Aresu examines the book-objects of manuscripts and early printed editions, asking questions about the material conditions of production, circulation, and reception of literary works. He invites scholars to reconcile reading with seeing (and with touching) and to challenge contemporary presumptions about technological neutrality and the modes of interfacing and reading. Manuscript Poetics investigates the correspondences between textuality and materiality, content and medium, and visual-verbal messages and their physical support through readings of Dante Alighieri’s Vita nova, Giovanni Boccaccio’s Teseida, and Francesco Petrarca’s canzoniere (Rerum vulgarium fragmenta). Aresu shows that Dante, Boccaccio, and Petrarca evaluated and deployed the tools of scribal culture to shape, signal, or layer meanings beyond those they conveyed in their written texts. Medieval texts, Aresu argues, are uniquely positioned to provide this perspective, and they are foundational to the theoretical understanding of new forms and materials in our media-saturated contemporary world.
Author: James Hankins
Publisher: Ed. di Storia e Letteratura
ISBN: 9788884980762
Category : History
Languages : en
Pages : 656
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Author: John Pope-Hennessy
Publisher: Metropolitan Museum of Art
ISBN: 0870998390
Category :
Languages : en
Pages : 258
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Author: Marion Dolan
Publisher: Springer
ISBN: 3319567845
Category : Science
Languages : en
Pages : 482
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Book Description
This carefully researched monograph is a historical investigation of the illustrated Aratea astronomical manuscript and its many interpretations over the centuries. Aratus' 270 B.C.E. Greek poem describing the constellations and astrological phenomena was translated and copied over 800 years into illuminated manuscripts that preserved and illustrated these ancient stories about the constellations. The Aratea survives in its entirety due to multiple translations from Greek to Latin and even to Arabic, with many illuminated versions being commissioned over the ages. The survey encompasses four interrelated disciplines: history of literature, history of myth, history of science, and history of art. Aratea manuscripts by their nature are a meeting place of these distinct branches, and the culling of information from historical literature and from the manuscripts themselves focuses on a wider, holistic view; a narrow approach could not provide a proper prospective. What is most essential to know about this work is that because of its successive incarnations it has survived and been reinterpreted through the centuries, which speaks to its importance in all of these disciplines. This book brings a better understanding of the history, changes and transmission of the original astronomical Phaenomena poem. Historians, art historians, astronomy lovers, and historians of astronomy will learn more specialized details concerning the Aratea and how the tradition survived from the Middle Ages. It is a credit to the poetry of Aratus and the later interpreters of the text that its pagan aspects were not edited nor removed, but respected and maintained in the exact same form despite the fact that all sixty Aratea manuscripts mentioned in this study were produced under the rule of Christianity.
