Author: Stefan Themerson
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 76
Book Description
Kurt Schwitters in England
Author: Stefan Themerson
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 76
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 76
Book Description
Lucky Hans and Other Merz Fairy Tales
Author: Kurt Schwitters
Publisher: Princeton University Press
ISBN: 9780691139678
Category : Art
Languages : en
Pages : 260
Book Description
Kurt Schwitters revolutionized the art world in the 1920s with his Dadaist Merz collages, theater performances, and poetry. But at the same time he was also writing extraordinary fairy tales that were turning the genre upside down and inside out. Lucky Hans and Other Merz Fairy Tales is the first collection of these subversive, little-known stories in any language and the first time all but a few of them have appeared in English. Translated and introduced by Jack Zipes, one of the world's leading authorities on fairy tales, this book gathers thirty-two stories written between 1925 and Schwitters's death in 1948--including a complete English-language recreation of The Scarecrow, a children's book illustrated with avant-garde typography that Schwitters created with Kate Steinitz and De Stijl founder Theo van Doesburg. Lucky Hans and Other Merz Fairy Tales also includes brilliant new illustrations that evoke the 1920s, 1930s, and 1940s. Schwitters wrote these darkly humorous, satirical, and surreal tales at a time when traditional German fairy tales were being co-opted by the Nazis. Filled with sharp critiques of German life during the Weimar and early Nazi eras, Schwitters's tales are rich with absurdist events and insist that not everyone--and perhaps not anyone--lives happily ever after. In "Lucky Hans," the starving protagonist tries to catch a rabbit only to have it shed its fur like a coat and run off naked into the forest. In other tales, a sarcastic gypsy stands in for a fairy godmother and an army recruit is arrested for growing to monstrous size. Lucky Hans and Other Merz Fairy Tales is a delightfully strange and surprising book.
Publisher: Princeton University Press
ISBN: 9780691139678
Category : Art
Languages : en
Pages : 260
Book Description
Kurt Schwitters revolutionized the art world in the 1920s with his Dadaist Merz collages, theater performances, and poetry. But at the same time he was also writing extraordinary fairy tales that were turning the genre upside down and inside out. Lucky Hans and Other Merz Fairy Tales is the first collection of these subversive, little-known stories in any language and the first time all but a few of them have appeared in English. Translated and introduced by Jack Zipes, one of the world's leading authorities on fairy tales, this book gathers thirty-two stories written between 1925 and Schwitters's death in 1948--including a complete English-language recreation of The Scarecrow, a children's book illustrated with avant-garde typography that Schwitters created with Kate Steinitz and De Stijl founder Theo van Doesburg. Lucky Hans and Other Merz Fairy Tales also includes brilliant new illustrations that evoke the 1920s, 1930s, and 1940s. Schwitters wrote these darkly humorous, satirical, and surreal tales at a time when traditional German fairy tales were being co-opted by the Nazis. Filled with sharp critiques of German life during the Weimar and early Nazi eras, Schwitters's tales are rich with absurdist events and insist that not everyone--and perhaps not anyone--lives happily ever after. In "Lucky Hans," the starving protagonist tries to catch a rabbit only to have it shed its fur like a coat and run off naked into the forest. In other tales, a sarcastic gypsy stands in for a fairy godmother and an army recruit is arrested for growing to monstrous size. Lucky Hans and Other Merz Fairy Tales is a delightfully strange and surprising book.
Myself and My Aims
Author: Kurt Schwitters
Publisher:
ISBN: 9780226129396
Category : Art
Languages : en
Pages : 656
Book Description
"The first anthology in English of the critical and theoretical writings of the great German artist Kurt Schwitters, considered by scholars, museums, devotees, and collectors alike to be one of the most important "thinking artists" of the twentieth century, surpassed only by Marcel Duchamp in his influence on subsequent generations. Throughout his life Schwitters wrote and published in many genres-and across genres. His children's stories and his poetry and fiction have been translated into English, as have a handful of essays. But most of his critical writing has never been translated into English, and this volume even includes material that has never been published in any language--until now. Schwitters was a prolific writer, lecturer, and critic who penned important works about architecture and design, "the problem of painting" (before it was fashionable to do so), media, aesthetics, style, abstraction, concrete writing, politics, and more. Issuing this book will be a major publishing event in the history of modern art and in the history of this extraordinary artist. The translations are superb, making the volume an extraordinary resource for art historians, curators, critics, and artists. Megan Luke's introduction is accessible, and for the first time, a large field of Schwitters's writing is available not just to Anglophone readers but to readers of numerous nationalities who consider English the lingua franca of their work"--
Publisher:
ISBN: 9780226129396
Category : Art
Languages : en
Pages : 656
Book Description
"The first anthology in English of the critical and theoretical writings of the great German artist Kurt Schwitters, considered by scholars, museums, devotees, and collectors alike to be one of the most important "thinking artists" of the twentieth century, surpassed only by Marcel Duchamp in his influence on subsequent generations. Throughout his life Schwitters wrote and published in many genres-and across genres. His children's stories and his poetry and fiction have been translated into English, as have a handful of essays. But most of his critical writing has never been translated into English, and this volume even includes material that has never been published in any language--until now. Schwitters was a prolific writer, lecturer, and critic who penned important works about architecture and design, "the problem of painting" (before it was fashionable to do so), media, aesthetics, style, abstraction, concrete writing, politics, and more. Issuing this book will be a major publishing event in the history of modern art and in the history of this extraordinary artist. The translations are superb, making the volume an extraordinary resource for art historians, curators, critics, and artists. Megan Luke's introduction is accessible, and for the first time, a large field of Schwitters's writing is available not just to Anglophone readers but to readers of numerous nationalities who consider English the lingua franca of their work"--
Kurt Schwitters Merzbau
Author: Elizabeth Burns Gamard
Publisher: Princeton Architectural Press
ISBN: 9781568981369
Category : Architecture
Languages : en
Pages : 252
Book Description
The Building Studies series examines important buildings through original documents, detailed text, photography, and drawings in an affordable format.
Publisher: Princeton Architectural Press
ISBN: 9781568981369
Category : Architecture
Languages : en
Pages : 252
Book Description
The Building Studies series examines important buildings through original documents, detailed text, photography, and drawings in an affordable format.
Poisoned Abstraction
Author: Graham Bader
Publisher: Yale University Press
ISBN: 0300257082
Category : Art
Languages : en
Pages : 241
Book Description
A definitive resource, full of fresh insights and new revelations, on one of the most influential interwar artists This richly illustrated book offers a definitive new assessment of the oeuvre of Kurt Schwitters (1887-1948), a central figure of the interwar European avant-garde. Active as an artist, designer, publisher, performer, critic, poet, and playwright, Schwitters is best known for intimately scaled, materially rich collages and assemblages made from found objects--often refuse--that the artist described as having lost all contact with their role and history in the world at large. Considering works reaching from Schwitters's earliest collage-based pieces of 1918-19, through his 1920s advertising designs, to his seminal environmental installation the Merzbau, Graham Bader carefully unpacks the meaning behind such projects and sheds new light on the tumultuous historical conditions in which they were made. In the process, he reveals a new Schwitters--aesthetically committed and politically astute--for our time. This authoritative account reframes our understanding of Schwitters's multifaceted artistic practice and explores the complex entwinement of art, politics, and history in the modern period.
Publisher: Yale University Press
ISBN: 0300257082
Category : Art
Languages : en
Pages : 241
Book Description
A definitive resource, full of fresh insights and new revelations, on one of the most influential interwar artists This richly illustrated book offers a definitive new assessment of the oeuvre of Kurt Schwitters (1887-1948), a central figure of the interwar European avant-garde. Active as an artist, designer, publisher, performer, critic, poet, and playwright, Schwitters is best known for intimately scaled, materially rich collages and assemblages made from found objects--often refuse--that the artist described as having lost all contact with their role and history in the world at large. Considering works reaching from Schwitters's earliest collage-based pieces of 1918-19, through his 1920s advertising designs, to his seminal environmental installation the Merzbau, Graham Bader carefully unpacks the meaning behind such projects and sheds new light on the tumultuous historical conditions in which they were made. In the process, he reveals a new Schwitters--aesthetically committed and politically astute--for our time. This authoritative account reframes our understanding of Schwitters's multifaceted artistic practice and explores the complex entwinement of art, politics, and history in the modern period.
Schwitters in Norway
Author: Kurt Schwitters
Publisher: Hatje Cantz
ISBN: 9783775724203
Category : Expatriate artists
Languages : en
Pages : 0
Book Description
In the 1930s, anyone traveling to Djupvasshytta in Norway might have run into the improbable figure of Kurt Schwitters, selling his landscapes and portraits to visiting tourists. Schwitters (1887-1948) had discovered the beauty of Norway on his first trip there in 1929, subsequently holidaying in the northwestern part of the country. In January 1937, the artist followed his son Ernst into exile, and constructed his second Merzbau, the Haus am Bakken (House on the Slope), near Oslo, where he remained until the Germans moved in to occupy the country in April 1940. Schwitters in Norway is the first book to examine the stylistically looser and more colorful collages and assemblages, with their pronounced use of natural materials such as stone, driftwood and feathers, as well as the abstract and landscape paintings, from this particularly productive period of the artist's life. With nearly 100 color plates, this volume greatly enriches our picture of one of last century's most influential artists.
Publisher: Hatje Cantz
ISBN: 9783775724203
Category : Expatriate artists
Languages : en
Pages : 0
Book Description
In the 1930s, anyone traveling to Djupvasshytta in Norway might have run into the improbable figure of Kurt Schwitters, selling his landscapes and portraits to visiting tourists. Schwitters (1887-1948) had discovered the beauty of Norway on his first trip there in 1929, subsequently holidaying in the northwestern part of the country. In January 1937, the artist followed his son Ernst into exile, and constructed his second Merzbau, the Haus am Bakken (House on the Slope), near Oslo, where he remained until the Germans moved in to occupy the country in April 1940. Schwitters in Norway is the first book to examine the stylistically looser and more colorful collages and assemblages, with their pronounced use of natural materials such as stone, driftwood and feathers, as well as the abstract and landscape paintings, from this particularly productive period of the artist's life. With nearly 100 color plates, this volume greatly enriches our picture of one of last century's most influential artists.
Kurt Schwitters
Author: Megan R. Luke
Publisher: University of Chicago Press
ISBN: 022609037X
Category : Art
Languages : en
Pages : 353
Book Description
German artist Kurt Schwitters (1887–1948) is best known for his pioneering work in fusing collage and abstraction, the two most transformative innovations of twentieth-century art. Considered the father of installation art, Schwitters was also a theorist, a Dadaist, and a writer whose influence extends from Robert Rauschenberg and Eva Hesse to Thomas Hirschhorn. But while his early experiments in collage and installation from the interwar period have garnered much critical acclaim, his later work has generally been ignored. In the first book to fill this gap, Megan R. Luke tells the fascinating, even moving story of the work produced by the aging, isolated artist under the Nazi regime and during his years in exile. Combining new biographical material with archival research, Luke surveys Schwitters’s experiments in shaping space and the development of his Merzbau, describing his haphazard studios in Scandinavia and the United Kingdom and the smaller, quieter pieces he created there. She makes a case for the enormous relevance of Schwitters’s aesthetic concerns to contemporary artists, arguing that his later work provides a guide to new narratives about modernism in the visual arts. These pieces, she shows, were born of artistic exchange and shaped by his rootless life after exile, and they offer a new way of thinking about the history of art that privileges itinerancy over identity and the critical power of humorous inversion over unambiguous communication. Packed with images, Kurt Schwitters completes the narrative of an artist who remains a considerable force today.
Publisher: University of Chicago Press
ISBN: 022609037X
Category : Art
Languages : en
Pages : 353
Book Description
German artist Kurt Schwitters (1887–1948) is best known for his pioneering work in fusing collage and abstraction, the two most transformative innovations of twentieth-century art. Considered the father of installation art, Schwitters was also a theorist, a Dadaist, and a writer whose influence extends from Robert Rauschenberg and Eva Hesse to Thomas Hirschhorn. But while his early experiments in collage and installation from the interwar period have garnered much critical acclaim, his later work has generally been ignored. In the first book to fill this gap, Megan R. Luke tells the fascinating, even moving story of the work produced by the aging, isolated artist under the Nazi regime and during his years in exile. Combining new biographical material with archival research, Luke surveys Schwitters’s experiments in shaping space and the development of his Merzbau, describing his haphazard studios in Scandinavia and the United Kingdom and the smaller, quieter pieces he created there. She makes a case for the enormous relevance of Schwitters’s aesthetic concerns to contemporary artists, arguing that his later work provides a guide to new narratives about modernism in the visual arts. These pieces, she shows, were born of artistic exchange and shaped by his rootless life after exile, and they offer a new way of thinking about the history of art that privileges itinerancy over identity and the critical power of humorous inversion over unambiguous communication. Packed with images, Kurt Schwitters completes the narrative of an artist who remains a considerable force today.
Kurt Merz Schwitters
Author: Gwendolen Webster
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 482
Book Description
One of the masters of collage and the inventor of 'Merz' - art from rubbish - Kurt Schwitters has been hailed successively as the great precursor of Pop Art and Happenings, the grandfather of Concept Art, Fluxus and multimedia art, and the visionary herald of Postmodernism. Kurt Merz Schwitters not only examines the remarkable life of the artist but also explores the background to some of his greatest works, including his huge and enigmatic Cathedral of Erotic Misery, and places him in his historical context, one of a select group who for over a decade fought a courageous battle against the encroaching Nazi dictatorship. He died in exile in England in 1948, poverty-stricken, but, as he foresaw, his pictures now fetch vast sums and are exhibited in the world's leading art galleries.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 482
Book Description
One of the masters of collage and the inventor of 'Merz' - art from rubbish - Kurt Schwitters has been hailed successively as the great precursor of Pop Art and Happenings, the grandfather of Concept Art, Fluxus and multimedia art, and the visionary herald of Postmodernism. Kurt Merz Schwitters not only examines the remarkable life of the artist but also explores the background to some of his greatest works, including his huge and enigmatic Cathedral of Erotic Misery, and places him in his historical context, one of a select group who for over a decade fought a courageous battle against the encroaching Nazi dictatorship. He died in exile in England in 1948, poverty-stricken, but, as he foresaw, his pictures now fetch vast sums and are exhibited in the world's leading art galleries.
Poems, Performance Pieces, Proses [sic], Plays, Poetics
Author: Kurt Schwitters
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 294
Book Description
A landmark anthology of Dada artist Kurt Schwitter's rejuvenating works: radical, humourous and explosively lyrical writings that embrace and undo every genre, prefiguring sound, concrete and abstract poetry, and laying the groundwork for performance art. Schwitter's passion was for juxtaposition, a breaking down of boundaries not for the sake of shock, but in the service of creative hilarity. Using visual nad verbal material drawn from teh debris of culture, Schwitters offers us a Gesamtkunstwerk for the common man.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 294
Book Description
A landmark anthology of Dada artist Kurt Schwitter's rejuvenating works: radical, humourous and explosively lyrical writings that embrace and undo every genre, prefiguring sound, concrete and abstract poetry, and laying the groundwork for performance art. Schwitter's passion was for juxtaposition, a breaking down of boundaries not for the sake of shock, but in the service of creative hilarity. Using visual nad verbal material drawn from teh debris of culture, Schwitters offers us a Gesamtkunstwerk for the common man.
A Dictionary of the Avant-Gardes
Author:
Publisher: Routledge
ISBN: 1136806202
Category : Music
Languages : en
Pages : 735
Book Description
A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.
Publisher: Routledge
ISBN: 1136806202
Category : Music
Languages : en
Pages : 735
Book Description
A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.