Kaiso! the Trinidad Calypso PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Kaiso! the Trinidad Calypso PDF full book. Access full book title Kaiso! the Trinidad Calypso by Keith Q. Warner. Download full books in PDF and EPUB format.
Author: Keith Q. Warner
Publisher: Three Continents
ISBN:
Category : Music
Languages : en
Pages : 176
Get Book
Book Description
A study of calypso music from its early days to the latest victory songs of carnival. With discography, photos of leading calypsonians, and updated bibliography from original 1982 edition.
Author: Keith Q. Warner
Publisher: Three Continents
ISBN:
Category : Music
Languages : en
Pages : 176
Get Book
Book Description
A study of calypso music from its early days to the latest victory songs of carnival. With discography, photos of leading calypsonians, and updated bibliography from original 1982 edition.
Author: Raymond Quevedo
Publisher:
ISBN:
Category : Calypso (Music)
Languages : en
Pages : 224
Get Book
Book Description
Author: Keith Q. Warner
Publisher:
ISBN: 9781578890644
Category : Music
Languages : en
Pages : 195
Get Book
Book Description
Author: Hollis Liverpool
Publisher:
ISBN:
Category : Calypso (Music)
Languages : en
Pages : 70
Get Book
Book Description
Author: Jocelyne Guilbault
Publisher: Duke University Press
ISBN: 0822376164
Category : Music
Languages : en
Pages : 329
Get Book
Book Description
Roy Cape is a Trinidadian saxophonist active as a band musician for more than fifty years and as a bandleader for more than thirty. He is known throughout the islands and the Caribbean diasporas in North America and Europe. Part ethnography, part biography, and part Caribbean music history, Roy Cape is about the making of reputation and circulation, and about the meaning of labor and work ethics. An experiment in storytelling, it joins Roy's voice with that of ethnomusicologist Jocelyne Guilbault. The idea for the book emerged from an exchange they had while discussing Roy's journey as a performer and bandleader. In conversation, they began experimenting with voice, with who takes the lead, who says what, when, to whom, and why. Their book reflects that dynamic, combining first-person narrative, dialogue, and the polyphony of Roy's bandmates' voices. Listening to recordings and looking at old photographs elicited more recollections, which allowed Roy to expand on recurring themes and motifs. This congenial, candid book offers different ways of knowing Roy's labor of love—his sound and work through sound, his reputation and circulation as a renowned musician and bandleader in the world.
Author: Gordon Rohlehr
Publisher:
ISBN:
Category : Calypso (Music)
Languages : en
Pages : 684
Get Book
Book Description
Author: Louis Regis
Publisher: University Press of Florida
ISBN: 9780813015804
Category : Music
Languages : en
Pages : 277
Get Book
Book Description
"A significant contribution to the field of calypso studies. . . . Few published works have taken this extensive a look at the political calypsos and what informs them."--Keith Q. Warner, George Mason University, author of Kaiso! The Trinidad Calypso Calypso, a traditional form of music in the Caribbean, began in Trinidad and Tobago as a subtle protest against British rule. Influenced by African and native Caribbean rhythms, the calypso (along with Jamaican reggae) defines the music of the region. Louis Regis examines the evolution of the political calypso from 1962 to 1987, the period of Trinidad/Tobago's independence from Britain, and presents the text of lyrics from this popular folk-urban musical form. Following the songs and their themes chronologically from 1962 forward, Regis discovers the social history, cultural attitudes, and political commentary embedded within the music. He discusses the uneasy alliance between the performer and the politician, the political moods and postures emphasized in the songs, and the national identity of the calypso. Drawing upon voluminous research, Regis's study brings to light little-known and unrecorded songs. With a concluding chapter on the calypso's artistic and performance elements, it will appeal both to specialists in ethnomusicology and to general readers who enjoy the calypso. Louis Regis, the author of Maestro: The True Master and Black Stalin: The Caribbean Man, is one of the West Indies' foremost authorities on the calypso. He teaches at Pleasantville Senior Comprehensive School in Trinidad.
Author: Jacob Delworth Elder
Publisher:
ISBN:
Category : Calypso (Music)
Languages : en
Pages : 836
Get Book
Book Description
Author: Keith Q. Warner
Publisher: Heinemann
ISBN:
Category : Calypso
Languages : en
Pages : 172
Get Book
Book Description
Author: Tejaswini Niranjana
Publisher: Duke University Press
ISBN: 0822388421
Category : Social Science
Languages : en
Pages : 285
Get Book
Book Description
Descendants of indentured laborers brought from India to the Caribbean between 1845 and 1917 comprise more than forty percent of Trinidad’s population today. While many Indo-Trinidadians identify themselves as Indian, what “Indian” signifies—about nationalism, gender, culture, caste, race, and religion—in the Caribbean is different from what it means on the subcontinent. Yet the ways that “Indianness” is conceived of and performed in India and in Trinidad have historically been, and remain, intimately related. Offering an innovative analysis of how ideas of Indian identity negotiated within the Indian diaspora in Trinidad affect cultural identities “back home,” Tejaswini Niranjana models a necessary project: comparative research across the global South, scholarship that decenters the “first world” West as the referent against which postcolonial subjects understand themselves and are understood by others. Niranjana draws on nineteenth-century travel narratives, anthropological and historical studies of Trinidad, Hindi film music, and the lyrics, performance, and reception of chutney-soca and calypso songs to argue that perceptions of Indian female sexuality in Trinidad have long been central to the formation and disruption of dominant narratives of nationhood, modernity, and normative sexuality in India. She illuminates debates in India about “the woman question” as they played out in the early-twentieth-century campaign against indentured servitude in the tropics. In so doing, she reveals India’s disavowal of the indentured woman—viewed as morally depraved by her forced labor in Trinidad—as central to its own anticolonial struggle. Turning to the present, Niranjana looks to Trinidad’s most dynamic site of cultural negotiation: popular music. She describes how contested ideas of Indian femininity are staged by contemporary Trinidadian musicians—male and female, of both Indian and African descent—in genres ranging from new hybrids like chutney-soca to the older but still vibrant music of Afro-Caribbean calypso.
