Author: John Philip Kemble
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 504
Book Description
John Philip Kemble Promptbooks: Coriolanus. Cymbeline. Hamlet
Author: John Philip Kemble
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 504
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 504
Book Description
John Philip Kemble Promptbooks
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
John Philip Kemble Promptbooks
Author: John Philip Kemble
Publisher: Associated University Presse
ISBN: 9780813905587
Category : Theater
Languages : en
Pages : 5000
Book Description
Publisher: Associated University Presse
ISBN: 9780813905587
Category : Theater
Languages : en
Pages : 5000
Book Description
Shakespeare and Shakespeariana
Author: Meisei Daigaku. Toshokan
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 810
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 810
Book Description
Subject Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Subject
Languages : en
Pages : 932
Book Description
Publisher:
ISBN:
Category : Catalogs, Subject
Languages : en
Pages : 932
Book Description
American Book Publishing Record Cumulative, 1950-1977
Author: R.R. Bowker Company. Department of Bibliography
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1400
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1400
Book Description
Assembly and its Other in German Romantic Literature and Thought
Author: Robert E. Mottram
Publisher: Liverpool University Press
ISBN: 1802079076
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
This collection of essays turns on a shift in Romantic studies from viewing wholeness as an absolute value to critiquing it as a limiting construction. Wholeness and its concomitant sense of harmony, rather than a natural given, is a construct that was assembled and disassembled, theorized and criticized, by diverse authors and artists in a wide variety of disciplines and socio-historical contexts, and instrumentalized for diverse purposes. The plurality of these constructions – that Goethe’s Urpflanze, for example, is not synonymous with Friedrich Schlegel’s universal progressive poetry – is but one manifestation of how “assembly” strives but fails to be absolute. The “other” of assembly referenced in the title suggests two divergent but inseparable tendencies: firstly, how a construction can take on the appearance of a natural given; and secondly, how assemblages of wholeness harbor within themselves their own principle of disarticulation. These two tendencies underlie the “inexhaustible” character of Romantic “gatherings”. As a construction passes itself off as nature, the natural fails to account for itself as a whole. The scope of this volume encompasses the establishment, mapping, and interrogation of assembly and its other in German Romanticism through interdisciplinary studies on literature, aesthetics, philosophy, drama, music, synaesthesia, mathematics, science, and exploration. List of contributors: Beate Allert, Frederick Burwick, Alexis B. Smith, Margaret Strair, Christina Weiler, Joshua Wilner.
Publisher: Liverpool University Press
ISBN: 1802079076
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
This collection of essays turns on a shift in Romantic studies from viewing wholeness as an absolute value to critiquing it as a limiting construction. Wholeness and its concomitant sense of harmony, rather than a natural given, is a construct that was assembled and disassembled, theorized and criticized, by diverse authors and artists in a wide variety of disciplines and socio-historical contexts, and instrumentalized for diverse purposes. The plurality of these constructions – that Goethe’s Urpflanze, for example, is not synonymous with Friedrich Schlegel’s universal progressive poetry – is but one manifestation of how “assembly” strives but fails to be absolute. The “other” of assembly referenced in the title suggests two divergent but inseparable tendencies: firstly, how a construction can take on the appearance of a natural given; and secondly, how assemblages of wholeness harbor within themselves their own principle of disarticulation. These two tendencies underlie the “inexhaustible” character of Romantic “gatherings”. As a construction passes itself off as nature, the natural fails to account for itself as a whole. The scope of this volume encompasses the establishment, mapping, and interrogation of assembly and its other in German Romanticism through interdisciplinary studies on literature, aesthetics, philosophy, drama, music, synaesthesia, mathematics, science, and exploration. List of contributors: Beate Allert, Frederick Burwick, Alexis B. Smith, Margaret Strair, Christina Weiler, Joshua Wilner.
Library of Congress Catalogs
Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 932
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 932
Book Description
Nineteenth Century Theatre
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 424
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 424
Book Description
Monographic Series
Author: Library of Congress
Publisher:
ISBN:
Category : Monographic series
Languages : en
Pages : 864
Book Description
Publisher:
ISBN:
Category : Monographic series
Languages : en
Pages : 864
Book Description