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Author: Theodore G. Ammon
Publisher: Open Court Publishing
ISBN: 0812699750
Category : Philosophy
Languages : en
Pages : 223
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Book Description
In his brief career Jimi Hendrix transformed rock music, established himself as the greatest guitarist of all time, and left a rich legacy of original songs and dazzling recordings. In Jimi Hendrix and Philosophy, philosophers come to terms with the experience and the phenomenon of Hendrix, uncovering some surprising implications of Hendrix’s life and work. Much of this book is concerned with the restless polarities and dualities that reveal themselves through Hendrix. His compositions display a preoccupation with the tragic nature of life, moving between the polarities of Schopenhauer’s The World as Will and Idea and and Platonic philosophy. Jimi’s “guitar-being” has surprising implications for the philosophical relation between mind and body. There is in Hendrix a duality between innovation and tradition—innovation in psychedelic sonic adventures and tradition in the form of the blues. Hendrix exemplifies the interaction of technology and art, as seen in his use of feedback, varieties of noise, and backwards reel-to-reel playing. How much of the Hendrix phenomenon can be explained by the technological situation and how much by his own unique genius? Everyone knows about Hendrix’s use of feedback in the narrow sense, but feedback can also be viewed as a general phenomenon that arises in complex dynamical systems and emerges at the border of chaos and order. Although critics associate Hendrix’s lifestyle and early death with self-destructive patterns of the Sixties, his actual thoughts as revealed in his songs and writings show a more positive and constructive concern with authentic freedom. What did Hendrix mean when he spoke of “the realities” of conflict conveyed in “Machine Gun”? What is a “Voodoo Chile”? When does noise become music? These and other questions are addressed in Jimi Hendrix and Philosophy. Hendrix’s undying popularity following his death in 1970 has led to the release over the years of a large body of material which Hendrix would never have chosen to make public, raising serious questions about what we owe to the dead and how we view the construction of the artist’s public persona.
Author: Theodore G. Ammon
Publisher: Open Court Publishing
ISBN: 0812699750
Category : Philosophy
Languages : en
Pages : 223
Get Book Here
Book Description
In his brief career Jimi Hendrix transformed rock music, established himself as the greatest guitarist of all time, and left a rich legacy of original songs and dazzling recordings. In Jimi Hendrix and Philosophy, philosophers come to terms with the experience and the phenomenon of Hendrix, uncovering some surprising implications of Hendrix’s life and work. Much of this book is concerned with the restless polarities and dualities that reveal themselves through Hendrix. His compositions display a preoccupation with the tragic nature of life, moving between the polarities of Schopenhauer’s The World as Will and Idea and and Platonic philosophy. Jimi’s “guitar-being” has surprising implications for the philosophical relation between mind and body. There is in Hendrix a duality between innovation and tradition—innovation in psychedelic sonic adventures and tradition in the form of the blues. Hendrix exemplifies the interaction of technology and art, as seen in his use of feedback, varieties of noise, and backwards reel-to-reel playing. How much of the Hendrix phenomenon can be explained by the technological situation and how much by his own unique genius? Everyone knows about Hendrix’s use of feedback in the narrow sense, but feedback can also be viewed as a general phenomenon that arises in complex dynamical systems and emerges at the border of chaos and order. Although critics associate Hendrix’s lifestyle and early death with self-destructive patterns of the Sixties, his actual thoughts as revealed in his songs and writings show a more positive and constructive concern with authentic freedom. What did Hendrix mean when he spoke of “the realities” of conflict conveyed in “Machine Gun”? What is a “Voodoo Chile”? When does noise become music? These and other questions are addressed in Jimi Hendrix and Philosophy. Hendrix’s undying popularity following his death in 1970 has led to the release over the years of a large body of material which Hendrix would never have chosen to make public, raising serious questions about what we owe to the dead and how we view the construction of the artist’s public persona.
Author: Greg Tate
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
Incorporating extensive interviews with black Americans who can shed light on Hendrix's complicated racial relationsips, this book explores, among other issues, how Hendirx exploded our complacently segregated world to emerge as an icon for white boys ; why we never hear his songs on black radio ; why black people once viewed him as a hippie Uncle Tom ; his connection to the Black Power movement ; how he electrified soul music and made the electric guitar supplant the human voice ; how he revolutionized the use of technology in popular music ; how he redefined rock fashion ; his sex appeal, especially with black women ; why nobody was mad at him for sleeping with white women ; and how he has subverted and destabilized black masculine stereotypes, changing the way we think not only about black music, but about black identity itself.
Author: Kevin Le Gendre
Publisher: Equinox Publishing (UK)
ISBN: 9781800500143
Category : Music
Languages : en
Pages :
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Book Description
Hear My Train A Comin' investigates the immense creativity of Jimi Hendrix, and his intriguing relationship with the art of song, a platform he used for a multitude of ideas and improvisation.
Author: Jack Hamilton
Publisher: Harvard University Press
ISBN: 0674416597
Category : Biography & Autobiography
Languages : en
Pages : 351
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Book Description
By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to rock’s inextricably interracial artistic enterprise. According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.
Author: Christopher Knowles
Publisher: Simon and Schuster
ISBN: 1573445649
Category : Music
Languages : en
Pages : 221
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Book Description
Sex. Drugs. Loud music. Wild costumes. Dazzling light shows. These words can all describe a great rock concert or a hot dance club, but they were also part and parcel of the ancient cultural phenomenon known as the “Mystery religions.” In this book, author Christopher Knowles shows how the Mystery religions got a secular reincarnation when a new musical form called rock 'n' roll burst onto the scene. The Secret History of Rock 'n' Roll traces the history of the Mysteries — their rise, their fall, and their survival through long centuries of repression. Knowles shows how the Mysteries prefigured subcultures as diverse as Santeria, Freemasonry, Mardi Gras and even the Holiness churches of the American frontier, and explains exactly how ancient rituals and music found their way to the New World. In the process, The Secret History of Rock 'n' Roll traces the development of rock's most popular genres such as punk and heavy metal, and reveals how many of rock's most iconic artists play the same archetypal roles as the ancient gods. You'll see how many of the rituals and customs and even musical styles of our postmodern society have stunning ancient parallels. You'll meet history's first pop
Author: Anthony W. DeAnnuntis
Publisher:
ISBN: 9780988924840
Category : Fiction
Languages : en
Pages : 0
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Book Description
Fiction. A.W. DeAnnuntis writes with verve, deep learning, and comedic panache, creating improbable worlds that manage, somehow, to make sense.
Author: Monika Dannemann
Publisher: St Martins Press
ISBN: 9780312137380
Category : Music
Languages : en
Pages : 192
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Book Description
Jimi Hendrix, according to The Penguin Encyclopedia of Popular Music, was "without a doubt the most prodigiously original, inventive and influential guitarist of the rock era". He died on 18 September 1970. Monika Dannemann had been his fiancee for nearly two years; she was with him when he died. The Inner World of Jimi Hendrix is Monika's tribute to her lost love: a beautifully designed, exquisitely executed gallery of her original oil paintings, inspired by Jimi's songs, and reflecting his spirit. All are reproduced in full colour, and each is accompanied by an explanatory commentary expressing some of Jimi's innermost thoughts about his music, life, death, love and spirituality as revealed by him to Monika. In separate sections the author writes candidly, and very movingly, about her time with Jimi, their relationship, his last days, and his tragically premature death at the age of only twenty-seven. For the first time ever she discloses the full truth about the circumstances surrounding his death, and recounts in detail the distressing months that followed as the facts were continually manipulated and distorted, especially by the media. Published to coincide with the twenty-fifth anniversary of his death, The Inner World of Jimi Hendrix also includes a sequence of previously unpublished colour photographs of Jimi, taken by Monika the day before he died.
Author: Charles Shaar Murray
Publisher: Macmillan
ISBN: 9780312063245
Category : Biography & Autobiography
Languages : en
Pages : 268
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Book Description
Called by "Entertainment Weekly" "The best book on Hendrix", "Crosstown Traffic" rode their A-list for over two months and won the prestigious Ralph J. Gleason Music Book Award. Roots-savvy British critic Charles Shaar Murray assesses the lifework of guitarist Jimi Hendrix in the context of black musical tradition, social history, and the upheaval of the 1960s.
Author: Gary Peters
Publisher: University of Chicago Press
ISBN: 022645262X
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
There is an ever-increasing number of books on improvisation, ones that richly recount experiences in the heat of the creative moment, theorize on the essence of improvisation, and offer convincing arguments for improvisation’s impact across a wide range of human activity. This book is nothing like that. In a provocative and at times moving experiment, Gary Peters takes a different approach, turning the philosophy of improvisation upside-down and inside-out. Guided by Kant, Hegel, Heidegger, and especially Deleuze—and exploring a range of artists from Hendrix to Borges—Peters illuminates new fundamentals about what, as an experience, improvisation truly is. As he shows, improvisation isn’t so much a genre, idiom, style, or technique—it’s a predicament we are thrown into, one we find ourselves in. The predicament, he shows, is a complex entwinement of choice and decision. The performativity of choice during improvisation may happen “in the moment,” but it is already determined by an a priori mode of decision. In this way, improvisation happens both within and around the actual moment, negotiating a simultaneous past, present, and future. Examining these and other often ignored dimensions of spontaneous creativity, Peters proposes a consistently challenging and rigorously argued new perspective on improvisation across an extraordinary range of disciplines.
Author: Wade J. Hollingshaus
Publisher:
ISBN: 9780810884045
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Bob Dylan, Jimi Hendrix, and David Bowie are among three of the most influential figures in twentieth-century popular music and culture, and innumerable scholars and biographers have explored the history of their influence. However, critical historiography reminds us that such scholarship is responsible not just for documenting history but also for producing it. In brief, there is always some kind of logic underwriting these historiographies, drawing boundaries through and around our thinking. In Philosophizing Rock Performance: Dylan, Hendrix, Bowie, Wade Hollingshaus capitalizes on this notion by embracing a set of historiographical logics that re-imagine these three artists. Noting how Dylan, Hendrix, and Bowie first established their reputations amid the anti-establishment sentiments that emerged in Western counties during the 1960s and early 1970s, he connects them with the concurrent formative phase of Continental philosophy in the work of Giorgio Agamben, Jean-Fran ois Lyotard, Michel de Certeau, Jacques Ranci re, Guy Debord, and Michel Foucault. In Philosophizing Rock Performance, Hollingshaus draws on the work of these latter Continental thinkers to explore how we might otherwise think about Dylan, Hendrix, and Bowie. This work is ideal for those in the fields of music history, performance studies, philosophy, American and European cultural and intellectual history, and critical theory.
