Author: RALPH FLETCHER CARL
Publisher:
ISBN:
Category :
Languages : en
Pages : 592
Book Description
JEAN ROYERE AND 'LA PHALANGE'.
Author: RALPH FLETCHER CARL
Publisher:
ISBN:
Category :
Languages : en
Pages : 592
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 592
Book Description
Apollinaire and the International Avant-Garde
Author: Willard Bohn
Publisher: SUNY Press
ISBN: 9780791431955
Category : Literary Criticism
Languages : en
Pages : 392
Book Description
This literary history examines Guillaume Apollinaire's reception and influence in the Western hemisphere during the early twentieth century. Ir identifies and reconstructs major literary and art historical paths of development, about which surprisingly little is known. In particular, it discusses Apollinaire's reception and formative influence in North America, England, Germany, Spain, Argentina, and Mexico, and includes important documents by Apollinaire himself that have not appeared in print until now. "Bohn brings together a worldwide network of writers, artists, and critics to reveal the role and centrality of Apollinaire as the icon of Parisian modernism, cult figure of the avant-garde, poet with a new series of techniques, esthetician of the New, innovator of modern culture, and literary and cultural arbiter of his generation. "This is Rezeptionsesthetik in its most intense form. It is the definitive reference book for checking on who had any dealings with Apollinaire, the man or his work, and French modernism in English, German, Spanish or Catalan linguistic and cultural domains in both the Old and New Worlds. Bohn's translations from the various languages he commands are superb and prove that he is always working from source material. His text is simply a tour de force, a virtuoso performance". -- Seth L. Wolitz, University of Texas, Austin "Given the centrality of French poetry for European and New World poetry since Baudelaire, one simply cannot overstate Apollinaire's role in the evolution of the most advanced poetry written throughout Europe and North and South America since circa 1900. However, no one before has tracked his impact on avant-garde circles outsideFrance with so much attention to the specifics involved. Bohn has emerged as the dean of Apollinaire studies in North America; thus everything he has to say about the poet has the ring of absolute authority". -- Robert W. Greene, State University of New York, Albany
Publisher: SUNY Press
ISBN: 9780791431955
Category : Literary Criticism
Languages : en
Pages : 392
Book Description
This literary history examines Guillaume Apollinaire's reception and influence in the Western hemisphere during the early twentieth century. Ir identifies and reconstructs major literary and art historical paths of development, about which surprisingly little is known. In particular, it discusses Apollinaire's reception and formative influence in North America, England, Germany, Spain, Argentina, and Mexico, and includes important documents by Apollinaire himself that have not appeared in print until now. "Bohn brings together a worldwide network of writers, artists, and critics to reveal the role and centrality of Apollinaire as the icon of Parisian modernism, cult figure of the avant-garde, poet with a new series of techniques, esthetician of the New, innovator of modern culture, and literary and cultural arbiter of his generation. "This is Rezeptionsesthetik in its most intense form. It is the definitive reference book for checking on who had any dealings with Apollinaire, the man or his work, and French modernism in English, German, Spanish or Catalan linguistic and cultural domains in both the Old and New Worlds. Bohn's translations from the various languages he commands are superb and prove that he is always working from source material. His text is simply a tour de force, a virtuoso performance". -- Seth L. Wolitz, University of Texas, Austin "Given the centrality of French poetry for European and New World poetry since Baudelaire, one simply cannot overstate Apollinaire's role in the evolution of the most advanced poetry written throughout Europe and North and South America since circa 1900. However, no one before has tracked his impact on avant-garde circles outsideFrance with so much attention to the specifics involved. Bohn has emerged as the dean of Apollinaire studies in North America; thus everything he has to say about the poet has the ring of absolute authority". -- Robert W. Greene, State University of New York, Albany
Franco-British Cultural Exchanges, 1880-1940
Author: Andrew Radford
Publisher: Springer
ISBN: 113703078X
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
This volume focuses on the literary connotations of the 'Channel Packet' and sets forth lively dialogues between French and British culture at a key period of artistic innovation and exchange between 'high' and popular art forms.
Publisher: Springer
ISBN: 113703078X
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
This volume focuses on the literary connotations of the 'Channel Packet' and sets forth lively dialogues between French and British culture at a key period of artistic innovation and exchange between 'high' and popular art forms.
The Pan American Book Shelf
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 652
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 652
Book Description
The Symbolist Movement in the Literature of European Languages
Author: Anna Balakian
Publisher: John Benjamins Publishing
ISBN: 9630538954
Category : Literary Criticism
Languages : en
Pages : 735
Book Description
Edited by Anna Balakian, this volume marks the first attempt to discuss Symbolism in a full range of the literatures written in the European languages. The scope of these analyses, which explore Latin America, Scandinavia, Russia, Poland, Hungary, Serbia, Czechoslovakia, and Bulgaria as well as West European literatures, continues to make the volume a valuable reference today. As René Wellek suggests in his historiographic contribution, the fifty-one contributors not only make us think afresh about individual authors who are giants, but also draw us to reassess schools and movements in their local as well as international contexts. Reviewers comment that this copious and intelligently structured anthology, divided into eight parts, traces the conceptual bases and emergence of an international Symbolist movement, showing the spread of Symbolism to other national literatures from French sources, as well as the symbiotic transformations of Symbolism through appropriation and amalgamation with local literary trends. Several chapters deal with the relationships between literature and the other arts, pointing to Symbolism at work in painting, music, and theatre. Other chapters on the psychological aspects of the Symbolist method connect in interesting ways to a vision of metaphor and myth as virtually musical notation and an experimental emphasis on the play afforded by gaps between words. The volume is a major contribution to the most significant exponents and essential themes of Symbolism. The theoretical, historical, and typological sections of the volume help explain why the impact of this important movement of the fin-de-siècle is still felt today.
Publisher: John Benjamins Publishing
ISBN: 9630538954
Category : Literary Criticism
Languages : en
Pages : 735
Book Description
Edited by Anna Balakian, this volume marks the first attempt to discuss Symbolism in a full range of the literatures written in the European languages. The scope of these analyses, which explore Latin America, Scandinavia, Russia, Poland, Hungary, Serbia, Czechoslovakia, and Bulgaria as well as West European literatures, continues to make the volume a valuable reference today. As René Wellek suggests in his historiographic contribution, the fifty-one contributors not only make us think afresh about individual authors who are giants, but also draw us to reassess schools and movements in their local as well as international contexts. Reviewers comment that this copious and intelligently structured anthology, divided into eight parts, traces the conceptual bases and emergence of an international Symbolist movement, showing the spread of Symbolism to other national literatures from French sources, as well as the symbiotic transformations of Symbolism through appropriation and amalgamation with local literary trends. Several chapters deal with the relationships between literature and the other arts, pointing to Symbolism at work in painting, music, and theatre. Other chapters on the psychological aspects of the Symbolist method connect in interesting ways to a vision of metaphor and myth as virtually musical notation and an experimental emphasis on the play afforded by gaps between words. The volume is a major contribution to the most significant exponents and essential themes of Symbolism. The theoretical, historical, and typological sections of the volume help explain why the impact of this important movement of the fin-de-siècle is still felt today.
Poulenc: The Life in the Songs
Author: Graham Johnson
Publisher: Liveright Publishing
ISBN: 1631495240
Category : Biography & Autobiography
Languages : en
Pages : 470
Book Description
One of the greatest modernist composers comes alive in this illuminating biography, a must-have for musicians and music-lovers alike. Francis Poulenc (1899–1963) is widely acknowledged as one of the twentieth century’s most significant masters of vocal music —solo, choral, and operatic— quite apart from his achievements in instrumental spheres. But what it cost him, and the determined bravery it took for his unusual talent to thrive, has always been underestimated. In this seminal biography, which will serve as the definitive guide to the songs, acclaimed collaborative pianist Graham Johnson shows that it is in Poulenc’s extraordinary songs, and seeing how they fit into his life —which included crippling guilt on account of his sexuality— that we discover Poulenc heart and soul. With Jeremy Sams’s vibrant new song translations, the first in over forty years, and the insight that comes from a lifetime of performing this music, Johnson provides an essential volume for singers, pianists, listeners, and readers interested in the artistic milieu of modernism in the first half of the twentieth century.
Publisher: Liveright Publishing
ISBN: 1631495240
Category : Biography & Autobiography
Languages : en
Pages : 470
Book Description
One of the greatest modernist composers comes alive in this illuminating biography, a must-have for musicians and music-lovers alike. Francis Poulenc (1899–1963) is widely acknowledged as one of the twentieth century’s most significant masters of vocal music —solo, choral, and operatic— quite apart from his achievements in instrumental spheres. But what it cost him, and the determined bravery it took for his unusual talent to thrive, has always been underestimated. In this seminal biography, which will serve as the definitive guide to the songs, acclaimed collaborative pianist Graham Johnson shows that it is in Poulenc’s extraordinary songs, and seeing how they fit into his life —which included crippling guilt on account of his sexuality— that we discover Poulenc heart and soul. With Jeremy Sams’s vibrant new song translations, the first in over forty years, and the insight that comes from a lifetime of performing this music, Johnson provides an essential volume for singers, pianists, listeners, and readers interested in the artistic milieu of modernism in the first half of the twentieth century.
The Oxford Critical and Cultural History of Modernist Magazines
Author: Peter Brooker
Publisher: Oxford Critical Cultural Histo
ISBN: 0199659583
Category : Art
Languages : en
Pages : 1527
Book Description
A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.
Publisher: Oxford Critical Cultural Histo
ISBN: 0199659583
Category : Art
Languages : en
Pages : 1527
Book Description
A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.
French Symbolist Poetry and the Idea of Music
Author: Joseph Acquisto
Publisher: Routledge
ISBN: 1351935658
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
What role did music play in the creation of a new aesthetics of poetry in French from the 1860s to the 1930s? How did music serve as an unassimilable 'other' against which the French symbolist poets crafted a new poetics? And why did music gradually disappear from early twentieth-century poetic discourse? These are among the questions Joseph Acquisto poses in his lively study of the ways in which Baudelaire, Mallarmé, Ghil, and Royère question the nature and function of the lyric through an ever-shifting set of intertextual and cultural contexts. Rather than focusing on 'musicality' in verse, the author addresses the consequences of choosing music as a site of dialogue with poetry. Acquisto argues that memory plays an under acknowledged yet vital role in these poets' rewriting of symbolist poetics. His reading of their interactions, and his focus on both major and neglected poets, exposes the myth of a small handful of 'great authors' shaping symbolism while a host of disciples propagated the tradition. Rather, Acquisto proposes, the multiplicity of authors writing and rewriting symbolism invites a dialogic approach to the poetics of the period. Moreover, music, as theorized rather than performed or heard, serves as a privileged mobile space of poetic creation and dialogue for these poet-critics; it is through engagement with music, supposedly the purest or most abstract of the arts, that one can retrace the textual and cultural transformations accomplished by the symbolist tradition. By extension, these poets' rethinking of poetics is an occasion for present-day critics to re-examine assumptions, not only about the intersections of music and poetry and our understanding of symbolist poetics but also about the role that the aesthetic implicitly plays in the creation, preservation, or reshaping of cultural memory.
Publisher: Routledge
ISBN: 1351935658
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
What role did music play in the creation of a new aesthetics of poetry in French from the 1860s to the 1930s? How did music serve as an unassimilable 'other' against which the French symbolist poets crafted a new poetics? And why did music gradually disappear from early twentieth-century poetic discourse? These are among the questions Joseph Acquisto poses in his lively study of the ways in which Baudelaire, Mallarmé, Ghil, and Royère question the nature and function of the lyric through an ever-shifting set of intertextual and cultural contexts. Rather than focusing on 'musicality' in verse, the author addresses the consequences of choosing music as a site of dialogue with poetry. Acquisto argues that memory plays an under acknowledged yet vital role in these poets' rewriting of symbolist poetics. His reading of their interactions, and his focus on both major and neglected poets, exposes the myth of a small handful of 'great authors' shaping symbolism while a host of disciples propagated the tradition. Rather, Acquisto proposes, the multiplicity of authors writing and rewriting symbolism invites a dialogic approach to the poetics of the period. Moreover, music, as theorized rather than performed or heard, serves as a privileged mobile space of poetic creation and dialogue for these poet-critics; it is through engagement with music, supposedly the purest or most abstract of the arts, that one can retrace the textual and cultural transformations accomplished by the symbolist tradition. By extension, these poets' rethinking of poetics is an occasion for present-day critics to re-examine assumptions, not only about the intersections of music and poetry and our understanding of symbolist poetics but also about the role that the aesthetic implicitly plays in the creation, preservation, or reshaping of cultural memory.
Letters
Author: Saint-John Perse
Publisher: Princeton University Press
ISBN: 140085640X
Category : Literary Collections
Languages : en
Pages : 756
Book Description
Presented here in English translation are letters selected for publication by the poet himself, shortly before his death, from his wide correspondence with famous writers and public figures such as W. H. Auden, Francis and Katherine Biddle, Paul Claudel, Joseph Conrad, E. E. Cummings, Mina Curtiss, T. S. Eliot, André Gide, Dag Hammarskjöld, Archibald MacLeish, Jean Paulhan, Jacques Riviére, Igor Stravinsky, Allen Tate, and Paul Valéry. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 140085640X
Category : Literary Collections
Languages : en
Pages : 756
Book Description
Presented here in English translation are letters selected for publication by the poet himself, shortly before his death, from his wide correspondence with famous writers and public figures such as W. H. Auden, Francis and Katherine Biddle, Paul Claudel, Joseph Conrad, E. E. Cummings, Mina Curtiss, T. S. Eliot, André Gide, Dag Hammarskjöld, Archibald MacLeish, Jean Paulhan, Jacques Riviére, Igor Stravinsky, Allen Tate, and Paul Valéry. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Road from Paris
Author: Cyrena N. Pondrom
Publisher: Cambridge University Press
ISBN: 0521086817
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
'For the best part of a thousand years English poets have gone to school to the French,' declared Ezra Pound in 1913. Whatever the truth of this assertion for all of English literature its accuracy for Pound's own period is well established. Both he and T. S. Eliot wrote frankly of the debt which they owed to their French predecessors and this fact has long been recognised by students of English literature. With the recognition of this influence went the assumption that Eliot and Pound were themselves responsible for its transmission from France to England. That this was not so is demonstrated by the documents reprinted in this volume. Dr Pondrom presents a selection of extracts and complete essays and letters by the critics and poets who together were principally responsible for channelling into English writing the ideas and theories of the French poetic avant-garde.
Publisher: Cambridge University Press
ISBN: 0521086817
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
'For the best part of a thousand years English poets have gone to school to the French,' declared Ezra Pound in 1913. Whatever the truth of this assertion for all of English literature its accuracy for Pound's own period is well established. Both he and T. S. Eliot wrote frankly of the debt which they owed to their French predecessors and this fact has long been recognised by students of English literature. With the recognition of this influence went the assumption that Eliot and Pound were themselves responsible for its transmission from France to England. That this was not so is demonstrated by the documents reprinted in this volume. Dr Pondrom presents a selection of extracts and complete essays and letters by the critics and poets who together were principally responsible for channelling into English writing the ideas and theories of the French poetic avant-garde.