Author: Andrew Pekarik
Publisher: Metropolitan Museum of Art
ISBN: 0870992473
Category : Lacquer and lacquering
Languages : en
Pages : 148
Book Description
Japanese Lacquer, 1600-1900
Author: Andrew Pekarik
Publisher: Metropolitan Museum of Art
ISBN: 0870992473
Category : Lacquer and lacquering
Languages : en
Pages : 148
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870992473
Category : Lacquer and lacquering
Languages : en
Pages : 148
Book Description
East Asian Lacquer
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870996223
Category : Lacquer and lacquering
Languages : en
Pages : 402
Book Description
The Irving Collection represents a wide range of styles and techniques from the 13th through the twentieth centuries.
Publisher: Metropolitan Museum of Art
ISBN: 0870996223
Category : Lacquer and lacquering
Languages : en
Pages : 402
Book Description
The Irving Collection represents a wide range of styles and techniques from the 13th through the twentieth centuries.
Critical Perspectives on Classicism in Japanese Painting
Author: Elizabeth Lillehoj
Publisher: University of Hawaii Press
ISBN: 9780824826994
Category : Art
Languages : en
Pages : 320
Book Description
In the West, classical art - inextricably linked to concerns of a ruling or dominant class - commonly refers to art with traditional themes and styles that resurrect a past golden era. Although art of the early Edo period (1600-1868) encompasses a spectrum of themes and styles, references to the past are so common that many Japanese art historians have variously described this period as a classical revival, era of classicism, or a renaissance. How did seventeenth-century artists and patrons imagine the past? Why did they so often select styles and themes from the court culture of the Heian period (794-1185)? Were references to the past something new, or were artists and patrons in previous periods equally interested in manners that came to be seen as classical? How did classical manners relate to other styles and themes found in Edo art? In considering such questions, the contributors to this volume hold that classicism has been an amorphous, changing concept in Japan - just as in the West. Troublesome in its ambiguity and implications, it cannot be separated from the political and ideological interests of those who have employed it over the years. The modern writers who firs
Publisher: University of Hawaii Press
ISBN: 9780824826994
Category : Art
Languages : en
Pages : 320
Book Description
In the West, classical art - inextricably linked to concerns of a ruling or dominant class - commonly refers to art with traditional themes and styles that resurrect a past golden era. Although art of the early Edo period (1600-1868) encompasses a spectrum of themes and styles, references to the past are so common that many Japanese art historians have variously described this period as a classical revival, era of classicism, or a renaissance. How did seventeenth-century artists and patrons imagine the past? Why did they so often select styles and themes from the court culture of the Heian period (794-1185)? Were references to the past something new, or were artists and patrons in previous periods equally interested in manners that came to be seen as classical? How did classical manners relate to other styles and themes found in Edo art? In considering such questions, the contributors to this volume hold that classicism has been an amorphous, changing concept in Japan - just as in the West. Troublesome in its ambiguity and implications, it cannot be separated from the political and ideological interests of those who have employed it over the years. The modern writers who firs
Craft Culture in Early Modern Japan
Author: Christine Guth
Publisher: Univ of California Press
ISBN: 0520379810
Category : Art
Languages : en
Pages : 264
Book Description
"Crafts were central to daily life in early modern Japan. They were powerful carriers of knowledge, sociality, and identity, and how and from what materials they were made were matters of serious concern among all classes of society. In Craft Culture in Early Modern Japan, Christine M. E. Guth examines the network of forces--both material and immaterial--that supported Japan's rich, diverse, and aesthetically sophisticated artifactual culture between the late sixteenth and mid-nineteenth centuries. Exploring the institutions, modes of thought, and reciprocal relationships among people, materials, and tools, she draws particular attention to the role of women in crafts, embodied knowledge, and the special place of lacquer as a medium. By examining the ways and values of making that transcend specific media and practices, Guth illuminates the 'craft culture' of early modern Japan"--
Publisher: Univ of California Press
ISBN: 0520379810
Category : Art
Languages : en
Pages : 264
Book Description
"Crafts were central to daily life in early modern Japan. They were powerful carriers of knowledge, sociality, and identity, and how and from what materials they were made were matters of serious concern among all classes of society. In Craft Culture in Early Modern Japan, Christine M. E. Guth examines the network of forces--both material and immaterial--that supported Japan's rich, diverse, and aesthetically sophisticated artifactual culture between the late sixteenth and mid-nineteenth centuries. Exploring the institutions, modes of thought, and reciprocal relationships among people, materials, and tools, she draws particular attention to the role of women in crafts, embodied knowledge, and the special place of lacquer as a medium. By examining the ways and values of making that transcend specific media and practices, Guth illuminates the 'craft culture' of early modern Japan"--
The Charles A. Greenfield Collection of Japanese Lacquer
Author: Eskenazi Ltd
Publisher:
ISBN:
Category : Lacquer and lacquering
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : Lacquer and lacquering
Languages : en
Pages : 256
Book Description
Chikubushima
Author: Andrew Mark Watsky
Publisher: University of Washington Press
ISBN: 9780295983271
Category : Art
Languages : en
Pages : 376
Book Description
In this meticulous and lucid study, Andrew Watsky keenly illustrates how private belief and political ambition influenced artsitic production at the intersection of institutional Buddhism and Shinto during this tumultuous period of rapid and radical political, social, and aesthetic changes. He offers substantial conclusions not only about the specific site, but also, more broadly, about the nature of art production in Japan and how perceptions of the sacred shaped the concerns and actions of the secular rulers ... Watsky has had unique access to the island, and many of the images included here have not previously been published. -- Book Jacket.
Publisher: University of Washington Press
ISBN: 9780295983271
Category : Art
Languages : en
Pages : 376
Book Description
In this meticulous and lucid study, Andrew Watsky keenly illustrates how private belief and political ambition influenced artsitic production at the intersection of institutional Buddhism and Shinto during this tumultuous period of rapid and radical political, social, and aesthetic changes. He offers substantial conclusions not only about the specific site, but also, more broadly, about the nature of art production in Japan and how perceptions of the sacred shaped the concerns and actions of the secular rulers ... Watsky has had unique access to the island, and many of the images included here have not previously been published. -- Book Jacket.
Japan's Golden Age
Author: Dallas Museum of Art
Publisher: Yale University Press
ISBN: 0300094078
Category : Art
Languages : en
Pages : 332
Book Description
A time of dramatic social and political change, and of brilliant artistic innovation and achievement, the Momoyama period (1568 - 1615) was one of the most dynamic eras in Japan’s history. This book displays spectacular Momoyama masterpieces in many media - paintings, sculpture, calligraphy, tea ceremony utensils, lacquerware, ceramics, metalwork, arms and armor, textiles, and Noh masks - and places each work of art into its historical and cultural context.
Publisher: Yale University Press
ISBN: 0300094078
Category : Art
Languages : en
Pages : 332
Book Description
A time of dramatic social and political change, and of brilliant artistic innovation and achievement, the Momoyama period (1568 - 1615) was one of the most dynamic eras in Japan’s history. This book displays spectacular Momoyama masterpieces in many media - paintings, sculpture, calligraphy, tea ceremony utensils, lacquerware, ceramics, metalwork, arms and armor, textiles, and Noh masks - and places each work of art into its historical and cultural context.
The Woman’s Hand
Author: Paul Gordon Schalow
Publisher: Stanford University Press
ISBN: 9780804727228
Category : Literary Criticism
Languages : en
Pages : 546
Book Description
This volume has a dual purpose. It aims to define the state of Japanese literary studies in the field of women's writing and to present cross-cultural interpretations of Japanese material of relevance to contemporary work in gender studies and comparative literature.
Publisher: Stanford University Press
ISBN: 9780804727228
Category : Literary Criticism
Languages : en
Pages : 546
Book Description
This volume has a dual purpose. It aims to define the state of Japanese literary studies in the field of women's writing and to present cross-cultural interpretations of Japanese material of relevance to contemporary work in gender studies and comparative literature.
Early Modern Japanese Literature
Author: Haruo Shirane
Publisher: Columbia University Press
ISBN: 0231507437
Category : Literary Criticism
Languages : en
Pages : 1054
Book Description
This is the first anthology ever devoted to early modern Japanese literature, spanning the period from 1600 to 1900, known variously as the Edo or the Tokugawa, one of the most creative epochs of Japanese culture. This anthology, which will be of vital interest to anyone involved in this era, includes not only fiction, poetry, and drama, but also essays, treatises, literary criticism, comic poetry, adaptations from Chinese, folk stories and other non-canonical works. Many of these texts have never been translated into English before, and several classics have been newly translated for this collection. Early Modern Japanese Literature introduces English readers to an unprecedented range of prose fiction genres, including dangibon (satiric sermons), kibyôshi (satiric and didactic picture books), sharebon (books of wit and fashion), yomihon (reading books), kokkeibon (books of humor), gôkan (bound books), and ninjôbon (books of romance and sentiment). The anthology also offers a rich array of poetry—waka, haiku, senryû, kyôka, kyôshi—and eleven plays, which range from contemporary domestic drama to historical plays and from early puppet theater to nineteenth century kabuki. Since much of early modern Japanese literature is highly allusive and often elliptical, this anthology features introductions and commentary that provide the critical context for appreciating this diverse and fascinating body of texts. One of the major characteristics of early modern Japanese literature is that almost all of the popular fiction was amply illustrated by wood-block prints, creating an extensive text-image phenomenon. In some genres such as kibyôshi and gôkan the text in fact appeared inside the woodblock image. Woodblock prints of actors were also an important aspect of the culture of kabuki drama. A major feature of this anthology is the inclusion of over 200 woodblock prints that accompanied the original texts and drama.
Publisher: Columbia University Press
ISBN: 0231507437
Category : Literary Criticism
Languages : en
Pages : 1054
Book Description
This is the first anthology ever devoted to early modern Japanese literature, spanning the period from 1600 to 1900, known variously as the Edo or the Tokugawa, one of the most creative epochs of Japanese culture. This anthology, which will be of vital interest to anyone involved in this era, includes not only fiction, poetry, and drama, but also essays, treatises, literary criticism, comic poetry, adaptations from Chinese, folk stories and other non-canonical works. Many of these texts have never been translated into English before, and several classics have been newly translated for this collection. Early Modern Japanese Literature introduces English readers to an unprecedented range of prose fiction genres, including dangibon (satiric sermons), kibyôshi (satiric and didactic picture books), sharebon (books of wit and fashion), yomihon (reading books), kokkeibon (books of humor), gôkan (bound books), and ninjôbon (books of romance and sentiment). The anthology also offers a rich array of poetry—waka, haiku, senryû, kyôka, kyôshi—and eleven plays, which range from contemporary domestic drama to historical plays and from early puppet theater to nineteenth century kabuki. Since much of early modern Japanese literature is highly allusive and often elliptical, this anthology features introductions and commentary that provide the critical context for appreciating this diverse and fascinating body of texts. One of the major characteristics of early modern Japanese literature is that almost all of the popular fiction was amply illustrated by wood-block prints, creating an extensive text-image phenomenon. In some genres such as kibyôshi and gôkan the text in fact appeared inside the woodblock image. Woodblock prints of actors were also an important aspect of the culture of kabuki drama. A major feature of this anthology is the inclusion of over 200 woodblock prints that accompanied the original texts and drama.
Symbol and Substance in Japanese Lacquer
Author: Barbra Teri Okada
Publisher: Weatherhill, Incorporated
ISBN:
Category : Art
Languages : en
Pages : 200
Book Description
Published in conjunction with a fall 1995 exhibition of the Ehrenkranz Collection at the Japan Society in New York City. An introductory essay details the processes of harvesting, refining, and applying lacquer, and gives a historical overview of the evolution of specific techniques. Fifty-five examples from the 15th to the 18th centuries are shown in full-page photos, and are thoroughly described and explicated in accompanying text. A glossary of technical terms and a detailed bibliography contribute to the book's usefulness for collectors, scholars, and dealers. Annotation copyright by Book News, Inc., Portland, OR
Publisher: Weatherhill, Incorporated
ISBN:
Category : Art
Languages : en
Pages : 200
Book Description
Published in conjunction with a fall 1995 exhibition of the Ehrenkranz Collection at the Japan Society in New York City. An introductory essay details the processes of harvesting, refining, and applying lacquer, and gives a historical overview of the evolution of specific techniques. Fifty-five examples from the 15th to the 18th centuries are shown in full-page photos, and are thoroughly described and explicated in accompanying text. A glossary of technical terms and a detailed bibliography contribute to the book's usefulness for collectors, scholars, and dealers. Annotation copyright by Book News, Inc., Portland, OR