Japanese and Hong Kong Film Industries

Japanese and Hong Kong Film Industries PDF Author: Yau Shuk-ting, Kinnia
Publisher: Routledge
ISBN: 1135219478
Category : Business & Economics
Languages : en
Pages : 283

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Book Description
Focuses on the cooperation between Hong Kong and Japanese cinema from the Sino-Japanese War, which broke out in the 1930s, up until the early 1970s, to re-evaluate the significance of this event in the context of Asian film history.

Japanese and Hong Kong Film Industries

Japanese and Hong Kong Film Industries PDF Author: Yau Shuk-ting, Kinnia
Publisher: Routledge
ISBN: 1135219478
Category : Business & Economics
Languages : en
Pages : 283

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Book Description
Focuses on the cooperation between Hong Kong and Japanese cinema from the Sino-Japanese War, which broke out in the 1930s, up until the early 1970s, to re-evaluate the significance of this event in the context of Asian film history.

Hong Kong Film, Hollywood and New Global Cinema

Hong Kong Film, Hollywood and New Global Cinema PDF Author: Gina Marchetti
Publisher: Routledge
ISBN: 1134179162
Category : Performing Arts
Languages : en
Pages : 496

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Book Description
In recent years, with the establishment of the Hong Kong Film Archive and growing scholarly interest in the history of Hong Kong cinema, previously neglected historical documents and difficult-to-access films have offered new research materials. As Hong Kong film history comes into sharper focus, its inextricable links across the decades to Southeast Asia, Korea, Japan, the United States, and to the far reaches of the Chinese diaspora have also become more evident. Hong Kong’s connection with Hollywood involves ties that bring together art cinema and popular genres as well as film festivals and the media marketplace with popular transnational genres. Giving fresh and facsinating insights into the vibrant area of Hong Kong, this exciting new book links Hong Kong with world film culture both within and beyond the commercial Hollywood paradigm. It emphasizes Hong Kong film in relation to other cinema industries, including Hollywood, and demonstrates that Hong Kong film, throughout its history, has challenged, redefined, expanded, and exceeded its borders.

East Asian Screen Industries

East Asian Screen Industries PDF Author: Darrell Davis
Publisher: Bloomsbury Publishing
ISBN: 1838715487
Category : Performing Arts
Languages : en
Pages : 339

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Book Description
East Asian Screen Industries is a guide to the film industries of Japan, South Korea, Taiwan, Hong Kong and the PRC. The authors examine how local production has responded to global trends and explore the effects of widespread de-regulation and China's accession to the World Trade Organisation.

The Asian Film Industry

The Asian Film Industry PDF Author: John A. Lent
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 336

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Book Description


Hong Kong Cinema

Hong Kong Cinema PDF Author: Law Kar
Publisher: Scarecrow Press
ISBN: 9780810849860
Category : Performing Arts
Languages : en
Pages : 400

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Book Description
Starting with the first "Western shadow plays" shown in the late 1890s, motion pictures have played a significant role in China's cultural existence for more than a century. Initially centered in Shanghai, Chinese cinema boomed in Hong Kong in the 1930s, aided by the advent of talkies and the influx of talent and investment from mainland China, Southeast Asia, and America. From the late 1940s, the territory supplanted Shanghai as the "Hollywood of China." In Hong Kong Cinema: A Cross-Cultural View, authors Law Kar and Frank Bren follow the story from Hong Kong's early silent, Chuang Tsi Tests His Wife, through the martial arts craze of the 1970s, to the medium's continued appeal to contemporary international audiences. Rather than provide a sweeping history, the authors focus on the impact of individual personalities, particularly local filmmakers and movie stars. They also consider Eastern and Western influences and examine major developments, including the changing role of women. By profiling key figures and events of the 20th century, this overview is the perfect introduction for anyone interested in Hong Kong's contribution to world cinema. Illustrated with photos.

East Asian Cinema and Cultural Heritage

East Asian Cinema and Cultural Heritage PDF Author: Yau Shuk-ting, Kinnia
Publisher: Springer
ISBN: 0230339506
Category : Social Science
Languages : en
Pages : 113

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Book Description
How do East Asian cultural heritages in shape film? How are these legacies being revived, or even re-created, by contemporary filmmakers? This collection examines the dynamic interactions between East Asian culture heritages and cinemas in mainland China, Hong Kong, Taiwan, Japan, and South Korea.

Hong Kong Connections

Hong Kong Connections PDF Author: Meaghan Morris
Publisher: Hong Kong University Press
ISBN: 1932643192
Category : Social Science
Languages : en
Pages : 361

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Book Description
Since the 1960s, Hong Kong cinema has helped to shape one of the world's most popular cultural genres: action cinema. Hong Kong action films have proved popular over the decades with audiences worldwide, and they have seized the imaginations of filmmakers working in many different cultural traditions and styles. How do we account for this appeal, which changes as it crosses national borders? Hong Kong Connections brings leading film scholars together to explore the uptake of Hong Kong cinema in Japan, Korea, India, Australia, France and the US as well as its links with Taiwan, Singapore and the Chinese mainland. In the process, this collective study examines diverse cultural contexts for action cinema's popularity, and the problems involved in the transnational study of globally popular forms suggesting that in order to grasp the history of Hong Kong action cinema's influence we need to bring out the differences as well as the links that constitute popularity.

Hong Kong Cinema

Hong Kong Cinema PDF Author: Yingchi Chu
Publisher: Routledge
ISBN: 1135786267
Category : Business & Economics
Languages : en
Pages : 207

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Book Description
Examining Hong Kong cinema from its inception in 1913 to the end of the colonial era, this work explains the key areas of production, market, film products and critical traditions. Hong Kong Cinema considers the different political formations of Hong Kong's culture as seen through the cinema, and deals with the historical, political, economic and cultural relations between Hong Kong cinema and other Chinese film industries on the mainland, as well as in Taiwan and South-East Asia. Discussion covers the concept of 'national cinema' in the context of Hong Kong's status as a quasi-nation with strong links to both the 'motherland' (China) and the 'coloniser' (Britain), and also argues that Hong Kong cinema is a national cinema only in an incomplete and ambiguous sense.

The Oxford Handbook of Japanese Cinema

The Oxford Handbook of Japanese Cinema PDF Author: Daisuke Miyao
Publisher: Oxford University Press
ISBN: 0199731667
Category : History
Languages : en
Pages : 497

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Book Description
This book provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.

Japanese Cinema Goes Global

Japanese Cinema Goes Global PDF Author: Yoshiharu Tezuka
Publisher: Hong Kong University Press
ISBN: 9888083325
Category : Social Science
Languages : en
Pages : 215

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Book Description
Japan’s film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within the international industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been through the globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan’s national culture and the traditional sense of national belonging among Japanese people?