Italian/American Filmmakers in American Motion Pictures PDF Download
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Author: Jonathan J. Cavallero
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 572
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Book Description
Author: Jonathan J. Cavallero
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 572
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Book Description
Author: Jonathan J. Cavallero
Publisher: University of Illinois Press
ISBN: 025203614X
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
"[This book] explores the different ways in which Italian American directors from the 1920s to the present have responded to their ethnicity. While some directors have used film to declare their ethnic roots and create an Italian American 'imagined community,' others have ignored or even denied their background . . . Cavallero's exploration of the films of Capra, Scorsese, Savoca, Coppola,and Tarantino demonstrates how immigrant Italians fought prejudice, how later generations positioned themselves in relation to their predecessors, and how the American cinema, usually seen as a cultural instituion that works to assimlate, has also served as a forum where assimilation was resisted." -- Book cover.
Author: Giorgio Bertellini
Publisher: Indiana University Press
ISBN: 0253221285
Category : Art
Languages : en
Pages : 465
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Book Description
Giorgio Bertellini traces the origins of American cinema's century-long fascination with Italy and Italian immigrants to the popularity of the pre-photographic aesthetic—the picturesque. Once associated with landscape painting in northern Europe, the picturesque came to symbolize Mediterranean Europe through comforting views of distant landscapes and exotic characters. Taking its cue from a picturesque stage backdrop from The Godfather Part II, Italy in Early American Cinema shows how this aesthetic was transferred from 19th-century American painters to early 20th-century American filmmakers. Italy in Early American Cinema offers readings of early films that pay close attention to how landscape representations that were related to narrative settings and filmmaking locations conveyed distinct ideas about racial difference and national destiny.
Author: Robert Casillo
Publisher: University of Toronto Press
ISBN: 080209113X
Category : Performing Arts
Languages : en
Pages : 641
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Widely acclaimed as America's greatest living film director, Martin Scorsese is also, some argue, the pre-eminent Italian American artist. Although he has treated various subjects in over three decades, his most sustained filmmaking and the core of his achievement consists of five films on Italian American subjects - Who's That Knocking at My Door?, Mean Streets, Raging Bull, GoodFellas, and Casino - as well as the documentary Italianamerican. In Gangster Priest Robert Casillo examines these films in the context of the society, religion, culture, and history of Southern Italy, from which the majority of Italian Americans, including Scorsese, derive. Casillo argues that these films cannot be fully appreciated either thematically or formally without understanding the various facets of Italian American ethnicity, as well as the nature of Italian American cinema and the difficulties facing assimilating third-generation artists. Forming a unified whole, Scorsese's Italian American films offer what Casillo views as a prolonged meditation on the immigrant experience, the relationship between Italian America and Southern Italy, the conflicts between the ethnic generations, and the formation and development of Italian American ethnicity (and thus identity) on American soil through the generations. Raised as a Catholic and deeply imbued with Catholic values, Scorsese also deals with certain forms of Southern Italian vernacular religion, which have left their imprint not only on Scorsese himself but also on the spiritually tormented characters of his Italian American films. Casillo also shows how Scorsese interrogates the Southern Italian code of masculine honour in his exploration of the Italian American underworld or Mafia, and through his implicitly Catholic optic, discloses its thoroughgoing and longstanding opposition to Christianity. Bringing a wealth of scholarship and insight into Scorsese's work, Casillo's study will captivate readers interested in the director's magisterial artistry, the rich social history of Southern Italy, Italian American ethnicity, and the sociology and history of the Mafia in both Sicily and the United States.
Author: Peter E. Bondanella
Publisher: A&C Black
ISBN: 9780826415448
Category : Performing Arts
Languages : en
Pages : 364
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Book Description
"This book is a celebration of nearly a century of images of Italians in American motion pictures and their contribution to popular culture." "Hollywood Italians covers the careers of dozens of stars including Rudolph Valentino, Frank Sinatra, Dean Martin, Al Pacino, Robert De Niro, John Travolta, Sylvester Stallone, Marisa Tomei, James Gandolfini, and many others. In addition, the book reviews the work of such Italian American directors as Francis Ford Coppola and Martin Scorsese." "In all, Hollywood Italians discusses scores of films with a concentration on the most important, including their literary and European-cinematic roots. The book is capped by a comprehensive examination of The Godfather and its two sequels, as well as the international television phenomenon The Sopranos."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Daniele Fioretti
Publisher: Springer Nature
ISBN: 303147211X
Category :
Languages : en
Pages : 352
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Book Description
Author: Giuliana Muscio
Publisher: Fordham Univ Press
ISBN: 0823279391
Category : Performing Arts
Languages : en
Pages : 455
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Book Description
This cinema history illuminates the role of southern Italian performance traditions on American movies from the silent era to contemporary film. In Napoli/New York/Hollywood, Italian cinema historian Giuliana Muscio investigates the significant influence of Italian immigrant actors, musicians, and directors on Hollywood cinema. Using a provocative interdisciplinary approach, Muscio demonstrates how these artists and workers preserved their cultural and performance traditions, which led to innovations in the mode of production and in the use of media technologies. In doing so, she sheds light on the work of generations of artists, as well as the cultural evolution of “Italian-ness” in America over the past century. Muscio examines the careers of Italian performers steeped in an Italian theatrical culture that embraced high and low, tragedy and comedy, music, dance, acrobatics, naturalism, and improvisation. Their previously unexplored story—that of the Italian diaspora’s influence on American cinema—is here meticulously reconstructed through rich primary sources, deep archival research, extensive film analysis, and an enlightening series of interviews with heirs to these traditions, including Francis Coppola and his sister Talia Shire, John Turturro, Nancy Savoca, James Gandolfini, David Chase, Joe Dante, and Annabella Sciorra.
Author: Daniele Fioretti
Publisher: Springer Nature
ISBN: 3031064658
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
This book examines how Italian Americans have been represented in cinema, from the depiction of Italian migration in New Orleans in the 1890s (Vendetta) to the transition from first- to second-generation immigrants (Ask the Dust), and from the establishment of the stereotype of the Italian American gangster (Little Caesar, Scarface) to its re-definition (Mean Streets), along with a peculiar depiction of Italian American masculinity (Marty, Raging Bull). For many years, Italian migration studies in the United States have commented on the way cinema contributed to the creation of an identifiable Italian American identity. More recently, scholars have recognized the existence of a more nuanced plurality of Italian American identities that reflects social and historical elements, class backgrounds, and the relationship with other ethnic minorities. The second part of the book challenges the most common stereotypes of Italian Americanness: food (Big Night) and Mafia, deconstructing the criminal tropes that have contributed to shaping the perception of Italian-American mafiosi in The Funeral, Goodfellas, Donnie Brasco, and the first two chapters of the Godfather trilogy. At the crossroads of the fields of Italian Culture, Italian American Culture, Film Studies, and Migration Studies, Italian Americans in Film is written not only for undergraduate and graduate students but also for scholars who teach courses on Italian American Cinema and Visual Culture.
Author: Ryan Calabretta-Sajder
Publisher: Rowman & Littlefield
ISBN: 1793611556
Category : Social Science
Languages : en
Pages : 254
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Book Description
Italian Americans on Screen: Challenging the Past, Re-Theorizing the Future reconsiders Robert Casillo’s definition of Italian-American cinema as “appl[ying] to works by Italian-American directors who treat Italian-American subjects” to expand this classification. Contributors situate Italian-American cinema and media within the contemporary and intersectional debates about ethnic identity, including race, class, gender, and sexuality studies. This book links past scholarship to theoretical underpinnings with new hermeneutical approaches in television and film to establish new interpretations concerning Italian Americans on screen. Scholars of film studies, media studies, cultural studies, and sociology will find this book particularly useful.
Author: Lee Lourdeaux
Publisher: Temple University Press
ISBN: 1566390877
Category : Social Science
Languages : en
Pages : 302
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Book Description
"This penetrating study examines how these filmmakers confronted their cultural heritage and used it as a counterpoint to their depiction of mainstream America." --American Cinematographer In this unique film history, Lee Lourdeaux traces the impact of Irish and Italian cultures on four major American directors and their work. Defining the core values and tensions within each culture, and especially focusing on the influence of American Catholicism, he presents John Ford, Frank Capra, Francis Coppola, and Martin Scorsese as ethnic Americans and film artists. Lourdeaux shows each filmmaker on set with writers and actors, learning to bypass stereotypes in order to develop a shrewd reciprocal assimilation between his ethnic background and Anglo America. Beginning with D. W. Griffith's depiction of Irish and Italian immigrants, the author discusses Hollywood's stereotypical portrayals of ethnic priests, cops, politicians, and gangsters, as well as their surface acculturation in the movies of the 1920s. By the decade's end, John Ford was using all-American stories to embody the basic myths and tensions of Irish-American life. In his later westerns and foreign films, he tried to understand both Irish political strife and the key figures of Irish liturgy. Frank Capra pitted Italian family values against the Anglo success ethic, turning out social comedies about oppressed little people. Several decades later, Martin Scorsese and Francis Coppola were highly critical of their religio-ethnic heritage, though they gradually discovered that to outline its weaknesses, like the blind pursuit of success, was to fashion a critical mirror of mainstream America. Lourdeaux discusses a number of recent films by Coppola and by Scorsese that have not yet been analyzed in any book. And, in the chapter on Scorsese, a personal interview with the director reveals how his ethnic childhood shaped his work in film. Examining the conflicts within American culture, Lourdeaux shows how the filmmakers themselves had to confront the self-destructive aspects of their ethnic background, not only to accommodate WASP audiences but to better understand their own heritage. He also observes that ethnicity is a strong draw at the box office, as in The Godfather, because it creates a sense of the Other who can both be admired and at the same time ridiculed. Illustrated with scenes of the movies discussed, this fascinating film history tells how four of America's most famous filmmakers assimilated their ethnic backgrounds on set and on screen. "Mr. Lourdeaux walks a tricky path in analyzing the films of each [director]: avoiding the trap of excessively detailing their lives and many films, while steering clear of ethnic stereotyping. Those interested in ethnic influences on outstanding persons or in the production of films by four of the best will find the book enjoyable." --The Baltimore Sun "This is an invaluable book because it arouses critical awareness of the ethnicity underlying many Hollywood movies that might otherwise appear merely to represent American archetypes." --Journal of American Studies "A valuable addition to the literature on ethnic identity in film. The insights Lourdeaux offers into major figures like Griffith, Ford, Capra, Coppola, and Scorsese contribute significantly to our understanding of their films." --Virginia Wright Wexman, University of Illinois at Chicago "For a number of years now, church historians have been giving us an account of American Catholicism that is much richer and more varied than the older institutional accounts of the Catholic Church ever let on. In this comprehensive and insightful study, Lee Lourdeaux shows us how much the ethnic movies of directors like Ford and Capra, Coppola and Scorsese have to teach us as well about Irish- and Italian-Catholic mores and instincts." --John B. Breslin, S.J., Director "A wonderfully sensitive, intelligent study of the complex issue of how the Catholic imagination works in the creative personalities of those raised in the Catholic heritage." --Andrew M. Greeley
