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Author: Alexandra Bonnici
Publisher: Frontiers Media SA
ISBN: 2889666026
Category : Science
Languages : en
Pages : 170
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Book Description
Author: United States. Environmental Data and Information Service
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 434
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Book Description
Author: Alexandra Bonnici
Publisher: Frontiers Media SA
ISBN: 2889666026
Category : Science
Languages : en
Pages : 170
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Book Description
Author: Nigel Parker
Publisher: Sweet & Maxwell
ISBN: 9780421899308
Category : Law
Languages : en
Pages : 438
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Book Description
It is anticipated that the sixth edition will again be warmly received by the market as the premier title on Intellectual Property Law. Cornish & Llewelyn Intellectual Property has developed a reputation amongst IP academics and practitioners as an accurate, straight forward (and straight to the point) in depth guide to every aspect of Intellectual Property law. For the student the thoughtful analysis of every area guides the reader whilst prompting questions and issues for the reader to develop further. As a "flip and find" practitioner reference work IP professionals will rarely allow their copy to gather dust
Author: Geoff King
Publisher: John Wiley & Sons
ISBN: 1118758323
Category : Performing Arts
Languages : en
Pages : 542
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Book Description
A Companion to American Indie Film features a comprehensive collection of newly commissioned essays that represent a state-of-the-art resource for understanding key aspects of the field of indie films produced in the United States. Takes a comprehensive and fresh new look at the topic of American indie film Features newly commissioned essays from top film experts and emerging scholars that represent the state-of-the-art reference to the indie film field Topics covered include: indie film culture; key historical moments and movements in indie film history; relationships between indie film and other indie media; and issues including class, gender, regional identity and stardom in in the indie field Includes studies of many types of indie films and film genres, along with various filmmakers and performers that have come to define the field
Author: Linda Badley
Publisher: Edinburgh University Press
ISBN: 147440393X
Category : Performing Arts
Languages : en
Pages : 345
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Book Description
Explores the films, practitioners, production and distribution contexts that currently represent American womens independent cinemaWith the consolidation of aindie culture in the 21st century, female filmmakers face an increasingly indifferent climate. Within this sector, women work across all aspects of writing, direction, production, editing and design, yet the dominant narrative continues to construe amaverick white male auteurs such as Quentin Tarantino or Wes Anderson as the face of indie discourse. Defying the formulaic myths of the mainstream achick flick and the ideological and experimental radicalism of feminist counter-cinema alike, womens indie filmmaking is neither ironic, popular nor political enough to be readily absorbed into pre-existing categories. This ground-breaking collection, the first sustained examination of the work of female practitioners within American independent cinema, reclaims the adifference of female indie filmmaking. Through a variety of case studies of directors, writers and producers such as Ava DuVernay, Lena Dunham and Christine Vachon, contributors explore the innovation of a range of female practitioners by attending to the sensibilities, ideologies and industrial practices that distinguish their work while embracing the ain-between space in which the narratives they represent and embody can be revealed.Key FeaturesCovers American womens independent cinema since the late 1970sAnalyses the work of acclaimed but critically overlooked female practitioners such as Kelly Reichardt, Christine Vachon, Miranda July, Kasi Lemmons, Nicole Holofcener, Mira Nair, Lisa Cholodenko, Megan Ellison, Lynn Shelton, Ava DuVernay, Mary Harron and Debra GranikDistinguishes four different approaches to analysing womens independent cinema through: production and industry perspectives; genre and other classificatory modalities; political, cultural, social and professional identities; and collaborative and collectivist practicesContributorsJohn Alberti, Northern Kentucky UniversityLinda Badley, Middle Tennessee State UniversityCynthia Baron, Bowling Green State UniversityShelley Cobb, University of SouthamptonCorinn Columpar, University of TorontoChris Holmlund, University of Tennessee-KnoxvilleGeoff King, Brunel University, LondonChristina Lane, University of MiamiJames Lyons, University of ExeterKathleen A. McHugh, UCLAKent A. Ono, University of UtahLydia Papadimitriou, Liverpool John Moores UniversityClaudia Costa Pederson, Wichita State UniversityClaire Perkins, Monash UniversitySarah Projansky, University of UtahMaria San Filippo, Goucher CollegeMichele Schreiber, Emory UniversitySarah E. S. Sinwell, University of UtahYannis Tzioumakis, University of LiverpoolPatricia White, Swarthmore CollegePatricia R. Zimmermann, Ithaca College
Author: United States. Congress. House. Committee on the Judiciary. Subcommittee on Intellectual Property and Judicial Administration
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 528
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Book Description
Author: James Lyons
Publisher: Taylor & Francis
ISBN: 1000814165
Category : Social Science
Languages : en
Pages : 292
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Book Description
This edited collection is the first book to offer a wide-ranging examination of the interface between American independent film and a converged television landscape that consists of terrestrial broadcasters, cable networks and streaming providers, in which independent film and television intersect in complex, multifaceted and creative ways. The book covers the long history of continuities and connections between the two sectors, as seen in the activities of PBS, HBO or Sundance. It considers the movement of filmmakers between indie film and TV such as Steven Soderbergh, Rian Johnson, the Duplass brothers, Joe Swanberg, Lynn Shelton and Gregg Araki; details the confluence of aesthetic and thematic elements seen in shows such as Girls, Breaking Bad, Master of None, or Glow; points to a shared interest in regional sensibilities evident in shows like One Mississippi or Fargo; and makes the case for documentaries and web series as significant entities in this domain. Collectively, the book builds a compelling picture of indie TV as a significant feature of US screen entertainment in the 21st Century. This interdisciplinary landmark volume will be a go-to reference for students and scholars of Television Studies, Film Studies and Media Studies.
Author: Paolo Ruffino
Publisher: Routledge
ISBN: 1000201155
Category : Design
Languages : en
Pages : 280
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Book Description
Independent Videogames investigates the social and cultural implications of contemporary forms of independent video game development. Through a series of case studies and theoretical investigations, it evaluates the significance of such a multi-faceted phenomenon within video game and digital cultures. A diverse team of scholars highlight the specificities of independence within the industry and the culture of digital gaming through case studies and theoretical questions. The chapters focus on labor, gender, distribution models and technologies of production to map the current state of research on independent game development. The authors also identify how the boundaries of independence are becoming opaque in the contemporary game industry – often at the cost of the claims of autonomy, freedom and emancipation that underlie the indie scene. The book ultimately imagines new and better narratives for a less exploitative and more inclusive videogame industry. Systematically mapping the current directions of a phenomenon that is becoming increasingly difficult to define and limit, this book will be a crucial resource for scholars and students of game studies, media history, media industries and independent gaming.
Author:
Publisher:
ISBN:
Category : Agricultural chemistry
Languages : en
Pages : 104
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Book Description
Author: Chris Grosso
Publisher: Simon and Schuster
ISBN: 1582704627
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
"After years of heavy addiction, Chris Grosso found himself at the age of 25 literally on his knees utterly lost and broken. If he was going to live, he needed to find a new way to approach life. But he battled with how to wrangle a spiritual path with his alternative, eclectic lifestyle. Drawing upon his punk rock roots and question everything mindset, Grosso offers a collection of stories and musings on his own no bullshit exploration of spirituality that are brutally honest, and many times, bitingly humorous. A guidebook for today's generation of non-religious spiritual misfits, who crave a truly dogma-free path. Through his own self-inquiry and meandering journey, Grosso shows readers that spirituality is not something that only happens on meditation cushions or yoga mats, in sanghas, churches, mosques, temples, or synagogues. It's not always peaceful and quiet. A tattooed, independent culturist, recovering addict, spiritual aspirant, and musician, Grosso wanted more than what conventional religious or spiritual doctrine could provide. Rejecting the trappings, hypocrisies, and judgements, Grosso empowers readers to accept themselves as they are, in all their humanness and imperfect perfection"--
