Author: Phil Hall
Publisher:
ISBN: 9781593939380
Category : Performing Arts
Languages : en
Pages : 206
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Book Description
It is one of the most astonishing facts of cinema history: an extraordinary number of important films are believed to be lost forever. Spanning from the early days of the silent movies to as late as the 1970s and touching all corners of the global film experience, groundbreaking works of significant historical and artistic importance are gone. Cinema icons including Orson Welles, Stanley Kubrick, Alfred Hitchcock, Oscar Micheaux and Vincente Minnelli are among those impacted by this tragedy, and pioneering technological achievements in color cinematography, sound film technology, animation and widescreen projection are among the lost treasures. How could this happen? And is it possible to recover these missing gems? In this book, noted film critic and journalist Phil Hall details circumstances that resulted in these productions being erased from view. For anyone with a passion for the big screen, In Search of Lost Films provides an unforgettable consideration of a cultural tragedy.
Author: Frank T. Thompson
Publisher: Carol Publishing Corporation
ISBN:
Category : Performing Arts
Languages : en
Pages : 338
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Book Description
In Lost Films, Frank Thompson examines twenty-seven classic movies made between 1911 and the end of the silent era, including such works of genius as Ernst Lubitsch's The Patriot, Raoul Walsh's The Conquerer, Victor Seastrom's Garbo vehicle The Divine Woman, and F.W. Murnau's Four Devils.
Author: Peter Kobel
Publisher: Little, Brown
ISBN: 0316069590
Category : Performing Arts
Languages : en
Pages : 607
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Book Description
Drawing on the extraordinary collection of The Library of Congress, one of the greatest repositories for silent film and memorabilia, Peter Kobel has created the definitive visual history of silent film. From its birth in the 1890s, with the earliest narrative shorts, through the brilliant full-length features of the 1920s, Silent Movies captures the greatest directors and actors and their immortal films. Silent Movies also looks at the technology of early film, the use of color photography, and the restoration work being spearheaded by some of Hollywood's most important directors, such as Martin Scorsese and Francis Ford Coppola. Richly illustrated from the Library of Congress's extensive collection of posters, paper prints, film stills, and memorabilia -- most of which have never been in print -- Silent Movies is an important work of history that will also be a sought-after gift book for all lovers of film.
Author: Max Booth (III)
Publisher:
ISBN: 9781943720293
Category : Horror films
Languages : en
Pages : 350
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Book Description
Booth and Michelle (Lost Signals) deliver a collection of 19 technological horror shorts that are rich in imagination but woefully inconsistent in quality. Bookended by two bland head-scratchers, "Lather of Flies" by Brian Evenson and "The Fantastic Flying Eraser Heads" by David James Keaton, this anthology features all manner of descents into madness, horror, and mayhem, aided by the largely inhuman hand of technology. Entries include the intensely, weirdly atmospheric ("I Hate All That Is Mine" by Leigh Harlen) and the frustratingly, mind-bendingly experimental ("Daddy's in a Snuff Film" by Kelby Losack). John C. Foster's "Archibald Leech, The Many-Storied Man," Brian Asman's "A Festival of Fiends," and Eugenia M. Triantafyllou's "Ghost Mapping" are exceptional offerings that sacrifice neither storytelling nor style in realizing their thought-provoking concepts.
Author: Harry Waldman
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
During the first half of this century, motion pictures were often considered disposable once their circulations were over. The recycling of used film and the use of components for war efforts contributed to the loss of many movies, as did the unstable nature of the nitrate film itself. The loss of extant works has created gaps in the national cinematic history of the United States and most European countries. Eighty percent of all Western-made films produced before World War I are considered lost, while 15 percent of the films made from 1930 to 1950 are also missing. Here are descriptions of nearly 1,000 of the lost American and European films produced between 1900 and 1950, featuring the talents of the still famous as well as the now obscure. The films are arranged by country and reveal the remarkably prolific early filmmaking in countries like the Netherlands and Sweden. Each entry includes production information, cast, synopsis, history, and insights from reviews when available. Photographs from these films provide glimpses of what once was. An extensive index is included.
Author: Elizabeth Ezra
Publisher: Manchester University Press
ISBN: 1526141469
Category : Performing Arts
Languages : en
Pages : 177
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Book Description
Before the turn of the twentieth century, before the nickelodeon, even before the first cinemas, Georges Méliès began making movies.. Directing, editing, producing, designing, and starring in over 500 films between 1896 to 1912, Méliès was also the first cinematic auteur.. This is the first study of Méliès's films to appear in English in over twenty years and the only book to interpret his work using the tools of modern film analysis.. Locates the roots of modern narrative cinema in Méliès's work, identifying techniques of editing and mise-en-scène previously thought to have originated with D. W. Griffith.
Author: Olivia Cosentino
Publisher: University Press of Florida
ISBN: 1683403398
Category : Performing Arts
Languages : en
Pages : 181
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Book Description
The Lost Cinema of Mexico is the first volume to challenge the dismissal of Mexican filmmaking during the 1960s through 1980s, an era long considered a low-budget departure from the artistic quality and international acclaim of the nation’s earlier Golden Age. This pivotal collection examines the critical implications of discovering, uncovering, and recovering forgotten or ignored films. This largely unexamined era of film reveals shifts in Mexican culture, economics, and societal norms as state-sponsored revolutionary nationalism faltered. During this time, movies were widely embraced by the public as a way to make sense of the rapidly changing realities and values connected to Mexico’s modernization. These essays shine a light on many genres that thrived in these decades: rock churros, campy luchador movies, countercultural superocheros, Black melodramas, family films, and Chili Westerns. Redefining a time usually seen as a cinematic “crisis,” this volume offers a new model of the film auteur shaped by productive tension between highbrow aesthetics, industry shortages, and national audiences. It also traces connections from these Mexican films to Latinx, Latin American, and Hollywood cinema at large. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Contributors: Brian Price | Carolyn Fornoff | David S. Dalton | Christopher B. Conway | Iván Eusebio Aguirre Darancou | Ignacio Sánchez Prado | Dolores Tierney | Dr. Olivia Cosentino Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Author: Anthony Slide
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 158
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Book Description
Author: Jean-Jacques Jura
Publisher: McFarland
ISBN: 0786430982
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
From 1913 through 1918, Long Beach, California, was home to the largest independent film company in the world, the largely forgotten Balboa Studio. Founder Herbert M. Horkheimer bought the studio from Edison Company in 1913, and by 1915 Balboa's expenses exceeded $2,500 a day and its output hit 15,500 feet of film per week. Bert Bracken, Fatty Arbuckle, Henry King, Baby Marie Osborne, Thomas Ince, and William Desmond Taylor began their careers with the studio. In 1918, Horkheimer stunned the industry by declaring bankruptcy, shutting down Balboa, and walking away from moviemaking. The closing of the studio effectively ended Long Beach's runs as a major film location and left many wondering about the true reasons behind Horkheimer's decision. Most of Balboa's films have been lost, and little has until now been written about the studio. This book first explores the history of filmmaking in Long Beach and then fully details the story of Balboa. The extensive filmography includes length, copyright date when available, cast and credits, and a plot summary.
Author: V. Vale
Publisher: Re/Search
ISBN: 9781889307114
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Incredibly Strange Films is a functional guide to important territory neglected by the film-criticism establishment, spotlighting unhailed directors -- Hershell Gordon Lewis, Russ Meyer, Larry Cohen, Ray Dennis Steckler, Ted V. Mikels and others -- who have been critically consigned to the ghettos of gore and sexploitation films. In-depth interviews focus on philosophy while anecdotes entertain as well as illuminate theory. The guide includes biographies, genre overviews, filmographies, bibliography, quotations, an A-Z of film personalities, lists of recommended films, sources, index, as well as 172 photos.
