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Author: Karène Sanchez Summerer
Publisher: BRILL
ISBN: 9004437940
Category : History
Languages : en
Pages : 458
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Book Description
Imaging and Imagining Palestine is the first comprehensive study of photography during the British Mandate period (1918–1948). It addresses well-known archives, photos from private collections never available before and archives that have until recently remained closed. This interdisciplinary volume argues that photography is central to a different understanding of the social and political complexities of Palestine in this period. While Biblical and Orientalist images abound, the chapters in this book go further by questioning the impact of photography on the social histories of British Mandate Palestine. This book considers the specific archives, the work of individual photographers, methods for reading historical photography from the present and how we might begin the process of decolonising photography. "Imaging and Imagining Palestine presents a timely and much-needed critical evaluation of the role of photography in Palestine. Drawing together leading interdisciplinary specialists and engaging a range of innovative methodologies, the volume makes clear the ways in which photography reflects the shifting political, cultural and economic landscape of the British Mandate period, and experiences of modernity in Palestine. Actively problematising conventional understandings of production, circulation and the in/stability of the photographic document, Imaging and Imagining Palestine provides essential reading for decolonial studies of photography and visual culture studies of Palestine." - Chrisoula Lionis, author of Laughter in Occupied Palestine: Comedy and Identity in Art and Film "Imaging and Imagining Palestine is the first and much needed overview of photography during the British Mandate period. From well-known and accessible photographic archives to private family albums, it deals with the cultural and political relations of the period thinking about both the Western perceptions of Palestine as well as its modern social life. This book brings together an impressive array of material and analyses to form an interdisciplinary perspective that considers just how photography shapes our understanding of the past as well as the ways in which the past might be reclaimed." - Jack Persekian, Founding Director of Al Ma'mal Foundation for Contemporary Art in Jerusalem "Imaging and Imagining Palestine draws together a plethora of fresh approaches to the field of photography in Palestine. It considers Palestine as a central node in global photographic production and the ways in which photography shaped the modern imaging and imagining from within a fresh regional theoretical perspective." - Salwa Mikdadi, Director al Mawrid Arab Center for the Study of Art, New York University Abu Dhabi
Author: Karène Sanchez Summerer
Publisher: BRILL
ISBN: 9004437940
Category : History
Languages : en
Pages : 458
Get Book Here
Book Description
Imaging and Imagining Palestine is the first comprehensive study of photography during the British Mandate period (1918–1948). It addresses well-known archives, photos from private collections never available before and archives that have until recently remained closed. This interdisciplinary volume argues that photography is central to a different understanding of the social and political complexities of Palestine in this period. While Biblical and Orientalist images abound, the chapters in this book go further by questioning the impact of photography on the social histories of British Mandate Palestine. This book considers the specific archives, the work of individual photographers, methods for reading historical photography from the present and how we might begin the process of decolonising photography. "Imaging and Imagining Palestine presents a timely and much-needed critical evaluation of the role of photography in Palestine. Drawing together leading interdisciplinary specialists and engaging a range of innovative methodologies, the volume makes clear the ways in which photography reflects the shifting political, cultural and economic landscape of the British Mandate period, and experiences of modernity in Palestine. Actively problematising conventional understandings of production, circulation and the in/stability of the photographic document, Imaging and Imagining Palestine provides essential reading for decolonial studies of photography and visual culture studies of Palestine." - Chrisoula Lionis, author of Laughter in Occupied Palestine: Comedy and Identity in Art and Film "Imaging and Imagining Palestine is the first and much needed overview of photography during the British Mandate period. From well-known and accessible photographic archives to private family albums, it deals with the cultural and political relations of the period thinking about both the Western perceptions of Palestine as well as its modern social life. This book brings together an impressive array of material and analyses to form an interdisciplinary perspective that considers just how photography shapes our understanding of the past as well as the ways in which the past might be reclaimed." - Jack Persekian, Founding Director of Al Ma'mal Foundation for Contemporary Art in Jerusalem "Imaging and Imagining Palestine draws together a plethora of fresh approaches to the field of photography in Palestine. It considers Palestine as a central node in global photographic production and the ways in which photography shaped the modern imaging and imagining from within a fresh regional theoretical perspective." - Salwa Mikdadi, Director al Mawrid Arab Center for the Study of Art, New York University Abu Dhabi
Author: Karène Sanchez Summerer
Publisher: Open Jerusalem
ISBN: 9789004437937
Category : History
Languages : en
Pages : 458
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Book Description
"Imaging and Imagining Palestine is the first comprehensive study of photography during the British Mandate period (1918-1948). It addresses well-known archives, photos from private collections never available before and archives that have until recently remained closed. This interdisciplinary volume argues that photography is central to a different understanding of the social and political complexities of Palestine in this period. While Biblical and Orientalist images abound, the chapters in this book go further by questioning the impact of photography on the social histories of British Mandate Palestine. This book considers the specific archives, the work of individual photographers, methods for reading historical photography from the present and how we might begin the process of decolonising photography"--
Author: Dina Matar
Publisher: Bloomsbury Publishing
ISBN: 0755654277
Category : History
Languages : en
Pages : 448
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Book Description
Palestine has often been defined and constructed in the global imaginary through conflict, resistance, oppression and violence. Its representation is so overridden with conflicting claims and associations that it remains inaccessible, even to Palestinians. Producing Palestine addresses the creative labour of producing Palestine, particularly in technological and media spaces that are defined by their porousness and by their intermediality – crossing genres of popular culture and disciplinary boundaries. It offers sixteen 'cases' which collectively conceptualize, engage in, and invite readers to participate in the production of Palestine and its theorization. These cases cover a wide array of spaces of production such as poster art, TikTok, virtual technologies, digital mapping, drone footage, online cooking shows, documentaries, music videos and many more. Producing Palestine contends that representations of Palestine carry a multitude of meanings, that Palestine is continually produced and reproduced, dynamically generating new knowledge production across media, languages, temporalities, geographies and disciplines.
Author: Chrisoula Lionis
Publisher: Springer Nature
ISBN: 3031189612
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
Comedy in Crises provides a novel contribution to an emerging comedy studies field, offering a fresh approach and understanding toward both the motivation and reception of humour in diverse contemporary art contexts. Drawing together research by artists, theorists, curators, and historians from around the world (from Palestine, to Greece, Brazil, and Indigenous Australia), it provides new insight into how humour is weaponised in contemporary art – focusing on its role in negotiating complex cultural identities, the expectations of art markets, the impact of historical legacies, as well as its role in bolstering cultural resilience. In so doing, this book explores a vital, yet under-explored, aspect of contemporary art. Over the last decade, we have witnessed an overwhelming emphasis on experiences of precarity and emergency in contemporary art discourse, reflecting a popular view that the decade following the outbreak of the global financial crisis has been marked by an intersection of constant crises (refugee crisis, sovereign debt crisis, environmental disaster, COVID). Comedy in Crises offers innovative analysis of the relationship between this context and the growing use of humour by artists from around the world, making clear the vital role of laughter in mediating the collective trauma that takes shape today in a period of protracted crisis.
Author: Thierry Hentsch
Publisher:
ISBN: 9781895431131
Category : History
Languages : en
Pages : 242
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Book Description
Recipient of the Governor General's Literary Award for Translation, Imagining the Middle East examines how Western perceptions of the Middle East were formed and how they have been used as a rationalization for setting policies and determining actions.
Author: Karène Sanchez Summerer
Publisher: Springer Nature
ISBN: 3030555402
Category : Christians
Languages : en
Pages : 476
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Book Description
Intro -- Acknowledgments -- Contents -- Notes on Contributors -- List of Figures -- List of Tables -- Introduction -- Genesis of a Project -- The Power of a Cultural Paradigm for British Mandate Palestine and Christian Communities -- Precedents -- Looking at Cultural Diplomacy in a Proto-National Setting: Towards an Integrative Approach -- Overview of the Book -- Speaking to the Silences? -- Bibliography -- Turning the Tables? Arab Appropriation and Production of Cultural Diplomacy -- Introduction Part I Indigenising Cultural Diplomacy? -- Bibliography -- Orthodox Clubs and Associations: Cultural, Educational and Religious Networks Between Palestine and Transjordan, 1925-1950 -- Orthodox Laity in the Emirate of Transjordan: Developing Diplomatic Ties in a Political Sphere in Reconfiguration -- Orthodox Laity During the Interwar Period: Regional Networks and Circulations -- Claims for Cultural and Educational Facilities in the New Capital -- Orthodox Laity and the Mandate Representative: Creating Political Ties -- The Orthodox Notables in Transjordan and the Development of the Arab Orthodox Nahda Association -- The Foundation of the Arab Orthodox Nahda Association: A Palestinian Connection? -- The Arab Orthodox Nahda Association: Creating a Communal Urban Presence -- Migration and Regional Circulation: Expanding the Arab Orthodox Imprint in Amman -- The 1940s and the Change of Diplomatic Paradigm -- From Sunday School to the Educational Association -- Sporting and Cultural Associations: Family Networks and Know-How -- Conclusion -- Bibliography -- The Making Stage of the Modern Palestinian Arabic Novel in the Experiences of the udabāʾ Khalīl Baydas (1874-1949) and Iskandar al-Khūri al-BeitJāli (1890-1973) -- A Cultural Life Before Its Destruction -- Literature, Nahda and Russian Schools in Palestine.
Author: Erik Freas
Publisher: Taylor & Francis
ISBN: 1040256090
Category : Social Science
Languages : en
Pages : 351
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Book Description
This book provides an historical overview of Palestine’s Christian communities and their role in the Palestinian nationalist movement during the late Ottoman and British mandatory periods. More than being a history of Palestine’s Christian Arabs, the book focuses on Palestine’s Christians during the formative period of Palestinian Arab national identity, attentive to the broader topic of the relationship between nationalism and religion—in this case, between Arab identity and Islam. Whereas until recently historians have tended to assume that national and religious identities are distinct and mostly mutually exclusive things, more recent scholarship has addressed the fact that often there exists considerable overlap between the two, though it should be noted, often in ways that are not by any means inherently exclusive of those not belonging to the majority faith, as is the case here. The relationship is also an ever-changing one, hence the final chapter of the book, which functions as something of an epilogue regarding the current status of Palestine’s Christians vis-à-vis their place in the nationalist cause and relationship with the broader Muslim population. The book will be of interest to historians and scholars focused on the modern Middle East, Palestinian history, Muslim-Christian inter-communal relations, and the relationship between nationalism and religion.
Author: Carolee Schneemann
Publisher: MIT Press
ISBN: 9780262692977
Category : Art
Languages : en
Pages : 366
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Book Description
A visual and written record of the work of pioneer painter-performance artist Carolee Schneemann.
Author: Emilie Le Febvre
Publisher: Taylor & Francis
ISBN: 1003817610
Category : Art
Languages : en
Pages : 352
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Book Description
Introducing a novel anthropological study of photography in the Middle East, Emilie Le Febvre takes us to the Naqab Desert where Bedouin use photographs to make, and respond to, their own histories. She argues Bedouin presentations of the past are selective but increasingly reliant on archival documents such as photographs which spokespersons treat as evidence of their local histories amid escalating tensions in Israel. These practices shape Bedouin visual historicity, that is the diverse ways people produce their pasts in the present with images. This book charts these processes through the afterlives of six photographs (c. 1906–2013) as they circulate between the Naqab’s entangled visual economies – a transregional landscape organised by cultural ideals of proximity and assemblages of Bedouin iconography. Le Febvre illustrates how representational contentions associated with tribal, civic, and Palestinian-Israeli politics influence how images do history work in this society. She concludes Bedouin visual historicity is defined by acts of persuasion during which photographs authenticate alternating history projects. Here, Bedouin value photographs not because they evidence singular narratives of the past. Rather, the knowledges inscribed by photography are multifarious as they support diverse constructions of history and society with which members mediate a wide range of relationships in southern Israel. This book bridges studies of anthropology, photography, Palestinian-Israeli politics, and Bedouin Middle East history.
Author: W. Richard Webb
Publisher: Lippincott Williams & Wilkins
ISBN: 1605479764
Category : Medical
Languages : en
Pages : 940
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Book Description
Written by two of the world's most respected specialists in thoracic imaging, this volume is the most comprehensive text-reference to address imaging of the heart and lungs. This edition has a new full-color design and many full-color images, including PET-CT.
