Author: Costanza Caraffa
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110390035
Category : Art
Languages : de
Pages : 535
Book Description
Das "lange 19. Jahrhundert" der Nationalstaatenbildung ist auch das Jahrhundert der "Erfindung" der Fotografie wie auch der Geburt der modernen Archivwissenschaften. Die Fotografie wurde bald von den Nationalstaaten in ihrem Bedürfnis nach bildlicher Visualisierung in den Dienst genommen. Nach dem II. Weltkrieg, dem Zerfall der kolonialistischen Systeme und schließlich dem Fall der Berliner Mauer erlangten nationale Fragen erneut Aktualität - nun in einem globalen Rahmen. Die Beiträge in diesem Band untersuchen den Zusammenhang zwischen Fotografie/Fotoarchiven und der Idee der Nation, wobei das Objektiv sich nicht auf einzelne Ikonen, sondern auf die weitreichende Dimension des Archivs richtet.
Photo Archives and the Idea of Nation
Author: Costanza Caraffa
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110390035
Category : Art
Languages : de
Pages : 535
Book Description
Das "lange 19. Jahrhundert" der Nationalstaatenbildung ist auch das Jahrhundert der "Erfindung" der Fotografie wie auch der Geburt der modernen Archivwissenschaften. Die Fotografie wurde bald von den Nationalstaaten in ihrem Bedürfnis nach bildlicher Visualisierung in den Dienst genommen. Nach dem II. Weltkrieg, dem Zerfall der kolonialistischen Systeme und schließlich dem Fall der Berliner Mauer erlangten nationale Fragen erneut Aktualität - nun in einem globalen Rahmen. Die Beiträge in diesem Band untersuchen den Zusammenhang zwischen Fotografie/Fotoarchiven und der Idee der Nation, wobei das Objektiv sich nicht auf einzelne Ikonen, sondern auf die weitreichende Dimension des Archivs richtet.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110390035
Category : Art
Languages : de
Pages : 535
Book Description
Das "lange 19. Jahrhundert" der Nationalstaatenbildung ist auch das Jahrhundert der "Erfindung" der Fotografie wie auch der Geburt der modernen Archivwissenschaften. Die Fotografie wurde bald von den Nationalstaaten in ihrem Bedürfnis nach bildlicher Visualisierung in den Dienst genommen. Nach dem II. Weltkrieg, dem Zerfall der kolonialistischen Systeme und schließlich dem Fall der Berliner Mauer erlangten nationale Fragen erneut Aktualität - nun in einem globalen Rahmen. Die Beiträge in diesem Band untersuchen den Zusammenhang zwischen Fotografie/Fotoarchiven und der Idee der Nation, wobei das Objektiv sich nicht auf einzelne Ikonen, sondern auf die weitreichende Dimension des Archivs richtet.
Gun Nation
Author: Zed Nelson
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 176
Book Description
Collection of b/w photographs depicting America's gun culture. Includes an introductory essay on the fight for gun control.
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 176
Book Description
Collection of b/w photographs depicting America's gun culture. Includes an introductory essay on the fight for gun control.
Shasta Nation
Author: Betty Lou Hall
Publisher: Arcadia Publishing
ISBN: 9780738529578
Category : History
Languages : en
Pages : 132
Book Description
Archival images help trace the history of the Shasta Nation, profiling the people, places, and events that have shaped its development.
Publisher: Arcadia Publishing
ISBN: 9780738529578
Category : History
Languages : en
Pages : 132
Book Description
Archival images help trace the history of the Shasta Nation, profiling the people, places, and events that have shaped its development.
Eyes of the Nation
Author: Vincent Virga
Publisher: Bunker Hill Publishing, Inc.
ISBN: 1593730357
Category : United States
Languages : en
Pages : 428
Book Description
A magnificent one volume pictorial and narrative history of the United States with more than five hundred exceptional illustrations, many reproduced here for the first time.
Publisher: Bunker Hill Publishing, Inc.
ISBN: 1593730357
Category : United States
Languages : en
Pages : 428
Book Description
A magnificent one volume pictorial and narrative history of the United States with more than five hundred exceptional illustrations, many reproduced here for the first time.
American Image
Author: Martin W. Sandler
Publisher: McGraw-Hill/Contemporary
ISBN:
Category : Photography
Languages : en
Pages : 280
Book Description
American Image captures the nation's experience through one hundred fifty years of photography by anonymous amateurs and celebrated masters.
Publisher: McGraw-Hill/Contemporary
ISBN:
Category : Photography
Languages : en
Pages : 280
Book Description
American Image captures the nation's experience through one hundred fifty years of photography by anonymous amateurs and celebrated masters.
Choctaw Nation of Oklahoma
Author: Donovin Arleigh Sprague
Publisher: Arcadia Publishing
ISBN: 9780738541471
Category : History
Languages : en
Pages : 132
Book Description
Choctaw are the largest tribe belonging to the branch of the Muskogean family that includes the Chickasaw, Creek (Muscogee), and Seminole. According to oral history, the tribe originated from Nanih Waya, a sacred hill near present-day Noxapater, Mississippi. Nanih Waya means "productive or fruitful hill, or mountain." During one of their migrations, they carried a tree that would lean, and every day the people would travel in the direction the tree was leaning. They traveled east and south for sometime until the tree quit leaning, and the people stopped to make their home at this location, in present-day Mississippi. The people have made difficult transitions throughout their history. In 1830, the Choctaw who were removed by the United States from their southeastern U.S. homeland to Indian Territory became known as the Choctaw Nation of Oklahoma.
Publisher: Arcadia Publishing
ISBN: 9780738541471
Category : History
Languages : en
Pages : 132
Book Description
Choctaw are the largest tribe belonging to the branch of the Muskogean family that includes the Chickasaw, Creek (Muscogee), and Seminole. According to oral history, the tribe originated from Nanih Waya, a sacred hill near present-day Noxapater, Mississippi. Nanih Waya means "productive or fruitful hill, or mountain." During one of their migrations, they carried a tree that would lean, and every day the people would travel in the direction the tree was leaning. They traveled east and south for sometime until the tree quit leaning, and the people stopped to make their home at this location, in present-day Mississippi. The people have made difficult transitions throughout their history. In 1830, the Choctaw who were removed by the United States from their southeastern U.S. homeland to Indian Territory became known as the Choctaw Nation of Oklahoma.
Mapping the Nation
Author: Susan Schulten
Publisher: University of Chicago Press
ISBN: 0226740706
Category : Technology & Engineering
Languages : en
Pages : 260
Book Description
“A compelling read” that reveals how maps became informational tools charting everything from epidemics to slavery (Journal of American History). In the nineteenth century, Americans began to use maps in radically new ways. For the first time, medical men mapped diseases to understand and prevent epidemics, natural scientists mapped climate and rainfall to uncover weather patterns, educators mapped the past to foster national loyalty among students, and Northerners mapped slavery to assess the power of the South. After the Civil War, federal agencies embraced statistical and thematic mapping in order to profile the ethnic, racial, economic, moral, and physical attributes of a reunified nation. By the end of the century, Congress had authorized a national archive of maps, an explicit recognition that old maps were not relics to be discarded but unique records of the nation’s past. All of these experiments involved the realization that maps were not just illustrations of data, but visual tools that were uniquely equipped to convey complex ideas and information. In Mapping the Nation, Susan Schulten charts how maps of epidemic disease, slavery, census statistics, the environment, and the past demonstrated the analytical potential of cartography, and in the process transformed the very meaning of a map. Today, statistical and thematic maps are so ubiquitous that we take for granted that data will be arranged cartographically. Whether for urban planning, public health, marketing, or political strategy, maps have become everyday tools of social organization, governance, and economics. The world we inhabit—saturated with maps and graphic information—grew out of this sea change in spatial thought and representation in the nineteenth century, when Americans learned to see themselves and their nation in new dimensions.
Publisher: University of Chicago Press
ISBN: 0226740706
Category : Technology & Engineering
Languages : en
Pages : 260
Book Description
“A compelling read” that reveals how maps became informational tools charting everything from epidemics to slavery (Journal of American History). In the nineteenth century, Americans began to use maps in radically new ways. For the first time, medical men mapped diseases to understand and prevent epidemics, natural scientists mapped climate and rainfall to uncover weather patterns, educators mapped the past to foster national loyalty among students, and Northerners mapped slavery to assess the power of the South. After the Civil War, federal agencies embraced statistical and thematic mapping in order to profile the ethnic, racial, economic, moral, and physical attributes of a reunified nation. By the end of the century, Congress had authorized a national archive of maps, an explicit recognition that old maps were not relics to be discarded but unique records of the nation’s past. All of these experiments involved the realization that maps were not just illustrations of data, but visual tools that were uniquely equipped to convey complex ideas and information. In Mapping the Nation, Susan Schulten charts how maps of epidemic disease, slavery, census statistics, the environment, and the past demonstrated the analytical potential of cartography, and in the process transformed the very meaning of a map. Today, statistical and thematic maps are so ubiquitous that we take for granted that data will be arranged cartographically. Whether for urban planning, public health, marketing, or political strategy, maps have become everyday tools of social organization, governance, and economics. The world we inhabit—saturated with maps and graphic information—grew out of this sea change in spatial thought and representation in the nineteenth century, when Americans learned to see themselves and their nation in new dimensions.
The Race Beat
Author: Gene Roberts
Publisher: Vintage
ISBN: 0307455947
Category : History
Languages : en
Pages : 546
Book Description
An unprecedented examination of how news stories, editorials and photographs in the American press—and the journalists responsible for them—profoundly changed the nation’s thinking about civil rights in the South during the 1950s and ‘60s. Roberts and Klibanoff draw on private correspondence, notes from secret meetings, unpublished articles, and interviews to show how a dedicated cadre of newsmen—black and white—revealed to a nation its most shameful shortcomings that compelled its citizens to act. Meticulously researched and vividly rendered, The Race Beat is an extraordinary account of one of the most calamitous periods in our nation’s history, as told by those who covered it.
Publisher: Vintage
ISBN: 0307455947
Category : History
Languages : en
Pages : 546
Book Description
An unprecedented examination of how news stories, editorials and photographs in the American press—and the journalists responsible for them—profoundly changed the nation’s thinking about civil rights in the South during the 1950s and ‘60s. Roberts and Klibanoff draw on private correspondence, notes from secret meetings, unpublished articles, and interviews to show how a dedicated cadre of newsmen—black and white—revealed to a nation its most shameful shortcomings that compelled its citizens to act. Meticulously researched and vividly rendered, The Race Beat is an extraordinary account of one of the most calamitous periods in our nation’s history, as told by those who covered it.
Mathew Brady
Author: Robert Wilson
Publisher: Bloomsbury Publishing USA
ISBN: 1620402041
Category : History
Languages : en
Pages : 289
Book Description
The first narrative biography of the Civil War's pioneering visual historian, Mathew Brady, known as the “father of American photography.” Mathew Brady's attention to detail, flair for composition, and technical mastery helped establish the photograph as a thing of value. In the 1840s and '50s, “Brady of Broadway” photographed such dignitaries as Henry Clay, Daniel Webster, Dolley Madison, Horace Greeley, the Prince of Wales, and Jenny Lind. But it was during the Civil War that Brady's photography became an epochal part of American history. The Civil War was the first war in history to leave a detailed photographic record, and Brady knew better than anyone the dual power of the camera to record and excite, to stop a moment in time and preserve it. More than ten thousand war images are attributed to the Brady studio. But as Wilson shows, while Brady himself accompanied the Union army to the first major battle at Bull Run, he was so shaken by the experience that throughout the rest of the war he rarely visited battlefields except well before or after a major battle, instead sending teams of photographers to the front. Mathew Brady is a gracefully written and beautifully illustrated biography of an American legend-a businessman, a suave promoter, a celebrated portrait artist, and, most important, a historian who chronicled America during the gravest moments of the nineteenth century.
Publisher: Bloomsbury Publishing USA
ISBN: 1620402041
Category : History
Languages : en
Pages : 289
Book Description
The first narrative biography of the Civil War's pioneering visual historian, Mathew Brady, known as the “father of American photography.” Mathew Brady's attention to detail, flair for composition, and technical mastery helped establish the photograph as a thing of value. In the 1840s and '50s, “Brady of Broadway” photographed such dignitaries as Henry Clay, Daniel Webster, Dolley Madison, Horace Greeley, the Prince of Wales, and Jenny Lind. But it was during the Civil War that Brady's photography became an epochal part of American history. The Civil War was the first war in history to leave a detailed photographic record, and Brady knew better than anyone the dual power of the camera to record and excite, to stop a moment in time and preserve it. More than ten thousand war images are attributed to the Brady studio. But as Wilson shows, while Brady himself accompanied the Union army to the first major battle at Bull Run, he was so shaken by the experience that throughout the rest of the war he rarely visited battlefields except well before or after a major battle, instead sending teams of photographers to the front. Mathew Brady is a gracefully written and beautifully illustrated biography of an American legend-a businessman, a suave promoter, a celebrated portrait artist, and, most important, a historian who chronicled America during the gravest moments of the nineteenth century.
Covering Immigration
Author: Leo R. Chavez
Publisher: Univ of California Press
ISBN: 0520925254
Category : Social Science
Languages : en
Pages : 313
Book Description
On October 17, 1994, The Nation ran the headline "The Immigration Wars" on its cover over an illustration showing the western border of the United States with a multitude of people marching toward it. In the foreground, the Statue of Liberty topped by an upside-down American flag is joined by a growling guard dog lunging at a man carrying a pack. The magazine's coverage of emerging anti-immigrant sentiment shows how highly charged the images and texts on popular magazine covers can be. This provocative book gives a cultural history of the immigration issue in the United States since 1965, using popular magazine covers as a fascinating entry into a discussion of our attitudes toward one of the most volatile debates in the nation. Leo Chavez gathers and analyzes over seventy cover images from politically diverse magazines, including Time, Newsweek, U.S. News and World Report, Business Week, The New Republic, The Nation, and American Heritage. He traces the connections between the social, legal, and economic conditions surrounding immigration and the diverse images through which it is portrayed. Covering Immigration suggests that media images not only reflect the national mood but also play a powerful role in shaping national discourse. Drawing on insights from anthropology, sociology, and cultural studies, this original and perceptive book raises new questions about the media's influence over the public's increasing fear of immigration.
Publisher: Univ of California Press
ISBN: 0520925254
Category : Social Science
Languages : en
Pages : 313
Book Description
On October 17, 1994, The Nation ran the headline "The Immigration Wars" on its cover over an illustration showing the western border of the United States with a multitude of people marching toward it. In the foreground, the Statue of Liberty topped by an upside-down American flag is joined by a growling guard dog lunging at a man carrying a pack. The magazine's coverage of emerging anti-immigrant sentiment shows how highly charged the images and texts on popular magazine covers can be. This provocative book gives a cultural history of the immigration issue in the United States since 1965, using popular magazine covers as a fascinating entry into a discussion of our attitudes toward one of the most volatile debates in the nation. Leo Chavez gathers and analyzes over seventy cover images from politically diverse magazines, including Time, Newsweek, U.S. News and World Report, Business Week, The New Republic, The Nation, and American Heritage. He traces the connections between the social, legal, and economic conditions surrounding immigration and the diverse images through which it is portrayed. Covering Immigration suggests that media images not only reflect the national mood but also play a powerful role in shaping national discourse. Drawing on insights from anthropology, sociology, and cultural studies, this original and perceptive book raises new questions about the media's influence over the public's increasing fear of immigration.