Il Matrimonio Segreto; or, The Secret Marriage, a comic opera, in two acts [and in verse, by G. Bertati, founded on “The Clandestine Marriage” by G. Colman the Elder and D. Garrick] ... As represented at the King's Theatre, Haymarket, June 1830. Ital. & Eng PDF Download
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![Il Matrimonio Segreto; or, The Secret Marriage, a comic opera, in two acts [and in verse, by G. Bertati, founded on “The Clandestine Marriage” by G. Colman the Elder and D. Garrick] ... As represented at the King's Theatre, Haymarket, June 1830. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/YTfB_Eh8ML4C?fife=w150-h200)
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Languages : en
Pages : 68
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![Il Matrimonio Segreto; or, The Secret Marriage, a comic opera, in two acts [and in verse, by G. Bertati, founded on “The Clandestine Marriage” by G. Colman the Elder and D. Garrick] ... As represented at the King's Theatre, Haymarket, June 1830. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/YTfB_Eh8ML4C?fife=w80-h100)
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Pages : 68
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![Il Matrimonio Segreto; Or, the Secret Marriage. A Comic Opera in Two Acts, Etc. [By G. Bertati.] Ital.&Eng PDF](https://books.google.com/books/content/images/frontcover/HMSTw1ZlMncC?fife=w80-h100)
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Pages : 70
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![Il Matrimonio Segreto; or, The Secret Marriage. A comic opera, in two acts [and in verse, by G. Bertati, founded on “The Clandestine Marriage” by G. Colman the Elder and D. Garrick] ... As represented at the King's Theatre, Haymarket, February, 1831. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/9We4WqLkSVsC?fife=w80-h100)
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Languages : en
Pages : 68
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Author: Giovanni Bertati
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 50
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Author: Domenico Cimarosa
Publisher:
ISBN:
Category : Operas
Languages : it
Pages : 80
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![Il Matrimonio Segreto. the Secret Marriage. a Comic Opera in Two Acts [And in Prose and Verse]. English Libretto by W. G. - Scholar's Choice Edition PDF](https://books.google.com/books/content/images/frontcover/B8lMrgEACAAJ?fife=w80-h100)
Author: William Grist
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ISBN: 9781298018847
Category :
Languages : en
Pages : 40
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: University of Michigan. School of Music
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 570
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Publisher: UM Libraries
ISBN:
Category : Education, Higher
Languages : en
Pages : 1474
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Author: Edward Geoffrey Stanley
Publisher: Fonthill Media
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 330
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Book Description
In December 1820, at twenty-one years old, Edward Geoffrey Stanley, the future 14th earl of Derby and three-times prime minister, began an extensive tour of continental Europe. By the time of his return to England twenty months later, he had visited many of the foremost centres for art and culture in Europe, and mostly in Italy. In his travel diaries he recorded his intensive social life, his visits to historical sites, his viewings of art collections, his comments on architecture, his admiration of landscapes and his impressions of foreign societies. He was energetic, enthusiastic and discerning: the bridge of Augustus in Umbria gave him ‘a stupendous idea of Roman grandeur’; the charm of the towns crowning the Tuscan hills struck him with the same delight that he felt when gazing at one of Poussin’s paintings; the waterfall at Terni, which dropped 370 feet into an abyss of spray, was ‘awfully magnificent’; while the ceremonies of the Italian Catholic Church he judged to be a blend of mummery, superstition and bigotry. Sights and experiences like these influenced him for the rest of his life. This precious collection of diaries, found only recently and published here for the first time, reveal Edward Stanley to have been a young man of diligence, courage and decisiveness: a future leader with a conspicuous and burgeoning sense of political and social justice. It was these characteristics, seen in early development within these pages, that shaped the man and the extraordinary career to come.
Author: Nicholas Ivor Martin
Publisher: Scarecrow Press
ISBN: 0810888696
Category : Music
Languages : en
Pages : 488
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Book Description
You are getting ready for a performance of Donizetti’s L’elisir d’amore and you have a few questions. How many clarinets are in the orchestra? How many orchestra members appear onstage? How many different sets are there? How long does the opera typically run? What are the key arias? Are any special effects or ballet choreography required? Who owns the rights? Where was it premiered? What are the leading and supporting roles? The Opera Manual is the only single source for the answers to these and other important questions. It is the ultimate companion for opera lovers, professionals, scholars, and teachers, featuring comprehensive information about, and plot summaries for, more than 550 operas—including every opera that is likely to be performed today, from standard to rediscovered contemporary works. The book is invaluable, especially for opera professionals, who will find everything they need for choosing and staging operas. But it is also a treasure for listeners. Similar reference books commonly skip over scenes and supporting characters in their plot summaries, lacking even the most basic facts about staging, orchestral, and vocal requirements. The Opera Manual, based on the actual scores of the works discussed, is the only exhaustive, up-to-date opera companion—a “recipe book” that will enable its readers to explore those operas they know and discover new ones to sample and enjoy.
