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Author: Adeze Wilford
Publisher: Walther Konig Verlag
ISBN: 9783960988953
Category :
Languages : en
Pages : 120
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Book Description
Adeze Wilford, Alex Poots, Ashley James, Hans Ulrich Obrist, Howardena Pindell
Author: Adeze Wilford
Publisher: Walther Konig Verlag
ISBN: 9783960988953
Category :
Languages : en
Pages : 120
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Book Description
Adeze Wilford, Alex Poots, Ashley James, Hans Ulrich Obrist, Howardena Pindell
Author: Howardena Pindell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 160
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Book Description
Author: Barry Schwabsky
Publisher:
ISBN: 9780989890243
Category : African American art
Languages : en
Pages : 0
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Book Description
This publication provides an overview of Howardena Pindell's (born 1943) work from 1974 to 1980, an incredibly innovative period in which she began cutting the canvas in strips and sewing them back together, then building up the surface in elaborate stages. By the late 1970s, sequins, string, hair and even perfume had become a part of her painting.
Author: Uri McMillan
Publisher: NYU Press
ISBN: 1479852473
Category : Art
Languages : en
Pages : 307
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Book Description
"Tracing a dynamic genealogy of performance from the nineteenth century to the twenty-first, McMillian contends that black women artists practiced a purposeful self-objectification, transforming themselves into art objects. In doing so, these artists raised new ways to ponder the intersections of art, performance, and black female embodiment."--Back cover.
Author: Kellie Jones
Publisher: Duke University Press
ISBN: 082234873X
Category : Art
Languages : en
Pages : 530
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Book Description
Selections of writing by the influential art critic and curator Kellie Jones reveal her role in bringing attention to the work of African American, African, Latin American, and women artists.
Author: Darby English
Publisher:
ISBN: 9781633450349
Category : Art
Languages : en
Pages : 488
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Book Description
Among Others: Blackness at MoMA begins with an essay that provides a rigorous and in-depth analysis of MoMA's history regarding racial issues. It also calls for further developments, leaving space for other scholars to draw on particular moments of that history. It takes an integrated approach to the study of racial blackness and its representation: the book stresses inclusion and, as such, the plate section, rather than isolating black artists, features works by non-black artists dealing with race and race- related subjects. As a collection book, the volume provides scholars and curators with information about the Museum's holdings, at times disclosing works that have been little documented or exhibited. The numerous and high-quality illustrations will appeal to anyone interested in art made by black artists, or in modern art in general.
Author: Richard J. Powell
Publisher: Yale University Press
ISBN: 0300245742
Category : Art
Languages : en
Pages : 241
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Book Description
A kaleidoscopic survey of black satire in 20th- and 21st-century American art In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century—in all their complexity, humor, and provocation—Powell raises important questions about the social power of art. Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art.
Author: Sabina Leonelli
Publisher: Springer Nature
ISBN: 3030371778
Category : Philosophy
Languages : en
Pages : 411
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Book Description
This groundbreaking, open access volume analyses and compares data practices across several fields through the analysis of specific cases of data journeys. It brings together leading scholars in the philosophy, history and social studies of science to achieve two goals: tracking the travel of data across different spaces, times and domains of research practice; and documenting how such journeys affect the use of data as evidence and the knowledge being produced. The volume captures the opportunities, challenges and concerns involved in making data move from the sites in which they are originally produced to sites where they can be integrated with other data, analysed and re-used for a variety of purposes. The in-depth study of data journeys provides the necessary ground to examine disciplinary, geographical and historical differences and similarities in data management, processing and interpretation, thus identifying the key conditions of possibility for the widespread data sharing associated with Big and Open Data. The chapters are ordered in sections that broadly correspond to different stages of the journeys of data, from their generation to the legitimisation of their use for specific purposes. Additionally, the preface to the volume provides a variety of alternative “roadmaps” aimed to serve the different interests and entry points of readers; and the introduction provides a substantive overview of what data journeys can teach about the methods and epistemology of research.
Author:
Publisher:
ISBN: 9780890621257
Category :
Languages : en
Pages : 17
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Book Description
Author: Connie H. Choi
Publisher: Rizzoli Publications
ISBN: 0847866386
Category : Art
Languages : en
Pages : 234
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Book Description
An authoritative guide to one of the world's most important collections of African-American art, with works by artists from Romare Bearden to Kehinde Wiley. The artists featured in Black Refractions, including Kerry James Marshall, Faith Ringgold, Nari Ward, Norman Lewis, Wangechi Mutu, and Lorna Simpson, are drawn from the renowned collection of the Studio Museum in Harlem. Through exhibitions, public programs, artist residencies, and bold acquisitions, this pioneering institution has served as a nexus for artists of African descent locally, nationally, and internationally since its founding in 1968. Rather than aim to construct a single history of "black art," Black Refractions emphasizes a plurality of narratives and approaches, traced through 125 works in all media from the 1930s to the present. An essay by Connie Choi and entries by Eliza A. Butler, Akili Tommasino, Taylor Aldridge, Larry Ossei Mensah, Daniela Fifi , and other luminaries contextualize the works and provide detailed commentary. A dialogue between Thelma Golden, Connie Choi, and Kellie Jones draws out themes and challenges in collecting and exhibiting modern and contemporary art by artists of African descent. More than a document of a particular institution's trailblazing path, or catalytic role in the development of American appreciation for art of the African diaspora, this volume is a compendium of a vital art tradition.
