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Author: William Oland Bourne
Publisher:
ISBN:
Category : United States
Languages : en
Pages :
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Author: William Oland Bourne
Publisher:
ISBN:
Category : United States
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : Merchant mariners
Languages : en
Pages : 632
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Author:
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Category : Sailors
Languages : en
Pages : 780
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Author: Allison M. Johnson
Publisher: LSU Press
ISBN: 0807177482
Category : History
Languages : en
Pages : 379
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The Left-Armed Corps collects and annotates a unique and little-known body of Civil War literature: narrative sketches, accounts, and poetry by veterans who lost the use of their right arms due to wounds sustained during the conflict and who later competed in left-handed penmanship contests in 1865 and 1866. Organized by William Oland Bourne, the contests called on men who lost limbs while fighting for the Union to submit “specimens” of their best left-handed “business” writing in the form of personal statements. Bourne hoped the contests would help veterans reenter the work force and become economically viable citizens. Following Bourne’s aims, the contests commemorated the sacrifices made by veterans and created an archive of individual stories detailing the recently ended conflict. However, the contestants and their entries also present visible evidence—in the form of surprisingly elegant or understandably sloppy handwriting specimens—of the difficulties veterans faced in adapting to life after the war and recovering from its traumas. Their written accounts relate the chaos of the battlefield, the agony of amputation, and the highs and lows of recovery. Editor Allison M. Johnson organizes the selections thematically in order to highlight issues crucial to the experiences of Civil War soldiers, veterans, and amputees, offering invaluable insights into the ways in which former fighting men understood and commemorated their service and sacrifice. A detailed introduction provides background information on the contests and comments on the literary and historical significance of the veterans and their writings. Chapter subjects include political and philosophical treatises by veterans, amateur but poignant poetic testaments, and graphic accounts of wounding and amputation. The Left-Armed Corps makes accessible this archive of powerful testimony and creative expression from Americans who fought to preserve the Union and end slavery.
Author:
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Category : Merchant mariners
Languages : en
Pages : 926
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Category : Pacific States
Languages : en
Pages : 574
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Author:
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ISBN:
Category : Pacific States
Languages : en
Pages : 416
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Contains monthly column of the Sequoya League.
Author: Seth Offenbach
Publisher: Routledge
ISBN: 0429559410
Category : History
Languages : en
Pages : 319
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The Vietnam War was the central political issue of the 1960s and 1970s. This study by Seth Offenbach explains how the conflict shaped modern conservatism. The war caused disputes between the pro-war anti-communists right and libertarian conservatives who opposed the war. At the same time, Christian evangelicals supported the war and began forming alliances with the mainstream, pro-war right. This enabled the formation of the New Right movement which came to dominate U.S. politics at the end of the twentieth century. The Conservative Movement and the Vietnam War explains the right’s changes between Barry Goldwater and Ronald Reagan.
Author: Hyunseon Lee
Publisher: Taylor & Francis
ISBN: 1000960102
Category : Performing Arts
Languages : en
Pages : 239
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Cinema has become a battleground upon which history is made – a major mass medium of the twentieth century dealing with history. The re-enactments of historical events in film straddle reality and fantasy, documentary and fiction, representation and performance, entertainment and education. This interdisciplinary book examines the relationship between film and history and the links between historical research and filmic (re-)presentations of history with special reference to South Korean cinema. As with all national film industries, Korean cinema functions as a medium of inventing national history, identity, and also establishing their legitimacy – both in forgetting the past and remembering history. Korean films also play a part in forging cultural collective memory. Korea as a colonized and divided nation clearly adopted different approaches to the filmic depiction of history compared to colonial powers such as Western or Japanese cinema. The Colonial Period (1910-45) and Korean War (1950-53) draw particular attention as they have been major topics shaping the narrative of nation in North and South Korean films. Exploring the changing modes, impacts and functions of screen images dealing with history in Korean cinema, this book will be of huge interest to students and scholars of Korean history, film, media and cultural studies.
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Category : Vietnam (Democratic Republic)
Languages : en
Pages : 558
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