History of Florence from the Founding of the City Through the Renaissance PDF Download
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Author: Ferdinand Schevill
Publisher:
ISBN:
Category : Florence (Italy)
Languages : en
Pages : 636
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Book Description
Author: Ferdinand Schevill
Publisher:
ISBN:
Category : Florence (Italy)
Languages : en
Pages : 636
Get Book Here
Book Description
Author: Ferdinand SCHEVILL
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Ferdinand SCHEVILL
Publisher:
ISBN:
Category :
Languages : en
Pages : 536
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Book Description
Author: Roger J. Crum
Publisher: Cambridge University Press
ISBN: 0521846935
Category : Art
Languages : en
Pages : 30
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Book Description
This book examines the social history of Florence from the fourteenth through to sixteenth centuries.
Author: Niccolò Machiavelli
Publisher:
ISBN:
Category : Florence (History)
Languages : en
Pages : 464
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Book Description
Author: Brian Jeffrey Maxson
Publisher: Bloomsbury Publishing
ISBN: 0755640128
Category : History
Languages : en
Pages : 289
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Book Description
The innovative city culture of Florence was the crucible within which Renaissance ideas first caught fire. With its soaring cathedral dome and its classically-inspired palaces and piazzas, it is perhaps the finest single expression of a society that is still at its heart an urban one. For, as Brian Jeffrey Maxson reveals, it is above all the city-state – the walled commune which became the chief driver of European commerce, culture, banking and art – that is medieval Italy's enduring legacy to the present. Charting the transition of Florence from an obscure Guelph republic to a regional superpower in which the glittering court of Lorenzo the Magnificent became the pride and envy of the continent, the author authoritatively discusses a city that looked to the past for ideas even as it articulated a novel creativity. Uncovering passionate dispute and intrigue, Maxson sheds fresh light too on seminal events like the fiery end of oratorical firebrand Savonarola and Giuliano de' Medici's brutal murder by the rival Pazzi family. This book shows why Florence, harbinger and heartland of the Renaissance, is and has always been unique.
Author: Ferdinand Schevill
Publisher:
ISBN:
Category : Renaissance
Languages : en
Pages :
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Book Description
Author: John M. Najemy
Publisher: John Wiley & Sons
ISBN: 1405178469
Category : History
Languages : en
Pages : 528
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Book Description
In this history of Florence, distinguished historian John Najemy discusses all the major developments in Florentine history from 1200 to 1575. Captures Florence's transformation from a medieval commune into an aristocratic republic, territorial state, and monarchy Weaves together intellectual, cultural, social, economic, religious, and political developments Academically rigorous yet accessible and appealing to the general reader Likely to become the standard work on Renaissance Florence for years to come
Author: Niccolò Machiavelli
Publisher: Legare Street Press
ISBN: 9781016029483
Category :
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Francesco Bocchi
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
The text presented here, Francesco Bocchi's Le Bellezze della citta di Fiorenza (The Beauties of the City of Florence), originally published in 1591, is one of the most remarkable of Renaissance writings on art and thus an especially valuable document of the culture within which and for which Renaissance art was made. It is not exactly the first guidebook, nor is it entirely an art guidebook in the modern sense of the word, but it marks an important step in the history of guidebook literature, perhaps the definitive step in the formation of the modern genre. It seeks to direct people's attention to outstanding objects, but also to offer instruction in how to look, what to think, and what to say. Scholars find it useful for purely archaeological reasons, as a record of numerous minor works of art and their locations, for instance, but its deepest source of interest is the lively discursive engagement with art to which it attests, and the passionate and eloquent way in which it makes the case that such engagement is a matter of the greatest urgency and importance. For this reason, the book has much to offer the non-specialist - anyone who visits Florence and gives any thought at all to what it means to look at art - and the desire to reach this kind of reader has been the real motivation behind the preparation of this translation. Enough of the city remains as Bocchi saw it to permit the book still to be used as a guide, held in the hand as one walks from place to place and read before the objects described. The notes and illustrations provided here are designed to facilitate that process. What Bocchi emphasises and what he ignores will sometimes surprise the modern reader, and what he says about individual works may occasionally prompt bewilderment or disagreement. His values and habits of thought are close enough to ours to seem familiar yet are not exactly our own; his way of looking, of thinking, and of speaking are foreign enough to remind us of the distance that separates us from the Renaissance, of the singularity of historical moments and individual points of view. In reading Bocchi, one begins to understand something of how his contemporaries thought about what they saw; one learns to see the works differently and, as a result, to develop a sharper sense of the presuppositions we bring to our encounters with art, to see our own way of looking and thinking more objectively. This translation is thus an invitation to enter into a dialogue with history; its deeper purpose is to stimulate modern visitors to Florence to objectify their own processes of looking, thinking, and speaking, and in so doing to develop a new degree of self-consciousness, a new, historical perspective on themselves. Thomas Frangenberg's main research interests concern European Art and Architecture (1500-1770), Italian Art Theory 1400-1800, the history of linear perspective and its relation to the theory of optics. He teaches at the University of Leicester. Robert Williams is a specialist in Italian sixteenth-century aesthetic theory. He is Professor of History of Art and Architecture at the University of California, Santa Barbara.
