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Author: Kathryn Wichelns
Publisher: Springer
ISBN: 3319718002
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
This book explores Henry James’s negotiations with nineteenth-century ideas about gender, sexuality, class, and literary style through the responses of three women who have never before been substantively examined in light of their relationships to his work. Writing in different times and places, Annie Fields, Emily Dickinson, and Marguerite Duras nevertheless share complex navigations of womanhood and authorship, as well as a history of feminist scholarly responses to their work. Kathryn Wichelns draws upon James’ correspondence with Fields, as well as Dickinson’s and Duras’s revisions of his fiction, to offer a new understanding of gender-transgressive elements of his project. By contextualizing his writing within a diverse set of feminist perspectives, each grounded in a specific time and place, as well as nineteenth-century views of queer male sexuality, Wichelns demonstrates the centrality of Henry James’s ambivalent identifications with women to his work.
Author: Kathryn Wichelns
Publisher: Springer
ISBN: 3319718002
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
This book explores Henry James’s negotiations with nineteenth-century ideas about gender, sexuality, class, and literary style through the responses of three women who have never before been substantively examined in light of their relationships to his work. Writing in different times and places, Annie Fields, Emily Dickinson, and Marguerite Duras nevertheless share complex navigations of womanhood and authorship, as well as a history of feminist scholarly responses to their work. Kathryn Wichelns draws upon James’ correspondence with Fields, as well as Dickinson’s and Duras’s revisions of his fiction, to offer a new understanding of gender-transgressive elements of his project. By contextualizing his writing within a diverse set of feminist perspectives, each grounded in a specific time and place, as well as nineteenth-century views of queer male sexuality, Wichelns demonstrates the centrality of Henry James’s ambivalent identifications with women to his work.
Author: Zachary Tavlin
Publisher: University of Alabama Press
ISBN: 0817360891
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
"The sweeping vantages that typify American landscape painting from the nineteenth century by Thomas Cole and other members of the Hudson School are often interpreted for their geopolitical connotations, as visual attempts to tame the wild, alleviating fears of a savage frontier through views that subdue the landscape to the eye. Zachary Tavlin's "Glancing Visions" challenges the long-standing assumption that visuality in nineteenth-century art and literature was inherently imperialistic or possessive. While there is much to be said for both material, economic, and theological impulses to clear the wilderness, superimpose a national identity, and usher in a Puritanical idyll, many literary figures of the era display a purposeful disdain for the "possessive gaze," signaling instead a preference for subtle glances, often informed by early photography, Impressionism, new techniques in portraiture, and, soon after, the dawn of cinema. The visual subjectivities and contingencies introduced by these media made room for a visual counter-narrative, one informed by a mode of seeing that moves fast and lightly across the surface of things. Tavlin probes Nathaniel Hawthorne's idea of the imagination, one that derives from both the camera obscura (in "The Custom House") and the daguerreotype (in The House of the Seven Gables), each in its way an instance of the "glance" and entirely dependent on temporal moments. The poetry of Frances Ellen Watkins Harper toggles between gazes and glances, unsettling two competing forms of racialized seeing as they pertain to nineteenth-century Black life and racial hierarchies--the sentimental gaze and the slave trader's glance--highlighting the life-and-death stakes of both looking anyone squarely in the eye and looking away. Emily Dickinson's "certain slant of light," syntactical oddities, and her stitching of scraps and fragments into the fascicles that constitute her corpus all derive from a commitment to contingency, "the ungrounded life's only defense against the abyss of non-being." Tavlin investigates, as well, Henry James's vexed but entirely dependent relationship to literary and painterly impressionism, and William Carlos Williams's imagist poetics as a response to early cinema's use of the cut as the basis for a new visual grammar. Each of these literary artists, Tavlin argues--via their own distinctive sensibilities and the artistic or technological counterparts that informed them-refuse the authoritative, all-possessive gaze in favor of the glance, a mode of seeing, thinking, and being that made way for what we now think of as commonplace, namely modernity"--
Author: Suneel Mehmi
Publisher: Routledge
ISBN: 1000428621
Category : History
Languages : en
Pages : 306
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Book Description
At the intersection of law, literature and history, this book interrogates how a dominant contemporary idea of law emerged out of specific ideas of reading in the nineteenth century. Reading shapes our identities. How we read shapes who we are. Reading also shapes our conceptions of what the law is, because the law is also a practice of reading. Focusing on the works of key Victorian writers closely associated with legal practice, this book addresses the way in which the identity of the reader of law has been modelled on the identity of the political elite. At the same time, it shows how other readers of law have been marginalised. The book thus shows how a construction of the law has emerged from the ordering of a power that discriminates between different readers and readings. More specifically, and in response to the emerging media of photography – and, with it, potentially subversive ideas of exposure and visibility – the book shows that there have been dominant, hidden and unrecognised guides to legal reading and to legal thought. And in making these visible, the book also aims to make them contestable. This secret history of law will appeal to legal historians, legal theorists, those working at the intersection of law and literature and others with interests in law and the visual.
Author: Edmund Chapman
Publisher: Springer Nature
ISBN: 3030324524
Category : Language Arts & Disciplines
Languages : en
Pages : 145
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Book Description
The Afterlife of Texts in Translation: Understanding the Messianic in Literature reads Walter Benjamin’s and Jacques Derrida’s writings on translation as suggesting that texts exist within a process of continual translation. Understanding Benjamin’s and Derrida’s concept of ‘afterlife’ as ‘overliving’, this book proposes that reading Benjamin’s and Derrida’s writings on translation in terms of their wider thought on language and history suggests that textuality itself possesses a ‘messianic’ quality. Developing this idea in relation to the many rewritings and translations of Don Quijote, particularly the multiple rewritings by Jorge Luis Borges, Edmund Chapman asserts that texts consist of a structure of potential for endless translation that continually promises the overcoming of language, history and textuality itself.
Author: Red Chidgey
Publisher: Springer
ISBN: 3319987372
Category : Social Science
Languages : en
Pages : 216
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Book Description
This book interrogates why feminist memories matter. Feminist Afterlives explores how the images, ideas and feelings of past liberation struggles become freshly available and transmissible. In doing so, Red Chidgey examines how popular feminist memories travel as digital and material resources across protest, heritage, media, commercial and governmental sites, and in connection with the concerns and conditions of the present. Central case studies track repeated invocations to militant suffragettes and the We Can Do It! post-feminist icon over time and space. Assembling interviews, archival research and ethnographic accounts with provocative examples drawn from postfeminist media culture, a UNESCO heritage bid, protest at the London 2012 Olympic Games, and activist remembrance in zines and blogs, this is a broad-ranging study of ‘restless’ feminist pasts – both real and imagined. Richly researched and argued, this volume offers an original framework of ‘assemblage memory’ and sets out a new research agenda for the intersections between everyday activism, protest, and memory practices.
Author: Bethany Layne
Publisher: Cambridge Scholars Publishing
ISBN: 1527555364
Category : Fiction
Languages : en
Pages : 184
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Book Description
The twelve essays collected in this work explore the afterlives of nineteenth- and twentieth-century writers in biographical fiction, or biofiction, and its sister genre, the biopic. The essays situate these genres in relation to their generic, cultural, and ideological contexts, and are organised into four groups. The first locates the origins of biofiction in the historical novel, and in Modernist experiments in life writing, while the second consists of case studies of biofiction about writers from the long nineteenth century: Charlotte Brontë, Henry James, Constance Fenimore Woolson, and Rupert Brooke. A guest essay by novelist Maggie Gee opens the third group, which analyses the fertile sub-genre of biographical novels about Woolf, while the fourth and final part of the book concerns the related genre of the biopic. The volume is comprised entirely of original commissions, whose authors include postgraduate students, practitioners and specialists in biographical writing. It will appeal to undergraduates and postgraduates on life writing and contemporary literature modules, as well as fans of the featured biographical novelists and their subjects.
Author: Monica Latham
Publisher: Routledge
ISBN: 1000388476
Category : Drama
Languages : en
Pages : 183
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Book Description
This book explores Virginia Woolf’s afterlives in contemporary biographical novels and drama. It offers an extensive analysis of a wide array of literary productions in which Virginia Woolf appears as a fictional character or a dramatis persona. It examines how Woolf’s physical and psychological features, as well as the values she stood for, are magnified, reinforced or distorted to serve the authors’ specific agendas. Beyond general theoretical issues about this flourishing genre, this study raises specific questions about the literary and cultural relevance of Woolf’s fictional representations. These contemporary narratives inform us about Woolf’s iconicity, but they also mirror our current literary, cultural and political concerns. Based on a close examination of twenty-five works published between 1972 and 2019, the book surveys various portraits of Woolf as a feminist, pacifist, troubled genius, gifted innovative writer, treacherous, competitive sister and tragic, suicidal character, or, on the contrary, as a caricatural comic spirit, inspirational figure and perspicacious amateur sleuth. By resurrecting Virginia Woolf in contemporary biofiction, whether to enhance or debunk stereotypes about the historical figure, the authors studied here contribute to her continuous reinvention. Their diverse fictional portraits constitute a way to reinforce Woolf’s literary status, re-evaluate her work, rejuvenate critical interpretations and augment her cultural capital in the twenty-first century
Author: John Carlos Rowe
Publisher: Dartmouth College Press
ISBN: 1611688140
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
In times of liberal despair it helps to have someone like John Carlos Rowe put things into perspective, in this case, with a collection of essays that asks the question, "Must we throw out liberalism's successes with the neoliberal bathwater?" Rowe first lays out a genealogy of early twentieth-century modernists, such as Gertrude Stein, John Dos Passos, William Faulkner, and Ralph Ellison, with an eye toward stressing their transnationally engaged liberalism and their efforts to introduce into the literary avant-garde the concerns of politically marginalized groups, whether defined by race, class, or gender. The second part of the volume includes essays on the works of Harper Lee, Thomas Berger, Louise Erdrich, and Philip Roth, emphasizing the continuity of efforts to represent domestic political and social concerns. While critical of the increasingly conservative tone of the neoliberalism of the past quarter-century, Rowe rescues the value of liberalism's sympathetic and socially engaged intent, even as he criticizes modern liberalism's inability to work transnationally.
Author: Terence Cave
Publisher: OUP UK
ISBN: 0199604800
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
Terence Cave traces the afterlives of Mignon, an apparently minor character in Goethe's novel Wilhelm Meisters Lehrjahre, through the European cultures of the 19th and 20th centuries. The enigmatic and fascinating Mignon reappears in wide range of different works, mainly narrative fiction but also poetry, song, opera, and film.
Author: John Carlos Rowe
Publisher: Cambridge Scholars Publishing
ISBN: 1443869090
Category : Literary Criticism
Languages : en
Pages : 175
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Book Description
Henry James Today is a collection of seven essays focused on the relevance of Henry James’s work for an understanding of current problems. This volume includes studies of how James and such contemporaries as Mark Twain and the Brazilian novelist Machado de Assis have influenced each other and modernist and postmodernist writers, such as Cynthia Ozick, Jonathan Franzen, and Philip Roth. These traditional studies of literary influence are complemented by essays on Henry James and visual media (collage, painting, sculpture, architecture) and new media (digital social media and the digital humanities). Recognizing the significant cultural and technological changes since James lived and wrote, the contributors nonetheless focus on the historical and cultural continuities between James’s era and our own. Other contributors focus on innovative practices in James’s cultural era to understand how the modernist avant-garde anticipated social and aesthetic issues that are today central to our lives. The contributors represent a global spectrum of James Studies, and their diverse essays indicate James’s powerful influence on aesthetic and social issues. Brad Evans (Rutgers University), Ashley Barnes (Williams College), Harilaos Stecopoulos (University of Iowa), Harold Hellwig (Idaho State University), Geraldo Cáffaro (Universidade Federale de Minais Gerais, Brazil), John Carlos Rowe (University of Southern California), and Shawna Ross (Arizona State University) represent an exemplary cross-section of those scholars working on Henry James today.
