Music Composition Book (Orange) PDF Download
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Author: MW Music Journals
Publisher:
ISBN: 9781943821310
Category :
Languages : en
Pages : 80
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Book Description
Whether you are an ambitious music student, aspiring songwriter, or a teacher looking for a tool to promote creativity, the Meridee Winters Music Composition Book is a versatile tool for taking notes, recording your great ideas and helping spark new ones. With a visually fun layout and space for both notated music and written work, this book can meet the needs of any music student or independent learner. The composition book includes: Staff paper for notating music, song ideas and more, notebook pages for writing out lyrics, chord progressions and more, goal-setting pages, idea pages - great for titles and other small sparks of brilliance, a build-it-yourself table of contents to easily locate your work, and room for doodling, dreaming and creating song stories. About the Meridee Winters Music Method: Founded by a former school teacher, the Meridee Winters Music Method was created as a solution to a problem: that lesson and exercise books teach at the rote and recall level, with little room for creativity. There is also a need for great music materials for learners of all styles, including adults, gifted learners, young learners, students that fall on the autism spectrum, those with dyslexia and more. The Meridee Winters Music Method tackles all of these complex needs with her playful, progress-boosting books and activities. Capture all of your great musical ideas, and be motivated to create even more with this fun and inspiring tool.
Author: MW Music Journals
Publisher:
ISBN: 9781943821310
Category :
Languages : en
Pages : 80
Get Book
Book Description
Whether you are an ambitious music student, aspiring songwriter, or a teacher looking for a tool to promote creativity, the Meridee Winters Music Composition Book is a versatile tool for taking notes, recording your great ideas and helping spark new ones. With a visually fun layout and space for both notated music and written work, this book can meet the needs of any music student or independent learner. The composition book includes: Staff paper for notating music, song ideas and more, notebook pages for writing out lyrics, chord progressions and more, goal-setting pages, idea pages - great for titles and other small sparks of brilliance, a build-it-yourself table of contents to easily locate your work, and room for doodling, dreaming and creating song stories. About the Meridee Winters Music Method: Founded by a former school teacher, the Meridee Winters Music Method was created as a solution to a problem: that lesson and exercise books teach at the rote and recall level, with little room for creativity. There is also a need for great music materials for learners of all styles, including adults, gifted learners, young learners, students that fall on the autism spectrum, those with dyslexia and more. The Meridee Winters Music Method tackles all of these complex needs with her playful, progress-boosting books and activities. Capture all of your great musical ideas, and be motivated to create even more with this fun and inspiring tool.
Author: Booki Nova
Publisher: Independently Published
ISBN: 9781091441361
Category : Music
Languages : en
Pages : 112
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Book Description
This handy 6" x 9" lined notebook is A great inexpensive gift idea for any occasion.it makes a great birthday, Thanksgiving, Christmas or couple anniversary Gift For Guitar lovers 6X9 inch, 110 pages, lightly lined, matte softcover
Author: William Bay
Publisher: Mel Bay Publications
ISBN: 161065000X
Category : Music
Languages : en
Pages : 225
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Book Description
A valuable book for any guitarist. Part one presents a dictionary of essential chord forms shown by inversion. Part two features a very thorough analysis of chord melody and quartal harmony voicings in each key. Playing through part II will train your ear to improvise chordal melodies. Ideal for daily practice.•
Author: William Bay
Publisher: Mel Bay Publications
ISBN: 1609740734
Category : Music
Languages : en
Pages : 129
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Book Description
Mel Bay's latest series, Guitar Journals, is the ultimate reference guide of studies and solos in several different genres. This huge collection of scales is perfect for guitarist's everyday use. They are all covered here: major; natural, melodic and harmonic minor; diminished; whole-tone; bebop; blues; altered; pentatonic; Hungarian; Neapolitan; Japanese; Arabian; Balinese; Byzantine; and many, many more. This is a must-have for any guitarist's collection! Hard cover, covered spiral binding and premium stock paper make this a volume so beautifully printed and bound and containing so much valuable information that you will treasure it for years to come!•
Author: LEE DREW ANDREWS
Publisher: Mel Bay Publications
ISBN: 1610652711
Category : Music
Languages : en
Pages : 192
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Book Description
Mel Bay's latest series, Guitar Journals, is the ultimate reference guide of studies and solos in several different genres. Included in this wonderful fingerstyle journal are a myriad of tunes in many styles: Easy, Blues, Gospel, Classic, Fiddle Tunes, Thumbpicking, Patriotic, Ballads, Early Jazz, Latin, Celtic, DADGAD, Ragtime and Contemporary. Perfect for the student to professional musician, this wonderful book contains tunes which can be revisited daily. All music in notation and tablature. Hard cover, covered spiral binding and premium stock paper make this a volume so beautifully printed and bound and containing so much valuable information that you will treasure it for years to come!•
Author: Booki Nova
Publisher: Independently Published
ISBN: 9781091436992
Category : Music
Languages : en
Pages : 112
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Book Description
This handy 6" x 9" lined notebook is A great inexpensive gift idea for any occasion.it makes a great birthday, Thanksgiving, Christmas or couple anniversary Gift For Guitar lovers 6X9 inch, 110 pages, lightly lined, matte softcover
Author: EDventure Learning
Publisher:
ISBN: 9781648240058
Category :
Languages : en
Pages :
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Book Description
Author: Joel Harrison
Publisher: MIT Press
ISBN: 1949597148
Category : Music
Languages : en
Pages : 446
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Book Description
Secrets of master guitarists, revealed in conversation. Guitar Talk offers interviews with many of the most creative guitarists of our time. This new book presents these conversations, between Joel Harrison and Nels Cline, Pat Metheny, Fred Frith, Bill Frisell, Julian Lage, Elliott Sharp, Michael Gregory Jackson, Ben Monder, Anthony Pirog, Henry Kaiser, Mike and Leni Stern, Vernon Reid, Mary Halvorson, Nguyên Le, Rez Abbasi, Ava Mendoza, Liberty Ellman, Brandon Ross, Wayne Krantz, Dave Fiuczynski, Wolfgang Muthspiel, Miles Okazaki, Sheryl Bailey, Rafiq Bhatia, and Ralph Towner—twenty-seven great guitarists in all. An enormous range of approaches and sounds exist in the modern guitar. The instrument can howl, scrape, scratch, scream, sing, pluck, and soothe. What stands out in this book is not so much the instrument itself, rather the wonderful and idiosyncratic personalities of these bold souls, their sometimes wild, often zigzagging, and ultimately profound journeys toward beauty, meaning, and excellence in their work. We find out that jazz icon Bill Frisell won a high school band contest playing R&B tunes, beating out future members of Earth Wind and Fire. We learn which of Nels Cline's compositions he wishes to have played at his funeral. Michael Gregory Jackson recounts painful episodes of racism as he stretched between the chasm of avant jazz, rock, and blues in the 1980s. Many more revelations, amusements, and philosophies abound.
Author: Jeffrey Noonan
Publisher: A-R Editions, Inc.
ISBN: 9780895796448
Category : Music
Languages : en
Pages : 344
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Book Description
In the early years of the twentieth century, O.G. Sonneck, the father of American musicology, decried the state of musical bibliography in this country, encouraging musical scholars to dedicate themselves to preserving, cataloging, and promoting the use of America’s musical ephemera, especially newspapers and magazines. Despite his century-old calls, much work in this area remains undone. This volume responds to Sonneck’s call for action by creating a bibliography of periodicals that document the use and place of the guitar in a little-known segment of America’s musical culture in the final decades of the nineteenth century through the first third of the twentieth century. Between 1880 and the mid-1930s, a unique musical movement grew and flourished in this country. Focused on the promotion of so-called “plectral instruments,” this movement promoted the banjo, the mandolin, and the guitar as cultivated instruments on a par with the classical violin or piano. The Banjo, Mandolin and Guitar (BMG) community consisted of instrument manufacturers, music publishers, professional teachers and composers, and amateur students. While some professional soloists achieved national recognition, the performing focus of the movement was ensemble work, with bands of banjos, mandolins and guitars ranging from quartets and quintets (modeled on the violin-family string ensembles) to festival orchestras of up to 400 players (mimicking the late romantic symphony orchestra). The repertoire of most ensembles included popular dances of the day as well as light classics, but more ambitious ensembles tackled Mozart, Haydn, Beethoven, and even Wagner. Although this movement straddled both popular and cultivated (classical) music-making, its elitist pretensions contributed to its demise in the wake of the explosive growth of modern American popular music linked to Tin Pan Alley or the blues. While the movement’s heyday spanned the early years of audio recording, only a handful of active BMG performers made recordings. As a result few musical scholars are aware of the BMG movement and its contribution to American musical culture, especially its influence on the physical and technical development of America’s instrument, the guitar The movement did, however, leave extensive traces of itself in periodicals produced by manufacturing and publishing concerns. Beginning in 1882, the leadership of the BMG movement fell to the publishers, editors, and contributors from these promotional journals, which were dedicated to the “interests of Banjoists, Mandolinists and Guitarists” While advertising dominated the pages of most of these periodicals, nearly all offered product and publication reviews, historical surveys, biographical sketches, and technical advice. In addition, the BMG magazines not only documented performances with reviews and program lists but also contained musical scores for solo instruments and plucked-string ensembles. These magazines are the primary sources which document this vibrant expression of America’s musical life. While one or two of the BMG magazines have been known by guitar scholars, most have not seen the light of day in decades. Similarly, a few of the leading guitar figures of the BMG movement—principally William Foden, Vahdah Olcott-Bickford, and George C. Krick—have been acknowledged and documented but many more remain completely anonymous. This bibliography offers access to the periodicals which help document the story of the guitar in America’s progressive era—a story of tradition and transformation—as lived and told by the guitar’s players, teachers, manufacturers, composers, and fans in the BMG movement. The bibliography consists of two large sections. The first contains a chronological list of articles, news items, advertisements, illustrations, and photographs as well as a list of musical works for guitar published in the BMG magazines. The second section of the bibliography is a series of indices which link names and subjects to the lists. With nearly 5500 entries and over 100 pages of indices, this bibliography offers researchers access to a musical world that has been locked away on library shelves for the past century.
Author: RICARDO IZNAOLA
Publisher: Mel Bay Publications
ISBN: 1619115360
Category : Music
Languages : en
Pages : 170
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Book Description
Ricardo Iznaola's long-awaited Summa Kitharologica (vol. 1) is the culmination of three decades of deep exploration of the guitarist's playing mechanism and is the most comprehensive presentation of his thinking about these matters to date. Structured in three chapters, Chapter 1 surveys basic anatomy and physiology of the upper limb, with additional sections discussing general pedagogical considerations. Chapter 2, devoted to the right hand, presents detailed information regarding digital joint behavior in general and as applied in actualactivity on the guitar, as well as introducing an analytical system to study anddescribe positional attitudes, or `frames', adopted by the hand in the course ofplaying. Chapter 3 discusses at length left-hand physiomechanics, taking the concepts of shifting and mobility as fundamental categories encompassing all aspects of left-hand technique. Twenty-six anatomical figures, over fifty photosand more than sixty musical examples, with access to online video amply illustrate the text. In the spirit of ground-breaking scientific pioneers, celebrated performer and pedagogue Ricardo Iznaola offers the guitar world the first volume of SummaKitharologica, a comprehensive and highly insightful examination of guitar technique in a remarkable mixture of soaring erudition and down-to-earth practical and applicable approaches to the instrument. Like a modern-day Charles Darwin of the guitar, his insatiable passion for discovery, keen eye of the `naturalist' and relentless analytical mind have carefully and methodically recorded previously little-known or little-recognized observations, relationships and nuances about the natural principles at work in artful guitar playing. For guitar instructors, serious students and even advanced performers who desire to go beyond the `what' ofguitar technique and delve into its `whys' and `hows', this may well be thedefinitive text. Henry Adams, former editor, Guitar and Lute Magazine
