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Author: Nikki A. Greene
Publisher: Duke University Press
ISBN: 1478059559
Category : Art
Languages : en
Pages : 220
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Book Description
In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of Renée Stout, Radcliffe Bailey, and María Magdalena Campos-Pons, Greene traces the intersection of the visual’s sonic possibilities with the Black body’s physical, representational, and metaphorical use in art. She employs her concept of “visual aesthetic musicality” to interpret Black visual art by examining the musical genres of jazz and rap along with the often-overlooked innovations of funk and rumba within art historiography. From Bailey’s use of multilayered surfaces of glitter, mud, and recycled materials to meditate on Sun Ra’s Afrofuturism to Stout’s life-sized cast of her own body that recalls funk musician Betty Davis to Campos-Pons’s performative and sculptural references to sugar that resonate with the legacy of Celia Cruz, Greene outlines how these artists use mediums such as molded glass sculptures, viscous wet plaster, and dazzling manikin heads to enhance the manifestations of Black identity. By foregrounding the sonic elements of their work, Greene demonstrates that these artists use sound to make themselves legible, recognizable, and audible.
Author: Nikki A. Greene
Publisher: Duke University Press
ISBN: 1478059559
Category : Art
Languages : en
Pages : 220
Get Book Here
Book Description
In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of Renée Stout, Radcliffe Bailey, and María Magdalena Campos-Pons, Greene traces the intersection of the visual’s sonic possibilities with the Black body’s physical, representational, and metaphorical use in art. She employs her concept of “visual aesthetic musicality” to interpret Black visual art by examining the musical genres of jazz and rap along with the often-overlooked innovations of funk and rumba within art historiography. From Bailey’s use of multilayered surfaces of glitter, mud, and recycled materials to meditate on Sun Ra’s Afrofuturism to Stout’s life-sized cast of her own body that recalls funk musician Betty Davis to Campos-Pons’s performative and sculptural references to sugar that resonate with the legacy of Celia Cruz, Greene outlines how these artists use mediums such as molded glass sculptures, viscous wet plaster, and dazzling manikin heads to enhance the manifestations of Black identity. By foregrounding the sonic elements of their work, Greene demonstrates that these artists use sound to make themselves legible, recognizable, and audible.
Author: Erica E. Hirshler
Publisher: Yale University Press
ISBN: 0300249861
Category : Art
Languages : en
Pages : 257
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Book Description
In 1916, John Singer Sargent (1856-1925) met Thomas Eugene McKeller (1890-1962) a young African American elevator attendant at Boston's Hotel Vendome. McKeller became the principal model for Sargent's murals in the new wing of the Boston's Museum of Fine Arts, among the painter's most ambitious works. Sargent's nude studies and sketches from this project attest to a close collaboration between the two men that unfolded over nearly ten years. Featuring drawings given by Sargent to Isabella Stewart Gardner and published in full for the first time, a portrait of McKeller, and archival materials reconstructing his life and relationship with Sargent, this book opens new avenues into artist-model relationships and transforms our understanding of Sargent's iconic American paintings. Essays offer the first biography of Thomas McKeller and a window into African America life in early 20th century Roxbury. They address the artist's sexuality, his models, and consider questions of race and gender.
Author: Sheila Barker
Publisher: Illuminating Women Artists
ISBN: 9781848224544
Category : Women painters
Languages : en
Pages : 0
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Book Description
Examined through the lens of cutting-edge scholarship, Artemisia Gentileschi clears a pathway for non-specialist audiences to appreciate the artist's pictorial intelligence, as well as her achievement of a remarkably lucrative and high-profile career. Bringing to light recent archival discoveries and newly attributed paintings, this book ......
Author: Tristan Manco
Publisher: National Geographic Books
ISBN: 0500239223
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
Brilliantly innovative artists revolutionizing traditional approaches to art through an exaggerated use of scale Scale is being taken to new extremes in art: from Luke Jerram’s microbiological clear-glass sculptures and Klari Reis’s petri dish paintings, to Lilian Bourgeat’s oversized furniture and stemware and Janet Echelman’s 230-foot-long aerial sculpture that was installed over the Amstel River in Amsterdam. Art lovers are forced to examine these massive or tiny works through a new perspective. Featured here are forty-five cutting-edge artists from around the world who are revolutionizing our approach to scale in art, using crafted or found objects, unusual materials, texture, color, and patina to create a sense of wonder in which we think afresh about function, appearance, beauty, and aesthetics. The book is divided into two sections: Big Art and Small Art. The artists showcased are innovative in their choice of materials, which include plastic bags (Pascale Marthine Tayou) crayons and pencils (Diem Chau), leaves (Lorenzo Manuel Durán), inflatables (Choi Jeong Hwa),and digital media (Yang Yongliang). Stylishly designed and highly accessible, this is the first book to bring together in one volume the very best examples of big and small art of the twenty-first century.
Author: David E. Cooper
Publisher: John Wiley & Sons
ISBN: 1119116805
Category : Philosophy
Languages : en
Pages : 372
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Book Description
The newly expanded and revised edition of Cooper’s popular anthology featuring classic writings on aesthetics, both historical and contemporary The second edition of this bestselling anthology collects essays of canonical significance in aesthetics and the philosophy of art, featuring a wide range of topics from the nature of beauty and the criteria for aesthetic judgement to the value of art and the appreciation of nature. Includes texts by classical philosophers like Plato and Kant alongside essays from art critics like Clive Bell, with new readings from Leonardo da Vinci, Oscar Wilde, Walter Pater, Ronald W. Hepburn, and Arthur C. Danto among others Intersperses philosophical scholarship with diverse contributions from artists, poets, novelists, and critics Broadens the scope of aesthetics beyond the Western tradition, including important texts by Asian philosophers from Mo Tzu to Tanizaki Includes a fully-updated introduction to the discipline written by the editor, as well as prefaces to each text and chapter-specific lists of further reading
Author: Diane V. Silverthorne
Publisher: Bloomsbury Publishing USA
ISBN: 1501376527
Category : Art
Languages : en
Pages : 305
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Book Description
Opening with an account of print portraiture facilitating Franz Liszt's celebrity status and concluding with Riot Grrrl's noisy politics of feminism and performance, this interdisciplinary anthology charts the interaction between music and the visual arts from late Romanticism through to the birth of modernism and emergence of postmodernism, while crossing from Western art to the Middle East. Focusing on music as a central experience of art and life, the essays in this volume scrutinize the musicalization of art focusing on the visual and performing arts and detailing significant instances of intra-art relations between c. 1840 and the present day. Essays reflect on the aesthetic relationships of music to painting, performance and installation, sound-and-silence and time-and-space. The insistent influence of Wagner is considered as well as the work and ideas of Manet, Satie and Cage, Thomas Wilfred, La Monte Young and Eliasson. What distinguishes these studies are the convictions that music is never alone and that a full understanding of the “isms” of the last two hundred years is best achieved when music's influential presence in the visual arts is acknowledged and interrogated.
Author: Marie-Pierre Salé
Publisher: National Geographic Books
ISBN: 0789213737
Category : Art
Languages : en
Pages : 0
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Book Description
A comprehensive and beautifully illustrated history of watercolor, printed on a special paper stock As an artistic medium, watercolor is so widely practiced, and so widely beloved, that it can be startling to reflect on its humble origins. For hundreds of years, nevertheless, watercolor labored in the shadow of oil painting; it was dismissed as a mere tool for creating preparatory studies, or as a “feminine” pastime. But, from the Renaissance, there have been artists who recognized the unique potential of watercolor: its luminosity, its immediacy, its ability to create atmosphere—qualities that derive directly from the quick-drying, translucent nature of water-based pigments. In this landmark volume, Louvre curator Marie-Pierre Salé tells the story of how these pioneering practitioners unlocked the aesthetic power of watercolor and established it as a medium in its own right. Salé’s incisive text takes us from medieval scriptoria to the studios of the early twentieth-century modernists, encompassing every type of work—from plein-air sketches to finished studio pieces—and a wide variety of artists. Here are Dürer’s exquisitely detailed animal studies, Turner’s atmospheric landscapes, Cézanne’s tireless explorations of the visible, Sargent’s light-dappled sketches, O’Keeffe’s trailblazing abstractions. Throughout Salé draws on the personal and professional writings of artists and critics, revealing the rich dialogues that have propelled the development of watercolor, as well as the social institutions that have supported it, such as the nineteenth-century watercolor societies. A valuable appendix, also based in primary sources, traces the technical development of the medium. Watercolor: A History features more than three hundred full-color illustrations, specially printed on Munken paper to capture the vibrancy and texture of the original works. It is sure to be welcomed by artists, scholars, and art lovers alike.
Author: Sarah Louise Cowan
Publisher: Yale University Press
ISBN: 0300264291
Category : Art
Languages : en
Pages : 284
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Book Description
Exploring the art and life of this important American artist whose work bridged the gaps between abstraction, feminism, and Blackness Howardena Pindell: Reclaiming Abstraction is a fascinating examination of the multifaceted career of artist, activist, curator, and writer Howardena Pindell (b. 1943). It offers a fresh perspective on her abstract practice from the late 1960s through the early 1980s--a period in which debates about Black Power, feminism, and modernist abstraction intersected in uniquely contentious yet generative ways. Sarah Louise Cowan not only asserts Pindell's rightful place within the canon but also recenters dominant historical narratives to reveal the profound and overlooked roles that Black women artists have played in shaping modernist abstraction. Pindell's career acts as a springboard for a broader study of how artists have responded during periods of heightened social activism and used abstraction to convey political urgency. With works that drew on Ghanaian textiles, administrative labor, cosmetics, and postminimalism, Pindell deployed abstraction in deeply personal ways that resonated with collective African diasporic and women's practices. In her groundbreaking analysis, Cowan argues that such work advanced Black feminist modernisms, diverse creative practices that unsettle racist and sexist logics.
Author: Dan Hancox
Publisher: HarperCollins UK
ISBN: 0008257140
Category : Music
Languages : en
Pages : 336
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Book Description
A GUARDIAN, OBSERVER, PITCHFORK, NPR, METRO AND HERALD SCOTLAND BEST MUSIC BOOK OF 2018 ‘The definitive grime biography’ NME ’A landmark genre history’ Pitchfork
Author: Hilton Als
Publisher: David Zwirner Books
ISBN: 1941701604
Category : Art
Languages : en
Pages : 145
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Book Description
Known for her portraits of family, friends, writers, poets, artists, students, singers, salesmen, activists, and more, Alice Neel created forthright, intimate, and, at times, humorous paintings that quietly engaged with political and social issues. In Alice Neel, Uptown, writer and curator Hilton Als brings together a body of paintings and works on paper of African-Americans, Latinos, Asians, and other people of color for the first time. Highlighting the innate diversity of Neel’s approach, the selection looks at those whose portraits are often left out of the art-historical canon and how this extraordinary painter captured them; “what fascinated her was the breadth of humanity that she encountered,” Als writes. The publication, which opens with a foreword by Jeremy Lewison, advisor to The Estate of Alice Neel, explores Neel’s interest in the diversity of uptown New York and the variety of people amongst whom she lived. This group of portraits includes well-known figures such as playwright, actress, and author Alice Childress; the sociologist Horace R. Cayton, Jr.; the community activist Mercedes Arroyo; and the widely published academic Harold Cruse; alongside more anonymous individuals of a nurse, a ballet dancer, a taxi driver, a businessman, and a local kid who ran errands for Neel. In short and illuminating texts on specific works written in his characteristic narrative style, Als writes about the history of each sitter and offers insights into Neel and her work, while adding his own perspective. A contemporary and personal approach to the artist’s oeuvre, Als’s project is “an attempt to honor not only what Neel saw, but the generosity of her seeing.” This catalogue is published on the occasion of the 2017 exhibitions of Neel’s paintings and drawings at David Zwirner, New York, and Victoria Miro, London.
