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Author: Heinrich Heine
Publisher:
ISBN:
Category : German poetry
Languages : en
Pages : 192
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Book Description
Author: Heinrich Heine
Publisher:
ISBN:
Category : German poetry
Languages : en
Pages : 192
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Book Description
Author: Heinrich Heine
Publisher: Mondial
ISBN: 1595690719
Category : Fiction
Languages : en
Pages : 138
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Book Description
This historic bilingual edition presents Heine's German text in a version dating from 1887 and a translation by Edgar Alfred Bowring from the same year. The original work, published in 1844, was banned in Prussia and the stock confiscated.
Author: Heinrich Heine
Publisher:
ISBN:
Category :
Languages : en
Pages : 262
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Book Description
Author: Heinrich Heine
Publisher:
ISBN:
Category :
Languages : en
Pages : 156
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Book Description
Author: Heinrich Heine
Publisher:
ISBN: 9780946162581
Category : Germany
Languages : en
Pages : 0
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Book Description
In 1843 Heine returned from exile to journey through the homeland he hadn't seen for years. This verse satire was the result. [A] sparkling new translation--TLS. [A] superb translation--The Cambridge Review. Exceptionally successful in catching
Author: Heinrich Heine
Publisher: Yogh & Thorn Press
ISBN: 9780922558865
Category :
Languages : en
Pages : 224
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Book Description
Author: Susanne Kaufmann
Publisher: GRIN Verlag
ISBN: 3638771784
Category : Language Arts & Disciplines
Languages : en
Pages : 41
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Book Description
Seminar paper from the year 2000 in the subject German Studies - Modern German Literature, grade: A-, University of Connecticut (German), language: English, abstract: Texts do not come out of the blue. This could be the motto of those literary theorists that apply the method of the "new historicism", a procedure for interpreting texts that has become popular in the 1980s. New historicism aims at revealing power relations that are reflected but hidden in texts. Alll texts are considered products of specific historical conditions and therefore imbued with cultural, social and political elements. Such a complex dialogue between text and history can be clearly seen in Deutschland. A Winter's Tale by Heinrich Heine. His motto, when he was writing the travel story in 1844, could have been: dreams do not come out of the blue either. One may wonder why the four dreams, which make up a comparatively small part of the whole text, are of such importance. From the point of view of a new historicist, however, all texts sorts should be regarded equal and inter-dependent. Accepting the historicity of all texts, new historicists work with sources from a variety of disciplines and discourses for the analysis of a piece of literature. Furthermore, this approach even justifies an application of discourses that have come into existence before or after the work in question - as long as they can contribute to its interpretation and evaluation. For the interpretation of the dreams in Heine's Deutschland. A Winter's Tale I will make use of this methodological advantage and apply various sources that range from ancient times up to the 20th century.
Author:
Publisher: Bloomsbury Publishing
ISBN: 1474269486
Category : History
Languages : en
Pages : 408
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Book Description
John Breuilly brings together a distinguished group of international scholars to examine Germany's history from 1780 to 1918, featuring chapters on economic, demographic and social as well as cultural and intellectual history. There are also chapters on political and military history covering the revolutionary and Napoleonic wars, the post-Napoleonic period, the revolutions of 1848-1849, the unification of Germany, Bismarckian Germany and Wilhelmine Germany, and Germany during the First World War. This new edition, which retains the helpful further reading suggestions for each chapter and a chronology, has been completely updated to take account of recent historiography. The statistical data has been expanded, more maps and images have been introduced, and there are two new chapters on transnational approaches and gender history. Finally, the editor has added a conclusion which reflects on the key developments in the history of Germany over the “long nineteenth century”. Providing clear surveys of the central events and developments and addressing major debates amongst historians, Nineteenth-Century Germany is vital reading for all those wishing to understand this crucial period in modern German history.
Author: B. Venkat Mani
Publisher: Fordham Univ Press
ISBN: 0823273423
Category : Social Science
Languages : en
Pages : 360
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Book Description
Winner, 2018 Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and Literatures, Modern Language Association Winner, 2018 German Studies Association DAAD Book Prize in Germanistik and Cultural Studies. From the current vantage point of the transformation of books and libraries, B. Venkat Mani presents a historical account of world literature. By locating translation, publication, and circulation along routes of “bibliomigrancy”—the physical and virtual movement of books—Mani narrates how world literature is coded and recoded as literary works find new homes on faraway bookshelves. Mani argues that the proliferation of world literature in a society is the function of a nation’s relationship with print culture—a Faustian pact with books. Moving from early Orientalist collections, to the Nazi magazine Weltliteratur, to the European Digital Library, Mani reveals the political foundations for a history of world literature that is at once a philosophical ideal, a process of exchange, a mode of reading, and a system of classification. Shifting current scholarship’s focus from the academic to the general reader, from the university to the public sphere, Recoding World Literature argues that world literature is culturally determined, historically conditioned, and politically charged.
Author: Peter Chametzky
Publisher: Univ of California Press
ISBN: 0520260422
Category : Art
Languages : en
Pages : 299
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Book Description
This book provides an overview of twentieth-century German art, focusing on some of the period's key works. In Peter Chametzky's innovative approach, these works become representatives rather than representations of twentieth-century history. Chametzky draws on both scholarly and popular sources to demonstrate how the works (and in some cases, the artists themselves) interacted with, and even enacted, historical events, processes, and ideas.--[book jacket].
