Author: Stanton J. Linden
Publisher: Cambridge University Press
ISBN: 9780521796620
Category : History
Languages : en
Pages : 292
Book Description
Table of contents
The Alchemy Reader
Author: Stanton J. Linden
Publisher: Cambridge University Press
ISBN: 9780521796620
Category : History
Languages : en
Pages : 292
Book Description
Table of contents
Publisher: Cambridge University Press
ISBN: 9780521796620
Category : History
Languages : en
Pages : 292
Book Description
Table of contents
George Ripley's Compound of Alchymy (1591)
Author: George Ripley
Publisher: Routledge
ISBN: 9780754601050
Category : Alchemy
Languages : en
Pages : 0
Book Description
Biographical details for George Ripley (c.1415-c.1490), one of England's best-known alchemical authorities, are sketchy, but he is known to have travelled widely on the Continent in search of alchemical wisdom. Whilst a canon regular at the Augustinian priory at Bridlington in Yorkshire, he conducted alchemical experiments and wrote widely on the subject. Ripley's popular alchemical poem, The Compound of Alchemy, has survived in many manuscript versions, was first printed in 1591 with a dedication to Queen Elizabeth, and prompted many explications and commentaries during the two centuries following Ripley's death. Originally dedicated by Ripley to King Edward IV, the poem figures the King as a kind of alchemical aspirant who, having received instructions from Ripley, his alchemical master, is enabled to glimpse the arcane secrets of the art. The Compound of Alchemy is not only a treatise concerning mastery of the twelve stages of the alchemical process leading to the philosopher's stone, it is also a work of poetry composed in rhyme royal stanzas.This modern critical edition is based on the full text of the 1591 printed edition and is preceded by an introduction containing a chronology of Ripley's life, a survey of manuscripts, an analysis of the 1591 printed edition and its cultural context, and an examination of the ways in which Ripley's aims and objectives are closely linked to the work's verse format. The edition also contains a commentary, bibliography, index, and illustrations.
Publisher: Routledge
ISBN: 9780754601050
Category : Alchemy
Languages : en
Pages : 0
Book Description
Biographical details for George Ripley (c.1415-c.1490), one of England's best-known alchemical authorities, are sketchy, but he is known to have travelled widely on the Continent in search of alchemical wisdom. Whilst a canon regular at the Augustinian priory at Bridlington in Yorkshire, he conducted alchemical experiments and wrote widely on the subject. Ripley's popular alchemical poem, The Compound of Alchemy, has survived in many manuscript versions, was first printed in 1591 with a dedication to Queen Elizabeth, and prompted many explications and commentaries during the two centuries following Ripley's death. Originally dedicated by Ripley to King Edward IV, the poem figures the King as a kind of alchemical aspirant who, having received instructions from Ripley, his alchemical master, is enabled to glimpse the arcane secrets of the art. The Compound of Alchemy is not only a treatise concerning mastery of the twelve stages of the alchemical process leading to the philosopher's stone, it is also a work of poetry composed in rhyme royal stanzas.This modern critical edition is based on the full text of the 1591 printed edition and is preceded by an introduction containing a chronology of Ripley's life, a survey of manuscripts, an analysis of the 1591 printed edition and its cultural context, and an examination of the ways in which Ripley's aims and objectives are closely linked to the work's verse format. The edition also contains a commentary, bibliography, index, and illustrations.
The Compound of Alchemy
Author: Sir George Sir George Ripley
Publisher: Createspace Independent Publishing Platform
ISBN: 9781987523096
Category :
Languages : en
Pages : 84
Book Description
The Ancient Hidden Art of Alchemie, Containing the right and perfect means To make the Philosophers Stone Aurum Potabile, with other Excellent Experiments, Divided lnto Twelve Gates. Sir George Ripley (c. 1415-1490) was an English Augustinian canon, author, and alchemist.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781987523096
Category :
Languages : en
Pages : 84
Book Description
The Ancient Hidden Art of Alchemie, Containing the right and perfect means To make the Philosophers Stone Aurum Potabile, with other Excellent Experiments, Divided lnto Twelve Gates. Sir George Ripley (c. 1415-1490) was an English Augustinian canon, author, and alchemist.
Alchemy, Paracelsianism, and Shakespeare’s The Winter’s Tale
Author: Martina Zamparo
Publisher: Springer Nature
ISBN: 303105167X
Category : Literary Criticism
Languages : en
Pages : 388
Book Description
This book explores the role of alchemy, Paracelsianism, and Hermetic philosophy in one of Shakespeare’s last plays, The Winter’s Tale. A perusal of the vast literary and iconographic repertory of Renaissance alchemy reveals that this late play is imbued with several topoi, myths, and emblematic symbols coming from coeval alchemical, Paracelsian, and Hermetic sources. It also discusses the alchemical significance of water and time in the play’s circular and regenerative pattern and the healing role of women. All the major symbols of alchemy are present in Shakespeare’s play: the intertwined serpents of the caduceus, the chemical wedding, the filius philosophorum, and the so-called rex chymicus. This book also provides an in-depth survey of late Renaissance alchemy, Paracelsian medicine, and Hermetic culture in the Elizabethan and Jacobean ages. Importantly, it contends that The Winter’s Tale, in symbolically retracing the healing pattern of the rota alchemica and in emphasising the Hermetic principles of unity and concord, glorifies King James’s conciliatory attitude.
Publisher: Springer Nature
ISBN: 303105167X
Category : Literary Criticism
Languages : en
Pages : 388
Book Description
This book explores the role of alchemy, Paracelsianism, and Hermetic philosophy in one of Shakespeare’s last plays, The Winter’s Tale. A perusal of the vast literary and iconographic repertory of Renaissance alchemy reveals that this late play is imbued with several topoi, myths, and emblematic symbols coming from coeval alchemical, Paracelsian, and Hermetic sources. It also discusses the alchemical significance of water and time in the play’s circular and regenerative pattern and the healing role of women. All the major symbols of alchemy are present in Shakespeare’s play: the intertwined serpents of the caduceus, the chemical wedding, the filius philosophorum, and the so-called rex chymicus. This book also provides an in-depth survey of late Renaissance alchemy, Paracelsian medicine, and Hermetic culture in the Elizabethan and Jacobean ages. Importantly, it contends that The Winter’s Tale, in symbolically retracing the healing pattern of the rota alchemica and in emphasising the Hermetic principles of unity and concord, glorifies King James’s conciliatory attitude.
The Experimental Fire
Author: Jennifer M. Rampling
Publisher: University of Chicago Press
ISBN: 0226826546
Category : History
Languages : en
Pages : 427
Book Description
A 400-year history of the development of alchemy in England that brings to light the evolution of the practice. In medieval and early modern Europe, the practice of alchemy promised extraordinary physical transformations. Who would not be amazed to see base metals turned into silver and gold, hard iron into soft water, and deadly poison into elixirs that could heal the human body? To defend such claims, alchemists turned to the past, scouring ancient books for evidence of a lost alchemical heritage and seeking to translate their secret language and obscure imagery into replicable, practical effects. Tracing the development of alchemy in England over four hundred years, from the beginning of the fourteenth century to the end of the seventeenth, Jennifer M. Rampling illuminates the role of alchemical reading and experimental practice in the broader context of national and scientific history. Using new manuscript sources, she shows how practitioners like George Ripley, John Dee, and Edward Kelley, as well as many previously unknown alchemists, devised new practical approaches to alchemy while seeking the support of English monarchs. By reconstructing their alchemical ideas, practices, and disputes, Rampling reveals how English alchemy was continually reinvented over the space of four centuries, resulting in changes to the science itself. In so doing, The Experimental Fire bridges the intellectual history of chemistry and the wider worlds of early modern patronage, medicine, and science.
Publisher: University of Chicago Press
ISBN: 0226826546
Category : History
Languages : en
Pages : 427
Book Description
A 400-year history of the development of alchemy in England that brings to light the evolution of the practice. In medieval and early modern Europe, the practice of alchemy promised extraordinary physical transformations. Who would not be amazed to see base metals turned into silver and gold, hard iron into soft water, and deadly poison into elixirs that could heal the human body? To defend such claims, alchemists turned to the past, scouring ancient books for evidence of a lost alchemical heritage and seeking to translate their secret language and obscure imagery into replicable, practical effects. Tracing the development of alchemy in England over four hundred years, from the beginning of the fourteenth century to the end of the seventeenth, Jennifer M. Rampling illuminates the role of alchemical reading and experimental practice in the broader context of national and scientific history. Using new manuscript sources, she shows how practitioners like George Ripley, John Dee, and Edward Kelley, as well as many previously unknown alchemists, devised new practical approaches to alchemy while seeking the support of English monarchs. By reconstructing their alchemical ideas, practices, and disputes, Rampling reveals how English alchemy was continually reinvented over the space of four centuries, resulting in changes to the science itself. In so doing, The Experimental Fire bridges the intellectual history of chemistry and the wider worlds of early modern patronage, medicine, and science.
Literatures of Alchemy in Medieval and Early Modern England
Author: Eoin Bentick
Publisher: Boydell & Brewer
ISBN: 1843846446
Category :
Languages : en
Pages : 224
Book Description
Explores the myriad ways in which alchemy was conceptualised by adepts and sceptics alike, from those with recourse to a fully functioning laboratory to those who did not know their pelican from their athanor!
Publisher: Boydell & Brewer
ISBN: 1843846446
Category :
Languages : en
Pages : 224
Book Description
Explores the myriad ways in which alchemy was conceptualised by adepts and sceptics alike, from those with recourse to a fully functioning laboratory to those who did not know their pelican from their athanor!
George Ripley's Compound of Alchymy (1591).
Author: STANTON J. LINDEN
Publisher:
ISBN: 9781138635494
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781138635494
Category :
Languages : en
Pages :
Book Description
What Painting Is
Author: James Elkins
Publisher: Routledge
ISBN: 0429843518
Category : Art
Languages : en
Pages : 285
Book Description
In this classic text, James Elkins communicates the experience of painting beyond the traditional vocabulary of art history. Alchemy provides a strange language to explore what it is a painter really does in the studio—the smells, the mess, the struggle to control the uncontrollable, the special knowledge only painters hold of how colors will mix, and how they will look. Written from the perspective of a painter-turned-art historian, this anniversary edition includes a new introduction and preface by Elkins in which he further reflects on the experience of painting and its role in the study of art today.
Publisher: Routledge
ISBN: 0429843518
Category : Art
Languages : en
Pages : 285
Book Description
In this classic text, James Elkins communicates the experience of painting beyond the traditional vocabulary of art history. Alchemy provides a strange language to explore what it is a painter really does in the studio—the smells, the mess, the struggle to control the uncontrollable, the special knowledge only painters hold of how colors will mix, and how they will look. Written from the perspective of a painter-turned-art historian, this anniversary edition includes a new introduction and preface by Elkins in which he further reflects on the experience of painting and its role in the study of art today.
John Dee: The World of the Elizabethan Magus
Author: Peter J. French
Publisher: Routledge
ISBN: 1134572271
Category : Philosophy
Languages : en
Pages : 273
Book Description
First published in 1987. John Dee was Renaissance England's first Hermetic magus, a philosopher magician. He was also a respected practical scientist, an immensely learned man who investigated all areas of knowledge. In this fine biography, Peter French shows that not only magic and science, but geography, antiquarianism, theology and the fine arts were fields in which Dee was deeply involved. Through his teaching, writing and friendships with many of the most important figures of the age, Dee was at the centre of great affairs and had a profound influence on major developments in sixteenth-century England. Peter French places this extraordinary individual within his proper historical context, describing the whole world of Renaissance science, Platonism and Hermetic magic.
Publisher: Routledge
ISBN: 1134572271
Category : Philosophy
Languages : en
Pages : 273
Book Description
First published in 1987. John Dee was Renaissance England's first Hermetic magus, a philosopher magician. He was also a respected practical scientist, an immensely learned man who investigated all areas of knowledge. In this fine biography, Peter French shows that not only magic and science, but geography, antiquarianism, theology and the fine arts were fields in which Dee was deeply involved. Through his teaching, writing and friendships with many of the most important figures of the age, Dee was at the centre of great affairs and had a profound influence on major developments in sixteenth-century England. Peter French places this extraordinary individual within his proper historical context, describing the whole world of Renaissance science, Platonism and Hermetic magic.
The Nature of Hate and the Hatred of Nature in Hispanic Literatures
Author: Beatriz Rivera-Barnes
Publisher: Rowman & Littlefield
ISBN: 1498596495
Category : Literary Criticism
Languages : en
Pages : 243
Book Description
The Nature of Hate and the Hatred of Nature in Hispanic Literatures retraces the “nature of hatred” and the “hatred of nature” from the earliest traditions of Western literature including Biblical texts, Medieval Spanish literature, early Spanish Renaissance texts, to nineteenth- and twentieth-century Iberian and Latin American literatures. The nature of hate is neither hate in its weakened form, as in disliking or loving less, nor hate in its righteous form, as in “I hate hatred,” rather hate in its primal form as told and conveyed in so many culturally influential Bible stories that are at the root of hatred as it manifests itself today. The hatred of nature is not only contempt for the natural world, but also the idea of nature hating in return, thus inspiring even more hatred of nature. While some chapters, such as the one dedicated to La Celestina, focus more on the nature of hate and the hatred of love, they do address the hatred of nature, as when Celestina conjures Pluto, who happens to be closer to nature than to Satan. Other chapters, such as the ones dedicated to the Latin American novels set in the jungle, focus more on the hatred of nature but ultimately turn to the nature of hatred by analyzing hatred and the descent into madness. In the final chapters Beatriz Rivera-Barnes simultaneously addresses the nature of hatred and the hatred of nature as well as the ecophilia/ecophobia debate in twentieth-century Latin American literatures and considers, if not an assimilation of hate, possibly the cannibalizing of hate.
Publisher: Rowman & Littlefield
ISBN: 1498596495
Category : Literary Criticism
Languages : en
Pages : 243
Book Description
The Nature of Hate and the Hatred of Nature in Hispanic Literatures retraces the “nature of hatred” and the “hatred of nature” from the earliest traditions of Western literature including Biblical texts, Medieval Spanish literature, early Spanish Renaissance texts, to nineteenth- and twentieth-century Iberian and Latin American literatures. The nature of hate is neither hate in its weakened form, as in disliking or loving less, nor hate in its righteous form, as in “I hate hatred,” rather hate in its primal form as told and conveyed in so many culturally influential Bible stories that are at the root of hatred as it manifests itself today. The hatred of nature is not only contempt for the natural world, but also the idea of nature hating in return, thus inspiring even more hatred of nature. While some chapters, such as the one dedicated to La Celestina, focus more on the nature of hate and the hatred of love, they do address the hatred of nature, as when Celestina conjures Pluto, who happens to be closer to nature than to Satan. Other chapters, such as the ones dedicated to the Latin American novels set in the jungle, focus more on the hatred of nature but ultimately turn to the nature of hatred by analyzing hatred and the descent into madness. In the final chapters Beatriz Rivera-Barnes simultaneously addresses the nature of hatred and the hatred of nature as well as the ecophilia/ecophobia debate in twentieth-century Latin American literatures and considers, if not an assimilation of hate, possibly the cannibalizing of hate.