Author: Electra Gutiérrez
Publisher:
ISBN:
Category : Decorative arts
Languages : es
Pages : 164
Book Description
El arte popular de México
Author: Electra Gutiérrez
Publisher:
ISBN:
Category : Decorative arts
Languages : es
Pages : 164
Book Description
Publisher:
ISBN:
Category : Decorative arts
Languages : es
Pages : 164
Book Description
Arthur L. Campa
Author: Arthur Leon Campa
Publisher:
ISBN:
Category : Hispanic Americans
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Hispanic Americans
Languages : en
Pages : 64
Book Description
Latin American Literature in Transition 1870–1930
Author: Fernando Degiovanni
Publisher: Cambridge University Press
ISBN: 1108981089
Category : Literary Criticism
Languages : en
Pages : 711
Book Description
Latin American Literature in Transition 1870-1930 examines how the circulation of goods, people, and ideas permeated every aspect of the continent's cultural production at the end of the nineteenth century. It analyzes the ways in which rapidly transforming technological and labour conditions contributed to forging new intellectual networks, exploring innovative forms of knowledge, and reimagining the material and immaterial worlds. This volume shows the new directions in turn-of-the-century scholarship that developed over the last two decades by investigating how the experience of capitalism produced an array of works that deal with primitive accumulation, transnational crossings, and an emerging technological and material reality in diverse geographies and a variety of cultural forms. Essays provide a novel understanding of the period as they discuss the ways in which particular commodities, intellectual networks, popular uprisings, materialities, and non-metropolitan locations redefined cultural production at a time when the place of Latin America in global affairs was significantly transformed.
Publisher: Cambridge University Press
ISBN: 1108981089
Category : Literary Criticism
Languages : en
Pages : 711
Book Description
Latin American Literature in Transition 1870-1930 examines how the circulation of goods, people, and ideas permeated every aspect of the continent's cultural production at the end of the nineteenth century. It analyzes the ways in which rapidly transforming technological and labour conditions contributed to forging new intellectual networks, exploring innovative forms of knowledge, and reimagining the material and immaterial worlds. This volume shows the new directions in turn-of-the-century scholarship that developed over the last two decades by investigating how the experience of capitalism produced an array of works that deal with primitive accumulation, transnational crossings, and an emerging technological and material reality in diverse geographies and a variety of cultural forms. Essays provide a novel understanding of the period as they discuss the ways in which particular commodities, intellectual networks, popular uprisings, materialities, and non-metropolitan locations redefined cultural production at a time when the place of Latin America in global affairs was significantly transformed.
Disoriented Disciplines
Author: Rosario Hubert
Publisher: Northwestern University Press
ISBN: 0810146576
Category : Literary Criticism
Languages : en
Pages : 314
Book Description
An urgent call to think on the edges, surfaces, and turns of the literary artifact when it crosses cultural boundaries In the absence of specialized programs of study, abstract discussions of China in Latin America took shape in contingent critical infrastructures built at the crossroads of the literary market, cultural diplomacy, and commerce. As Rosario Hubert reveals, modernism flourishes comparatively, in contexts where cultural criticism is a creative and cosmopolitan practice. Disoriented Disciplines: China, Latin America, and the Shape of World Literature understands translation as a material act of transfer, decentering the authority of the text and connecting seemingly untranslatable cultural traditions. In this book, chinoiserie, “coolie” testimonies, Maoist prints, visual poetry, and Cold War memoirs compose a massive archive of primary sources that cannot be read or deciphered with the conventional tools of literary criticism. As Hubert demonstrates, even canonical Latin American authors, including Jorge Luis Borges, Octavio Paz, and Haroldo de Campos, write about China from the edges of philology, mediating the concrete as well as the sensorial. Advocating for indiscipline as a core method of comparative literary studies, Disoriented Disciplines challenges us to interrogate the traditional contours of the archives and approaches that define the geopolitics of knowledge.
Publisher: Northwestern University Press
ISBN: 0810146576
Category : Literary Criticism
Languages : en
Pages : 314
Book Description
An urgent call to think on the edges, surfaces, and turns of the literary artifact when it crosses cultural boundaries In the absence of specialized programs of study, abstract discussions of China in Latin America took shape in contingent critical infrastructures built at the crossroads of the literary market, cultural diplomacy, and commerce. As Rosario Hubert reveals, modernism flourishes comparatively, in contexts where cultural criticism is a creative and cosmopolitan practice. Disoriented Disciplines: China, Latin America, and the Shape of World Literature understands translation as a material act of transfer, decentering the authority of the text and connecting seemingly untranslatable cultural traditions. In this book, chinoiserie, “coolie” testimonies, Maoist prints, visual poetry, and Cold War memoirs compose a massive archive of primary sources that cannot be read or deciphered with the conventional tools of literary criticism. As Hubert demonstrates, even canonical Latin American authors, including Jorge Luis Borges, Octavio Paz, and Haroldo de Campos, write about China from the edges of philology, mediating the concrete as well as the sensorial. Advocating for indiscipline as a core method of comparative literary studies, Disoriented Disciplines challenges us to interrogate the traditional contours of the archives and approaches that define the geopolitics of knowledge.
The Aztec Calendar
Author:
Publisher:
ISBN:
Category : Diplomatic and consular service, American
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : Diplomatic and consular service, American
Languages : en
Pages : 408
Book Description
Ausstellungskat
Author: James Oles
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art, American
Languages : en
Pages : 332
Book Description
"Richly illustrated with works of both high culture and commercial kitsch - many of them never before reproduced - South of the Border revisits an era when Mexico captured the North American imagination." "Between the final years of the Mexican Revolution of 1910-17 and the immediate aftermath of World War II, dozens of U.S. painters and photographers flocked to Mexico, among them Edward Weston, Paul Strand, Marsden Hartley, Helen Levitt, Josef Albers, and Robert Motherwell. South of the Border reconsiders the work of these and other American artists, along with representative works of their Mexican contemporaries and examples of the vast quantities of commercial art - illustrated books and magazines, travel posters and postcards - and Mexican folk and tourist art that contributed to Americans' image of their neighbor to the south." "Artists visiting or living in Mexico, Oles writes, were enthralled with the country's climate, pre-Columbian heritage, and folk culture. Especially during the Great Depression, not only artists but the general American public as well saw in Mexico an appealing alternative to the pressures of industrial society. Some artists, including Winold Reiss, Thomas Handforth, and Doris Rosenthal, won acclaim for their depictions of a seemingly timeless rural life in Mexican villages. Others, among them Pablo O'Higgins, Elizabeth Catlett, and Robert Mallary, fired their work with politics, bringing the movement for social reform directly to the people through large murals and popular graphics." "In a bilingual text - English and Spanish - that accompanies more than 180 illustrations, Oles describes these and many other U.S. artists drawn to Mexico, placing their work in its original political and cultural context. An accompanying essay by Karen Cordero Reiman reexamines the history of Mexican art from 1910 through 1950, providing a fresh interpretation of a period long obscured by nationalist discourse and the domination of muralism." "Published in cooperation with the Yale University Art Gallery, South of the Border includes capsule biographies and selected bibliographies for many of the artists discussed in the text."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Smithsonian Books (DC)
ISBN:
Category : Art, American
Languages : en
Pages : 332
Book Description
"Richly illustrated with works of both high culture and commercial kitsch - many of them never before reproduced - South of the Border revisits an era when Mexico captured the North American imagination." "Between the final years of the Mexican Revolution of 1910-17 and the immediate aftermath of World War II, dozens of U.S. painters and photographers flocked to Mexico, among them Edward Weston, Paul Strand, Marsden Hartley, Helen Levitt, Josef Albers, and Robert Motherwell. South of the Border reconsiders the work of these and other American artists, along with representative works of their Mexican contemporaries and examples of the vast quantities of commercial art - illustrated books and magazines, travel posters and postcards - and Mexican folk and tourist art that contributed to Americans' image of their neighbor to the south." "Artists visiting or living in Mexico, Oles writes, were enthralled with the country's climate, pre-Columbian heritage, and folk culture. Especially during the Great Depression, not only artists but the general American public as well saw in Mexico an appealing alternative to the pressures of industrial society. Some artists, including Winold Reiss, Thomas Handforth, and Doris Rosenthal, won acclaim for their depictions of a seemingly timeless rural life in Mexican villages. Others, among them Pablo O'Higgins, Elizabeth Catlett, and Robert Mallary, fired their work with politics, bringing the movement for social reform directly to the people through large murals and popular graphics." "In a bilingual text - English and Spanish - that accompanies more than 180 illustrations, Oles describes these and many other U.S. artists drawn to Mexico, placing their work in its original political and cultural context. An accompanying essay by Karen Cordero Reiman reexamines the history of Mexican art from 1910 through 1950, providing a fresh interpretation of a period long obscured by nationalist discourse and the domination of muralism." "Published in cooperation with the Yale University Art Gallery, South of the Border includes capsule biographies and selected bibliographies for many of the artists discussed in the text."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Casa Mañana
Author: Susan Danly
Publisher: UNM Press
ISBN: 9780826328052
Category : Art
Languages : en
Pages : 224
Book Description
Provides a detailed look at the political and artistic climate in Mexican-American relations through an examination of the folk art collection amassed by Dwight and Elizabeth Morrow when he was U.S. ambassador to Mexico in the late 1920s.
Publisher: UNM Press
ISBN: 9780826328052
Category : Art
Languages : en
Pages : 224
Book Description
Provides a detailed look at the political and artistic climate in Mexican-American relations through an examination of the folk art collection amassed by Dwight and Elizabeth Morrow when he was U.S. ambassador to Mexico in the late 1920s.
Zapotec Women
Author: Lynn Stephen
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 344
Book Description
"What happens when indigenous culture is packaged for sale in the United States? How does capital accumulation affect relations between men and women, local politics, kinship, and reciprocal exchanges of goods and labor? In this innovative study of several Zapotec communities in and around Oaxaca, Mexico, Lynn Stephen explores these questions, looking at how commercial weaving for export has altered the lives of women since the Mexican Revolution." "Drawing on firsthand insights gleaned during two and a half years of fieldwork, Stephen shows that the expansion of capitalism has affected Zapotec women in different ways. She demonstrates how class and ethnicity as well as gender determine women's roles and standing in the community. Individual life histories complement her data, showing how women may hold a position of importance in one area (ritual life, weaving production, or local politics), while occupying a subservient position in another. She also compares Zapotec women's participation in local politics with that of other peasant women in Mexico." "Stephen concludes that while the commercialization of Zapotec weaving has produced class differentiation - as classic economic theories predict - it has also reinforced kin-based institutions that support a strong sense of local ethnic identity. These findings offer important new insights for the fields of economic and political anthropology, Latin American and Third World studies, and women's studies."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 344
Book Description
"What happens when indigenous culture is packaged for sale in the United States? How does capital accumulation affect relations between men and women, local politics, kinship, and reciprocal exchanges of goods and labor? In this innovative study of several Zapotec communities in and around Oaxaca, Mexico, Lynn Stephen explores these questions, looking at how commercial weaving for export has altered the lives of women since the Mexican Revolution." "Drawing on firsthand insights gleaned during two and a half years of fieldwork, Stephen shows that the expansion of capitalism has affected Zapotec women in different ways. She demonstrates how class and ethnicity as well as gender determine women's roles and standing in the community. Individual life histories complement her data, showing how women may hold a position of importance in one area (ritual life, weaving production, or local politics), while occupying a subservient position in another. She also compares Zapotec women's participation in local politics with that of other peasant women in Mexico." "Stephen concludes that while the commercialization of Zapotec weaving has produced class differentiation - as classic economic theories predict - it has also reinforced kin-based institutions that support a strong sense of local ethnic identity. These findings offer important new insights for the fields of economic and political anthropology, Latin American and Third World studies, and women's studies."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
La colección Gelman
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 188
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 188
Book Description
Mexican Art of the 1970s
Author: Leonard Folgarait
Publisher:
ISBN:
Category : Art, Mexican
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category : Art, Mexican
Languages : en
Pages : 80
Book Description