Author: David F. McCandless
Publisher: Indiana University Press
ISBN: 9780253113344
Category : Performing Arts
Languages : en
Pages : 226
Book Description
"This is exactly the kind of work, with its synthesis of theory, close reading, and deconstructive performance criticism that many of us in the profession have been looking for." -- Joel B. Altman, University of California, Berkeley "McCandless's book represents an inventive and illuminating account that not only produces a theoretically activated text but also explores a range of options for staging it, turning theoretical into theatrical meanings." -- Barbara Hodgdon, Drake University "The writing is clear, snappy, wonderfully informed with a vivid and experienced theatrical imagination... a book that taught me a good deal about the problem comedies, especially from the vantage point of performance, though the insights into performance are fully and incisively integrated with, and they richly illuminate, formal, thematic, and psychological vantage points on the play." -- Richard P. Wheeler, University of Illinois Composed at a critical moment in English history, All's Well That Ends Well, Measure for Measure, and Troilus and Cressida -- Shakespeare's problem plays -- dramatize a crisis in the sex-gender system. They register a male dread of emasculation and engulfment, a fear of female authority and sexuality. In these plays males identify desire for a female as dangerous and unmanly, females contend and confound traditional femininity. David McCandless's book is a unique and invigorating example of performance criticism that illuminates these difficult, sometimes-overlooked tragicomedies. It is an original and timely contribution to Shakespearean theater scholarship.
Gender and Performance in Shakespeare's Problem Comedies
Author: David F. McCandless
Publisher: Indiana University Press
ISBN: 9780253113344
Category : Performing Arts
Languages : en
Pages : 226
Book Description
"This is exactly the kind of work, with its synthesis of theory, close reading, and deconstructive performance criticism that many of us in the profession have been looking for." -- Joel B. Altman, University of California, Berkeley "McCandless's book represents an inventive and illuminating account that not only produces a theoretically activated text but also explores a range of options for staging it, turning theoretical into theatrical meanings." -- Barbara Hodgdon, Drake University "The writing is clear, snappy, wonderfully informed with a vivid and experienced theatrical imagination... a book that taught me a good deal about the problem comedies, especially from the vantage point of performance, though the insights into performance are fully and incisively integrated with, and they richly illuminate, formal, thematic, and psychological vantage points on the play." -- Richard P. Wheeler, University of Illinois Composed at a critical moment in English history, All's Well That Ends Well, Measure for Measure, and Troilus and Cressida -- Shakespeare's problem plays -- dramatize a crisis in the sex-gender system. They register a male dread of emasculation and engulfment, a fear of female authority and sexuality. In these plays males identify desire for a female as dangerous and unmanly, females contend and confound traditional femininity. David McCandless's book is a unique and invigorating example of performance criticism that illuminates these difficult, sometimes-overlooked tragicomedies. It is an original and timely contribution to Shakespearean theater scholarship.
Publisher: Indiana University Press
ISBN: 9780253113344
Category : Performing Arts
Languages : en
Pages : 226
Book Description
"This is exactly the kind of work, with its synthesis of theory, close reading, and deconstructive performance criticism that many of us in the profession have been looking for." -- Joel B. Altman, University of California, Berkeley "McCandless's book represents an inventive and illuminating account that not only produces a theoretically activated text but also explores a range of options for staging it, turning theoretical into theatrical meanings." -- Barbara Hodgdon, Drake University "The writing is clear, snappy, wonderfully informed with a vivid and experienced theatrical imagination... a book that taught me a good deal about the problem comedies, especially from the vantage point of performance, though the insights into performance are fully and incisively integrated with, and they richly illuminate, formal, thematic, and psychological vantage points on the play." -- Richard P. Wheeler, University of Illinois Composed at a critical moment in English history, All's Well That Ends Well, Measure for Measure, and Troilus and Cressida -- Shakespeare's problem plays -- dramatize a crisis in the sex-gender system. They register a male dread of emasculation and engulfment, a fear of female authority and sexuality. In these plays males identify desire for a female as dangerous and unmanly, females contend and confound traditional femininity. David McCandless's book is a unique and invigorating example of performance criticism that illuminates these difficult, sometimes-overlooked tragicomedies. It is an original and timely contribution to Shakespearean theater scholarship.
Shakespeare's Problem Plays
Author: Simon Barker
Publisher: Bloomsbury Publishing
ISBN: 1137208902
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
This New Casebook offers a wide-ranging selection of contemporary critical readings of Shakespeare's three 'problem plays': All's Well that Ends Well, Measure for Measure and Trolius and Cressida. Together, they reflect the diversity of late twentieth-century theory and the controversy that continues to be generated by the plays, and discuss a variety of key issues. These include the meaning of the term 'problem play', the historical context and political and cultural significance of the plays, as well as issues of staging and theatre history. The volume also provides a helpful introduction which guides the reader through the critical approaches, terms and debates, as well as explanatory notes for each essay and a useful section on further reading.
Publisher: Bloomsbury Publishing
ISBN: 1137208902
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
This New Casebook offers a wide-ranging selection of contemporary critical readings of Shakespeare's three 'problem plays': All's Well that Ends Well, Measure for Measure and Trolius and Cressida. Together, they reflect the diversity of late twentieth-century theory and the controversy that continues to be generated by the plays, and discuss a variety of key issues. These include the meaning of the term 'problem play', the historical context and political and cultural significance of the plays, as well as issues of staging and theatre history. The volume also provides a helpful introduction which guides the reader through the critical approaches, terms and debates, as well as explanatory notes for each essay and a useful section on further reading.
Early Modern Tragedy, Gender and Performance, 1984-2000
Author: Roberta Barker
Publisher: Springer
ISBN: 0230597483
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Using nine recent theatrical and cinematic productions as case studies, it considers the productive contradictions and tensions that occur when contemporary actors perform the gender norms of previous cultures. It will be of interest to theatre practitioners as well as to students of early modern drama, of performance, and of gender studies.
Publisher: Springer
ISBN: 0230597483
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Using nine recent theatrical and cinematic productions as case studies, it considers the productive contradictions and tensions that occur when contemporary actors perform the gender norms of previous cultures. It will be of interest to theatre practitioners as well as to students of early modern drama, of performance, and of gender studies.
Shakespeare: Three Problem Plays
Author: Nicholas Marsh
Publisher: Bloomsbury Publishing
ISBN: 1350317950
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
Written in 1602-4, between Hamlet and the other great tragedies, Shakespeare's three Problem Plays are so called because they do not fit easily into the other groups of plays. They are awkward dramas, full of unresolved controversies, which leave audiences and readers unsettled by contradictory responses. Nicholas Marsh uses close analysis of extracts from the plays to explore how Shakespeare maintains competing discourses within a single text. In the first part of his study, Marsh highlights the multiple interpretations these plays provoke and provides useful sections on methods of analysis to encourage readers to develop their views independently. The second part of the book discusses the Problem Plays in relation to the playwright's other works, and examines their cultural and historical contexts. A comparison of five modern critical views and helpful suggestions for further reading provide a bridge to continuing study. In this essential guide to a complex set of plays, Marsh does not seek to reconcile the thorny issues these dramas leave open: rather, he equips the reader with the necessary critical tools to fashion their own synthesis.
Publisher: Bloomsbury Publishing
ISBN: 1350317950
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
Written in 1602-4, between Hamlet and the other great tragedies, Shakespeare's three Problem Plays are so called because they do not fit easily into the other groups of plays. They are awkward dramas, full of unresolved controversies, which leave audiences and readers unsettled by contradictory responses. Nicholas Marsh uses close analysis of extracts from the plays to explore how Shakespeare maintains competing discourses within a single text. In the first part of his study, Marsh highlights the multiple interpretations these plays provoke and provides useful sections on methods of analysis to encourage readers to develop their views independently. The second part of the book discusses the Problem Plays in relation to the playwright's other works, and examines their cultural and historical contexts. A comparison of five modern critical views and helpful suggestions for further reading provide a bridge to continuing study. In this essential guide to a complex set of plays, Marsh does not seek to reconcile the thorny issues these dramas leave open: rather, he equips the reader with the necessary critical tools to fashion their own synthesis.
All's Well, That Ends Well
Author: Gary Waller
Publisher: Routledge
ISBN: 1135872074
Category : Literary Criticism
Languages : en
Pages : 487
Book Description
Described as one of Shakespeare’s most intriguing plays, All’s Well That Ends Well has only recently begun to receive the critical attention it deserves. Noted as a crucial point of development in Shakespeare’s career, this collection of new essays reflects the growing interest in the play and presents a broad range of approaches to it, including historical, feminist, performative and psychoanalytical criticisms. In addition to fourteen essays written by leading scholars, the editor’s introduction provides a substantial overview of the play’s critical history, with a strong focus on performance analysis and the impact that this has had on its reception and reputation. Demonstrating a variety of approaches to the play and furthering recent debates, this book makes a valuable contribution to Shakespeare criticism.
Publisher: Routledge
ISBN: 1135872074
Category : Literary Criticism
Languages : en
Pages : 487
Book Description
Described as one of Shakespeare’s most intriguing plays, All’s Well That Ends Well has only recently begun to receive the critical attention it deserves. Noted as a crucial point of development in Shakespeare’s career, this collection of new essays reflects the growing interest in the play and presents a broad range of approaches to it, including historical, feminist, performative and psychoanalytical criticisms. In addition to fourteen essays written by leading scholars, the editor’s introduction provides a substantial overview of the play’s critical history, with a strong focus on performance analysis and the impact that this has had on its reception and reputation. Demonstrating a variety of approaches to the play and furthering recent debates, this book makes a valuable contribution to Shakespeare criticism.
Shakespeare's Comedies
Author: Emma Smith
Publisher: John Wiley & Sons
ISBN: 0470776919
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
This Guide introduces students to critical writing on Shakespeare’s comedies over the last four centuries. Guides students through four centuries of critical writing on Shakespeare’s history plays. Covers both significant early views and recent critical interventions. Substantial editorial material links the articles and places them in context. Annotated suggestions for further reading allow students to investigate further.
Publisher: John Wiley & Sons
ISBN: 0470776919
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
This Guide introduces students to critical writing on Shakespeare’s comedies over the last four centuries. Guides students through four centuries of critical writing on Shakespeare’s history plays. Covers both significant early views and recent critical interventions. Substantial editorial material links the articles and places them in context. Annotated suggestions for further reading allow students to investigate further.
Shakespeare After All
Author: Marjorie Garber
Publisher: Anchor
ISBN: 0307490815
Category : Drama
Languages : en
Pages : 1010
Book Description
A brilliant and companionable tour through all thirty-eight plays, Shakespeare After All is the perfect introduction to the bard by one of the country’s foremost authorities on his life and work. Drawing on her hugely popular lecture courses at Yale and Harvard over the past thirty years, Marjorie Garber offers passionate and revealing readings of the plays in chronological sequence, from The Two Gentlemen of Verona to The Two Noble Kinsmen. Supremely readable and engaging, and complete with a comprehensive introduction to Shakespeare’s life and times and an extensive bibliography, this magisterial work is an ever-replenishing fount of insight on the most celebrated writer of all time.
Publisher: Anchor
ISBN: 0307490815
Category : Drama
Languages : en
Pages : 1010
Book Description
A brilliant and companionable tour through all thirty-eight plays, Shakespeare After All is the perfect introduction to the bard by one of the country’s foremost authorities on his life and work. Drawing on her hugely popular lecture courses at Yale and Harvard over the past thirty years, Marjorie Garber offers passionate and revealing readings of the plays in chronological sequence, from The Two Gentlemen of Verona to The Two Noble Kinsmen. Supremely readable and engaging, and complete with a comprehensive introduction to Shakespeare’s life and times and an extensive bibliography, this magisterial work is an ever-replenishing fount of insight on the most celebrated writer of all time.
Measure for Measure, Troilus and Cressida, and All's Well that Ends Well
Author: William Shakespeare
Publisher: Bantam Classics
ISBN: 0307422100
Category : Drama
Languages : en
Pages : 641
Book Description
An exciting new edition of the complete works of Shakespeare with these features: Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages.
Publisher: Bantam Classics
ISBN: 0307422100
Category : Drama
Languages : en
Pages : 641
Book Description
An exciting new edition of the complete works of Shakespeare with these features: Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages.
A Feminist Companion to Shakespeare
Author: Dympna Callaghan
Publisher: John Wiley & Sons
ISBN: 1118501268
Category : Literary Criticism
Languages : en
Pages : 581
Book Description
The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare. Provides the definitive feminist statement on Shakespeare for the 21st century Updates address some of the newest theatrical andcreative engagements with Shakespeare, offering fresh insights into Shakespeare’s plays and poems, and gender dynamics in early modern England Contributors come from across the feminist generations and from various stages in their careers to address what is new in the field in terms of historical and textual discovery Explores issues vital to feminist inquiry, including race, sexuality, the body, queer politics, social economies, religion, and capitalism In addition to highlighting changes, it draws attention to the strong continuities of scholarship in this field over the course of the history of feminist criticism of Shakespeare The previous edition was a recipient of a Choice Outstanding Academic Title award; this second edition maintains its coverage and range, and bringsthe scholarship right up to the present day
Publisher: John Wiley & Sons
ISBN: 1118501268
Category : Literary Criticism
Languages : en
Pages : 581
Book Description
The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare. Provides the definitive feminist statement on Shakespeare for the 21st century Updates address some of the newest theatrical andcreative engagements with Shakespeare, offering fresh insights into Shakespeare’s plays and poems, and gender dynamics in early modern England Contributors come from across the feminist generations and from various stages in their careers to address what is new in the field in terms of historical and textual discovery Explores issues vital to feminist inquiry, including race, sexuality, the body, queer politics, social economies, religion, and capitalism In addition to highlighting changes, it draws attention to the strong continuities of scholarship in this field over the course of the history of feminist criticism of Shakespeare The previous edition was a recipient of a Choice Outstanding Academic Title award; this second edition maintains its coverage and range, and bringsthe scholarship right up to the present day
Shakespeare and Realism
Author: Peter Lichtenfels
Publisher: Rowman & Littlefield
ISBN: 1683931718
Category : Literary Criticism
Languages : en
Pages : 149
Book Description
This collection of essays examines the works of the most famous writer of plays in the English language within the most culturally pervasive genre in which they are performed. Though Realist productions of Shakespeare are central to the ways in which his work is produced and consumed in the 21st century-and has been for the last 100 years-scholars are divided on the socio-political, historical, and ethical effects of this marriage of content and style. The book is divided into two sections, the first of which focuses on how Realist performance style influences our understanding of Shakespeare’s characters. These chapters engage in close readings of multiple performances, interrogating the ways in which actors’ specific characterizations contribute to extremely varied interpretations of a single character. The second section then considers audiences’ experiences of Shakespearean texts in Realist performance. The essays in this section-all written by theatre directors-imagine out what might constitute Realism. Each chapter focuses on a particular production, or set of productions by a single company, and considers how the practitioners utilized critically informed notions of what constitutes “the real” to reframe what Realism looks like on stage. This is a book of arguments by both theatre practitioners and scholars. Rather than presenting a unified critical position, this collection seeks to stimulate the debate around Realist Shakespeare performance, and to attend to the political consequences of particular aesthetic choices for the audience, as well as for Shakespeare critics and theatre artists.
Publisher: Rowman & Littlefield
ISBN: 1683931718
Category : Literary Criticism
Languages : en
Pages : 149
Book Description
This collection of essays examines the works of the most famous writer of plays in the English language within the most culturally pervasive genre in which they are performed. Though Realist productions of Shakespeare are central to the ways in which his work is produced and consumed in the 21st century-and has been for the last 100 years-scholars are divided on the socio-political, historical, and ethical effects of this marriage of content and style. The book is divided into two sections, the first of which focuses on how Realist performance style influences our understanding of Shakespeare’s characters. These chapters engage in close readings of multiple performances, interrogating the ways in which actors’ specific characterizations contribute to extremely varied interpretations of a single character. The second section then considers audiences’ experiences of Shakespearean texts in Realist performance. The essays in this section-all written by theatre directors-imagine out what might constitute Realism. Each chapter focuses on a particular production, or set of productions by a single company, and considers how the practitioners utilized critically informed notions of what constitutes “the real” to reframe what Realism looks like on stage. This is a book of arguments by both theatre practitioners and scholars. Rather than presenting a unified critical position, this collection seeks to stimulate the debate around Realist Shakespeare performance, and to attend to the political consequences of particular aesthetic choices for the audience, as well as for Shakespeare critics and theatre artists.