Garrick Claims the Stage PDF Download
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Author: Leigh Woods
Publisher: Praeger
ISBN: 0313242593
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Discusses the importance of salt and describes the mining and processing rock salt which is used in industry and agriculture and the manufacture of table salt which originates in brine pumped from the ground.
Author: Leigh Woods
Publisher: Praeger
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 202
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Book Description
Discusses the importance of salt and describes the mining and processing rock salt which is used in industry and agriculture and the manufacture of table salt which originates in brine pumped from the ground.
Author: Leigh Woods
Publisher: Praeger
ISBN: 0313242593
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Discusses the importance of salt and describes the mining and processing rock salt which is used in industry and agriculture and the manufacture of table salt which originates in brine pumped from the ground.
Author: Dongshin Chang
Publisher: Routledge
ISBN: 1135007519
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
This book provides a critical study of how China was represented on the historical London stage in selected examples from the late seventeenth century to the early twentieth century—which corresponds with the Qing Dynasty (1644-1911), China’s last monarchy. The examples show that during this historical period, the stage representations of the country were influenced in turn by Jesuit writings on China, Britain’s expanding material interest in China, the presence of British imperial power in Asia, and the establishment of diasporic Chinese communities abroad. While finding that many of these works may be read as gendered and feminized, Chang emphasizes that the Jesuits’ depiction of China as a country of high culture and in perennial conflict with the Tartars gradually lost prominence in dramatic imaginations to depictions of China’s material and visual attractions. Central to the book’s argument is that the stage representations of China were inherently intercultural and open to new influences, manifested by the evolving combinations of Chinese and English (British) traits. Through the dramatization of the Chinese Other, the representations questioned, satirized, and put in sharp relief the ontological and epistemological bases of the English (British) Self.
Author: Julia H. Fawcett
Publisher: University of Michigan Press
ISBN: 0472900617
Category : Performing Arts
Languages : en
Pages : 297
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Book Description
How can people in the spotlight control their self-representations when the whole world seems to be watching? The question is familiar, but not new. Julia Fawcett examines the stages, pages, and streets of eighteenth-century London as England's first modern celebrities performed their own strange and spectacular self-representations. They include the enormous wig that actor Colley Cibber donned in his comic role as Lord Foppington--and that later reappeared on the head of Cibber's cross-dressing daughter, Charlotte Charke. They include the black page of Tristram Shandy, a memorial to the parson Yorick (and author Laurence Sterne), a page so full of ink that it cannot be read. And they include the puffs and prologues that David Garrick used to heighten his publicity while protecting his privacy; the epistolary autobiography, modeled on the sentimental novel, of Garrick's protégée George Anne Bellamy; and the elliptical poems and portraits of the poet, actress, and royal courtesan Mary Robinson, a.k.a. Perdita. Linking all of these representations is a quality that Fawcett terms "over-expression," the unique quality that allows celebrities to meet their spectators' demands for disclosure without giving themselves away. Like a spotlight so brilliant it is blinding, these exaggerated but illegible self-representations suggest a new way of understanding some of the key aspects of celebrity culture, both in the eighteenth century and today. They also challenge divides between theatrical character and novelistic character in eighteenth-century studies, or between performance studies and literary studies today. The book provides an indispensable history for scholars and students in celebrity studies, performance studies, and autobiography—and for anyone curious about the origins of the eighteenth-century self.
![Reasons why D. Garrick should not appear on the stage: in a Letter to J. Rich, Esq. [By Y. Z., i.e. D. Garrick?] PDF](https://books.google.com/books/content/images/frontcover/eA5gAAAAcAAJ?fife=w80-h100)
Author: Y. Z.
Publisher:
ISBN:
Category :
Languages : en
Pages : 50
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Book Description
Author: Veronica Kelly
Publisher: Stanford University Press
ISBN: 080476638X
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
Twelve scholars from the fields of English, French, and German literature here examine the complex ways in which the human body becomes the privileged semiotic model through which eighteenth-century culture defines its political and conceptual centers. In making clear that the deployment of the body varies tremendously depending on what is meant by the 'human body', the essays draw on popular literature, poetics and aesthetics, garden architecture, physiognomy, beauty manuals, pornography and philosophy, as well as on canonical works in the genres of the novel and the drama.
Author: Jennifer C. Vaught
Publisher: Routledge
ISBN: 1351919393
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
The first full length treatment of how men of different professions, social ranks and ages are empowered by their emotional expressiveness in early modern English literary works, this study examines the profound impact of the cultural shift in the English aristocracy from feudal warriors to emotionally expressive courtiers or gentlemen on all kinds of men in early modern English literature. Jennifer Vaught bases her analysis on the epic, lyric, and romance as well as on drama, pastoral writings and biography, by Shakespeare, Spenser, Sidney, Marlowe, Jonson and Garrick among other writers. Offering new readings of these works, she traces the gradual emergence of men of feeling during the sixteenth and seventeenth centuries, to the blossoming of this literary version of manhood during the eighteenth century.
Author: Peter McNeil
Publisher: Yale University Press
ISBN: 0300217463
Category : Design
Languages : en
Pages : 258
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Book Description
"The term "macaroni" was once as familiar a label as "punk" or "hipster" is today. In this handsomely illustrated book devoted to notable 18th-century British male fashion, award-winning author and fashion historian Peter McNeil brings together dress, biography, and historical events with the broader visual and material culture of the late 18th century. For thirty years, macaroni was a highly topical word, yielding a complex set of social, sexual, and cultural associations. Pretty Gentlemen is grounded in surviving dress, archival documents, and art spanning hierarchies and genres, from scurrilous caricature to respectful portrait painting. Celebrities hailed and mocked as macaroni include politician Charles James Fox, painter Richard Cosway, freed slave Julius "Soubise," and criminal parson Reverend Dodd. The style also rapidly spread to neighboring countries in cross-cultural exchange, while Horace Walpole, George III, and Queen Charlotte were active critics and observers of these foppish men."--Publisher's website.
Author: Emily Hodgson Anderson
Publisher: University of Michigan Press
ISBN: 0472902369
Category : Performing Arts
Languages : en
Pages : 262
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Book Description
How do we recapture, or hold on to, the live performances we most love, and the talented artists and performers we most revere? Shakespeare and the Legacy of Loss tells the story of how 18th-century actors, novelists, and artists, key among them David Garrick, struggled with these questions through their reenactments of Shakespearean plays. For these artists, the resurgence of Shakespeare, a playwright whose works just decades earlier had nearly been erased, represented their own chance for eternal life. Despite the ephemeral nature of performance, Garrick and company would find a way to make Shakespeare, and through him the actor, rise again. In chapters featuring Othello, Richard III, Hamlet, The Winter’s Tale, and The Merchant of Venice, Emily Hodgson Anderson illuminates how Garrick’s performances of Shakespeare came to offer his contemporaries an alternative and even an antidote to the commemoration associated with the monument, the portrait, and the printed text. The first account to read 18th-century visual and textual references to Shakespeare alongside the performance history of his plays, this innovative study sheds new light on how we experience performance, and why we gravitate toward an art, and artists, we know will disappear.
Author: Kathleen Wilson
Publisher: Cambridge University Press
ISBN: 1108479782
Category : History
Languages : en
Pages : 497
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Book Description
Explores the politics of theatrical and social performance in the establishment of eighteenth-century British imperial rule.
