Netherlandish Books (NB) (2 Vols.) PDF Download
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Author: Andrew Pettegree
Publisher: BRILL
ISBN: 900421660X
Category : Reference
Languages : en
Pages : 1590
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Book Description
Netherlandish Books offers a unique overview of what was printed during the fifteenth and sixteenth centuries in the Low Countries. This bibliography lists descriptions of over 32,000 editions together with bibliographical references, an introduction and indexes. It draws on the analysis of collections situated in libraries throughout the world. This is the first time that all the books published in the various territories that formed the Low Countries are presented together in a single bibliography. Netherlandish Books is an invaluable research tool for all students and scholars interested in the history, culture and literature of the Low Countries, as well as historians of the early modern book world. Customers interested in this title may also be interested in French Vernacular Books, edited by Andrew Pettegree, Malcolm Walsby and Alexander Wilkinson.
Author: Andrew Pettegree
Publisher: BRILL
ISBN: 900421660X
Category : Reference
Languages : en
Pages : 1590
Get Book Here
Book Description
Netherlandish Books offers a unique overview of what was printed during the fifteenth and sixteenth centuries in the Low Countries. This bibliography lists descriptions of over 32,000 editions together with bibliographical references, an introduction and indexes. It draws on the analysis of collections situated in libraries throughout the world. This is the first time that all the books published in the various territories that formed the Low Countries are presented together in a single bibliography. Netherlandish Books is an invaluable research tool for all students and scholars interested in the history, culture and literature of the Low Countries, as well as historians of the early modern book world. Customers interested in this title may also be interested in French Vernacular Books, edited by Andrew Pettegree, Malcolm Walsby and Alexander Wilkinson.
Author: James Grier
Publisher: Cambridge University Press
ISBN: 1009038230
Category : Music
Languages : en
Pages : 287
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Book Description
Musical notation is a powerful system of communication between musicians, using sophisticated symbolic, primarily non-verbal means to express musical events in visual symbols. Many musicians take the system for granted, having internalized it and their strategies for reading it and translating it into sound over long years of study and practice. This book traces the development of that system by combining chronological and thematic approaches to show the historical and musical context in which these developments took place. Simultaneously, the book considers the way in which this symbolic language communicates to those literate in it, discussing how its features facilitate or hinder fluent comprehension in the real-time environment of performance. Moreover, the topic of musical as opposed to notational innovation forms another thread of the treatment, as the author investigates instances where musical developments stimulated notational attributes, or notational innovations made practicable advances in musical style.
Author: Bibliographical Society (Great Britain)
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 268
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Book Description
Author: Lorenzo Mattotti
Publisher: Fantagraphics Books
ISBN: 1683960971
Category : Comics & Graphic Novels
Languages : en
Pages : 394
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Book Description
The gars are peaceful, happy animals living in Garland. Their shaman, Zachariah, helps them to interpret the spirits that foretell their future. But a strange vision bodes ill. This long-awaited second collaboration between Italian artists Lorenzo Mattotti and Jerry Kramsky, ten years in the making, is masterfully drawn in soft, psychedelic black and white.
Author: Philipp Jeserich
Publisher: JHU Press
ISBN: 1421411245
Category : Literary Criticism
Languages : en
Pages : 564
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Book Description
A critical study of the relationship between poetics and music theory in medieval culture and aesthetics. Musica Naturalis delivers the first systematic account of speculative music theory as a discursive horizon for literary poetics. The title refers to the late medieval French poet Eustache Deschamps, whose 1392 treatise on verse writing, L'Art de Dictier, famously casts verse as “natural music” in explicit distinction to song, which Deschamps defines as “artificial.” Philipp Jeserich links the significance of the speculative branch of medieval musicology to literary theory and literary production, opening up a field of study that has been largely neglected. Beginning with Augustine and Boethius, he traces the discourse of speculative music theory to the late fifteenth century, giving attention to medieval Latin and vernacular sources. Ultimately, Jeserich calls for the conservatism of Deschamps’s poetics and develops a new perspective on the poetics and poetry of the Grands rhétoriqueurs. Given Jeserich's reliance on the intellectual inheritance of late medieval French poetics and poetry, this book will appeal to English-speaking specialists of Old and Middle French, as well as scholars of the French Renaissance. It will also interest English-language medievalists of several other disciplines: intellectual historians and specialists of English, as well as scholars of Italian and Iberian literature.
Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 9780521104296
Category : Literary Criticism
Languages : en
Pages : 424
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Book Description
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume two include: The Chirk Castle partbooks; Isabella d'Este and Lorenzo da Pavi, 'master instrument maker'; and Johannes de Garlandia on organum in speciali.
Author: Edward Gordon Duff
Publisher: [London] : Printed for the Bibliographical Society at the Oxford University Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 264
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Book Description
Author: Ernest H. Sanders
Publisher: Routledge
ISBN: 0429763360
Category : Music
Languages : en
Pages : 358
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Book Description
First published in 1998, this volume brings together the most part of the author’s work on medieval polyphony. The most significant advance in music during the period in the High Gothic was the development of a system of rhythm and of its notation, the modern understanding of which was to a considerable extent obscured by an undue emphasis on the so-called rhythmic modes. The investigation of this topic forms the centre of this book, and a related essay deals with rhythmic Latin poetry. Other pieces survey the accomplishments of Europe’s first great composer and the flourishing of the medieval motet, whose rise he stimulated, while several essays focus on English polyphony, and on what remains of the motets of Philippe de Vitry, a major figure in Parisian intellectual circles of the 14th century.
Author: Emil J. Polak
Publisher: BRILL
ISBN: 9789004099159
Category : Literary Criticism
Languages : en
Pages : 508
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Book Description
Betr. Manuskripte der Universitätsbibliothek Basel, S. 193-215.
Author: EdwardH. Roesner
Publisher: Routledge
ISBN: 135157583X
Category : History
Languages : en
Pages : 539
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Book Description
The ars antiqua began to be mentioned in writings about music in the early decades of the fourteenth century, where it was cited along with references to a more modern "art", an ars nova. It was understood by those who coined the notion to be rooted in the musical practices outlined in the Ars musica of Lambertus and, especially, the Ars cantus mensurabilis of Franco of Cologne. Directly or indirectly the essays collected in this volume all address one or more of the issues regarding ars antiqua polyphony-questions relating to the nature and definition of genre; the evolution of the polyphonic idiom; the workings of the creative process including the role of oral process and notation and the continuum between these extremes; questions about how this music was used and understood; and of how it fits into the intellectual life of the twelfth and thirteenth centuries. Some of the essays ask new questions or approach long-standing ones from fresh perspectives. All, however, are rooted in a line of scholarship that produced a body of writing of continuing relevance.
