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Author: Victoria Etnier Villamil
Publisher: UPNE
ISBN: 9781555536350
Category : Biography & Autobiography
Languages : en
Pages : 362
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Book Description
American baritone Lawrence Tibbett created an overnight sensation at the Metropolitan Opera in 1925 when the audience stopped the performance of Falstaff to honor their compatriot for his exceptional talent. Tibbett's now legendary curtain call foreshadowed a startling new era for classically trained native singers who rarely received the public recognition or respect given to their European colleagues. In this absorbing work, Victoria Etnier Villamil chronicles the extraordinary time from 1935 to 1950 when American artists, who felt intensely inferior to foreign performers, journeyed from being unappreciated in their own country to standing without apology on stages at home and abroad. Drawing on exhaustive primary research and extensive interviews, Villamil tells the remarkable story of a generation of American opera singers whose profession, image, and art were forever altered by the upheavals of World War II, as well as sweeping cultural and technological changes. The author's in-depth look at these breakthrough years explores such defining factors as Edward Johnson's drive to "Americanize the Met" in his first seasons as general manager, the impact of the microphone on singers and singing styles, and the importance of radio and motion pictures in introducing classical music voices to wider audiences. Villamil also considers how travel restrictions imposed on European artists during the war unlocked opportunities for American artists, and the role of political and Jewish refugees in enriching music education and training in this country. In addition, the author discusses thoroughly the founding of the New York City Opera, the rise of regional and smaller opera companies, including the enterprising and popular Lemonade Opera, and advancements for African American classical singers. Brimming with entertaining anecdotes and colorful figures, both famous and little remembered, the fascinating book concludes with an examination of this crucial period's legacy for the American classical music scene in the 1950s and beyond. From Johnson's Kids to Lemonade Opera contains an invaluable appendix that provides biographical sketches of the over 250 opera and radio singers, as well as art song specialists, featured in this illuminating study.
Author: Victoria Etnier Villamil
Publisher: UPNE
ISBN: 9781555536350
Category : Biography & Autobiography
Languages : en
Pages : 362
Get Book Here
Book Description
American baritone Lawrence Tibbett created an overnight sensation at the Metropolitan Opera in 1925 when the audience stopped the performance of Falstaff to honor their compatriot for his exceptional talent. Tibbett's now legendary curtain call foreshadowed a startling new era for classically trained native singers who rarely received the public recognition or respect given to their European colleagues. In this absorbing work, Victoria Etnier Villamil chronicles the extraordinary time from 1935 to 1950 when American artists, who felt intensely inferior to foreign performers, journeyed from being unappreciated in their own country to standing without apology on stages at home and abroad. Drawing on exhaustive primary research and extensive interviews, Villamil tells the remarkable story of a generation of American opera singers whose profession, image, and art were forever altered by the upheavals of World War II, as well as sweeping cultural and technological changes. The author's in-depth look at these breakthrough years explores such defining factors as Edward Johnson's drive to "Americanize the Met" in his first seasons as general manager, the impact of the microphone on singers and singing styles, and the importance of radio and motion pictures in introducing classical music voices to wider audiences. Villamil also considers how travel restrictions imposed on European artists during the war unlocked opportunities for American artists, and the role of political and Jewish refugees in enriching music education and training in this country. In addition, the author discusses thoroughly the founding of the New York City Opera, the rise of regional and smaller opera companies, including the enterprising and popular Lemonade Opera, and advancements for African American classical singers. Brimming with entertaining anecdotes and colorful figures, both famous and little remembered, the fascinating book concludes with an examination of this crucial period's legacy for the American classical music scene in the 1950s and beyond. From Johnson's Kids to Lemonade Opera contains an invaluable appendix that provides biographical sketches of the over 250 opera and radio singers, as well as art song specialists, featured in this illuminating study.
Author: Naomi Graber
Publisher: Oxford University Press
ISBN: 0190906588
Category : Biography & Autobiography
Languages : en
Pages : 329
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Book Description
When German-Jewish composer Kurt Weill arrived in the United States in 1935, he found a nation nothing like he imagined. This book tells the full story of Weill as outsider-turned-insider, showing how he was keenly attuned to the difficult relationship America had with her immigrants but was slower to grasp the subtleties of race relations.
Author: Nancy Spada
Publisher: Universal Publishers
ISBN: 1627344403
Category : Music
Languages : en
Pages : 166
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Book Description
A lightning rod for powerful emotions, Thomas Schippers began his escalation to fame at nineteen continuing with performances in many renowned venues in the world. Here his career is traced through the accounts of those who knew or performed with him, redressing the astonishing lack of information about him which could be of interest to music historians and performers of today. "The brilliant young conductor, Thomas Schippers, is tall, with the face and body of a Greek god at a time when Greek gods are hard to find." (Life magazine, December 6, 1963). Admired by many for his classic handsomeness, he was highly praised for his musicianship and for the ease with which he conducted complex scores, often by memory. But following his untimely death at the age of forty-seven, he was rapidly forgotten. He was Leonard Bernstein's assistant touring Iron Curtain Russia with the New York Philharmonic. He made a large contribution to American cultural life by championing the composers Barber, Rorem, Copland, and Proto and premiered a number of their works in addition to those of Menotti. Schippers was a brilliant conductor of the symphonic repertoire but he had a special gift for opera, with his extraordinary ear for the human voice. Justino Diaz, Jane Marsh, Roberta Peters, Leonard Warren, Martina Arroyo, Leontyne Price, Tito Del Bianco, and numerous other celebrated singers of his time all sang under his baton. He conducted Maria Callas in Cherubini's Medea which was her last performance at La Scala. The opening of the new Metropolitan Opera House in 1966 was under his direction.
Author: Michael J. Maher
Publisher: McFarland
ISBN: 0786483873
Category : Music
Languages : en
Pages : 233
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Book Description
Buoyant, irrepressible and hot-tempered, John Charles Thomas captivated audiences worldwide with his incredible voice. The son of a minister, he studied voice at the Peabody Conservatory under the tutelage of Adelin Fermin, one of the few voice teachers in America capable of training Thomas in the French operatic style. By 1915, Thomas had become a leading performer on Broadway, and ten years later had embarked on a trans-Atlantic career in opera and concerts. At the height of his popularity from 1934 through 1946, he was a popular star of radio, phonographs, and the Metropolitan Opera, a favorite of both popular and classical audiences. His decision to leave opera and focus on his radio career during the Second World War cost him his reputation as a serious artist. The singer who introduced "Home on the Range" and launched many other American standards has been largely forgotten today. This thorough biography details Thomas's life and career. Beginning with his school days at the Peabody, it traces his Broadway career as the star of Step This Way and Maytime and his highly successful career as a concert, recording, and opera star. Appendices provide a discography of his recordings, a list of operatic appearances in Brussels and the United States, and the songs he performed on radio broadcasts from 1934 to 1948.
Author: Lucy Caplan
Publisher: Harvard University Press
ISBN: 0674268512
Category : History
Languages : en
Pages : 335
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Book Description
Lucy Caplan explores the flourishing of Black composers, performers, and critics of opera in America during the early twentieth century. Working outside mainstream opera houses, these artists fostered countercultural forms of expression that reimagined opera as a medium of Black aesthetic and political creativity.
Author: Victoria Etnier Villamil
Publisher: McFarland
ISBN: 1476629242
Category : Music
Languages : en
Pages : 228
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Book Description
"Qu'est-ce que c'est?" (What is it?) mezzo-soprano Celestine Galli-Marie asked when offered the title role in the 1875 premier of Bizet's new opera, Carmen. She was only the first in a long line of performers to ask. In the 140+ years since, each singer has crafted her own portrayal of the inscrutable Gypsy. The famous soprano Geraldine Farrar wrote: "Each one of us probably sees something that the others have not seen--or thinks she does--and that 'something' is her individual Carmen." This book explores the history of operatic portrayals of Bizet's elusive enchantress, tracing the development of vocal and dramatic interpretations from generation to generation around the globe.
Author: Vladimir Miskovic
Publisher: Harvard University Press
ISBN: 0674271866
Category : Psychology
Languages : en
Pages : 335
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Book Description
"Dreaming Reality looks to mystical traditions to challenge orthodoxies of brain science that model consciousness in purely physical terms. Instead of privileging the experience of waking life, the authors study visionary states, ego death, meditation, prayer, and other phenomena that bring us closer to understanding how the mind makes experience."--
Author: James F. E. Dennis
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 340
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Book Description
"A magazine for collectors of recorded vocal art" (varies).
Author: Katherine Spring
Publisher: Oxford University Press
ISBN: 0199842213
Category : Music
Languages : en
Pages : 244
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Book Description
Hollywood's conversion from silent to synchronized sound film production not only instigated the convergence of the film and music industries but also gave rise to an extraordinary period of songs in American cinema. Saying It With Songs considers how the increasing interdependence of Hollywood studios and Tin Pan Alley music publishing firms influenced the commercial and narrative functions of popular songs. While most scholarship on film music of the period focuses on adaptations of Broadway musicals, this book examines the functions of songs in a variety of non-musical genres, including melodramas, romantic comedies, Westerns, prison dramas, and action-adventure films, and shows how filmmakers tested and refined their approach to songs in order to reconcile the spectacle of song performance, the classical norms of storytelling, and the conventions of background orchestral scoring from the period of silent cinema. Written for film and music scholars alike as well as for general readers, Saying It With Songs illuminates the origins of the popular song score aesthetic of American cinema.
Author: Paul Krzywicki
Publisher: Lulu.com
ISBN: 1483442675
Category : History
Languages : en
Pages : 398
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Book Description
Extraordinary stories and accomplishments of 170 Polish musicians whose presence in Philadelphia influenced music in America. Paul Krzywicki, a native of Philadelphia, was a member of the Philadelphia Orchestra for thirty-three years, performing in over four thousand concerts, more than 60 recordings and presenting master classes throughout the world. He is currently on the faculty of the Curtis Institute of Music. A full biography is in Part I.
