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Author: Lucy Mazdon
Publisher: Berghahn Books
ISBN: 0857453793
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
In a market long dominated by Hollywood, French films are consistently the most widely distributed non-English language works. French cinema, however, appears to undergo a transformation as it reaches Britain, becoming something quite different to that experienced by audiences at home. Drawing on extensive archival research the authors examine in detail the discourses, debates and decisions which have determined the place accorded to French cinema in British film culture. In so doing they provide a fascinating account of this particular instance of transnational cinematic traffic while simultaneously shedding new light on British film history. From the early days of the Film Society, via the advent of the X certificate to the new possibilities of video and DVD, this book reveals the complex and detailed history of the distribution, exhibition, marketing and reception of French cinema in Britain.
Author: Lucy Mazdon
Publisher: Berghahn Books
ISBN: 0857453793
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
In a market long dominated by Hollywood, French films are consistently the most widely distributed non-English language works. French cinema, however, appears to undergo a transformation as it reaches Britain, becoming something quite different to that experienced by audiences at home. Drawing on extensive archival research the authors examine in detail the discourses, debates and decisions which have determined the place accorded to French cinema in British film culture. In so doing they provide a fascinating account of this particular instance of transnational cinematic traffic while simultaneously shedding new light on British film history. From the early days of the Film Society, via the advent of the X certificate to the new possibilities of video and DVD, this book reveals the complex and detailed history of the distribution, exhibition, marketing and reception of French cinema in Britain.
Author: Michael Temple
Publisher: Bloomsbury Publishing
ISBN: 1838718869
Category : Performing Arts
Languages : en
Pages : 743
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Book Description
This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.
Author: Leila Wimmer
Publisher: Peter Lang
ISBN: 9783039113606
Category : Art
Languages : en
Pages : 320
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Book Description
This book is the first ever full-length study of the reception of British cinema in post-war France, challenging François Truffaut's infamous dismissal of British cinema as 'a contradiction in terms', a comment which has been, and still is, widely reproduced, yet has until now remained critically unexplored. A historical account, the book gathers together well-known episodes (such as Cahiers du cinéma in the 1950s) and critics (André Bazin, François Truffaut, Jean-Luc Godard), along with original new material, and thus throws new light on a topic which, given the influential nature of French film criticism and cinephilia, continues to be at the core of film culture.
Author: Marcel Lucont
Publisher: Fox Chapel Publishing
ISBN: 1780091168
Category : Social Science
Languages : en
Pages : 158
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Book Description
Marcel Lucont, France's premier misanthropist and lover, introduces the reader to the British character as seen through the eyes of the French. From food and weather to television and pets, he shares his disdainful opinion on all things British and offers advice on just why the French do it so much better. The book features: "Dans La Rue", an eye-spy parody set on the British high street; "Tits of the Brits", a poem concerning the large British bust vs the petite French cup; "Stolen French", a guide to words the British have stolen from the French; "The British Joke", Marcel's take on British humour; and, "The Monarchy", including why the French got rid of theirs.
Author: Margaret Butler
Publisher: Bloomsbury Publishing
ISBN: 0857712640
Category : History
Languages : en
Pages : 265
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Book Description
Relations between France and Britain have always been uneasy and ambivelant. But in cinema, WWII changed all that for a time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and division. She also draws on contemporary debates and offers a perceptive reading of key films, to reveal the meaning and appeal of French classics like "Les Enfants du Paradis" and notable British productions like "Waterloo Road".
Author: Margaret Butler
Publisher: I.B. Tauris
ISBN: 9781860649554
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
Relations between France and Britain have always been uneasy and ambivelant. But in cinema, WWII changed all that for a time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and division. She also draws on contemporary debates and offers a perceptive reading of key films, to reveal the meaning and appeal of French classics like "Les Enfants du Paradis" and notable British productions like "Waterloo Road".
Author: Lucy Mazdon
Publisher: Berghahn Books
ISBN: 1845458559
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
A series of limiting definitions have tended to delineate the Franco-British cinematic relationship. As this collection of essays reveals, there is much more to it than simple oppositions between British critical esteem for the films of France and French dismissal of ‘le cinéma British’, or the success of Ken Loach et al. at the French box office and the relative dearth of French movies on British screens. In fact, there has long been a rich and productive dialogue between these two cultures in which both their clear differences and their shared concerns have played a vital role. This book provides an overview of the history of these relations from the early days of sound cinema to the present day. The chapters, written by leading experts in the history of French, British and European cinema, provide insights into relations between French and British cinematic cultures at the level of production, exhibition and distribution, reception, representation and personnel. The book features a diverse range of studies, including: the exhibition of French cinema in Britain in the 1930s, contemporary ‘extreme’ French cinema, stars such as Annabella, David Niven and Jane Birkin and the French Resistance on British screens.
Author: Lucy Mazdon
Publisher:
ISBN: 9780851708003
Category : Film remakes
Languages : en
Pages : 0
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Book Description
Author: Margaret Butler
Publisher:
ISBN: 9780755604487
Category :
Languages : en
Pages : 0
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Book Description
Relations between France and Britain have always been uneasy and ambivalent. But in cinema the WWII changed all that for a time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and div.
Author: Margaret Butler
Publisher:
ISBN: 9786000007713
Category :
Languages : en
Pages :
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Book Description
