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Author: Frank Wedekind
Publisher: Broadview Press
ISBN: 177048695X
Category : Drama
Languages : en
Pages : 114
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Book Description
“At the beginning stands Wedekind.” So wrote German literary critic Rudolf Kayser in 1917 of the new forms of expressionist theater that were then becoming central to German culture. In Schloss Wetterstein (Castle Wetterstein), one of his most important plays, Wedekind offers a satirical take on marriage and the bourgeois nuclear family; at the play’s center is a rebellious teenage girl who turns to prostitution after her upbringing in an unstable household. The play was published in 1912, but a performance ban was put into effect immediately, and continued until after Wedekind’s death. This new edition offers a fresh translation, an illuminating brief introduction, and a selection of background materials that help to set the play in context.
Author: Frank Wedekind
Publisher: Broadview Press
ISBN: 177048695X
Category : Drama
Languages : en
Pages : 114
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Book Description
“At the beginning stands Wedekind.” So wrote German literary critic Rudolf Kayser in 1917 of the new forms of expressionist theater that were then becoming central to German culture. In Schloss Wetterstein (Castle Wetterstein), one of his most important plays, Wedekind offers a satirical take on marriage and the bourgeois nuclear family; at the play’s center is a rebellious teenage girl who turns to prostitution after her upbringing in an unstable household. The play was published in 1912, but a performance ban was put into effect immediately, and continued until after Wedekind’s death. This new edition offers a fresh translation, an illuminating brief introduction, and a selection of background materials that help to set the play in context.
Author: Frank Wedekind
Publisher: Calder Publications
ISBN: 0714549991
Category : Drama
Languages : en
Pages : 0
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Book Description
Two of Wedekind's most seminal plays, Earth Spirit and Pandora's Box both focus on the actions of the young heroine Lulu, who embodies both animal sensuality and waif-like innocence, as she escapes a life on the streets, receives a society education, marries, takes on various lovers, becomes a dancer in a revue, is imprisoned for murder and encounters Jack the Ripper. When Earth Spirit was premiered in Leipzig in 1898, Wedekind was vilified and persecuted for advocating unfeigned sexual pleasure and making his heroine a heartless whore. Death and Devil and Castle Wetterstein, the other plays that make up this volume, are essentially extensions of and complimentary to the Lulu tragedies.
Author: Frank Wedekind
Publisher: Createspace Independent Publishing Platform
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 176
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Book Description
That it is a fatal error to bring up children, either boys or girls, in ignorance of their sexual nature is the thesis of Frank Wedekind's drama "Frühlings Erwachen." From its title one might suppose it a peaceful little idyl of the youth of the year. No idea a could be more mistaken. It is a tragedy of frightful import, and its action is concerned with the development of natural instincts in the adolescent of both sexes. The playwright has attacked his theme with European frankness; but of plot, in the usual acceptance of the term, there is little. Instead of the coherent drama of conventional type, Wedekind has given us a series of loosely connected scenes illuminative of character-scenes which surely have profound significance for all occupied in the training of the young. He sets before us a group of school children, lads and lassies just past the age of puberty, and shows logically that death and degradation may be their lot as the outcome of parental reticence.
Author: Margaret Notley
Publisher: Oxford University Press
ISBN: 0190069880
Category : Music
Languages : en
Pages : 301
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Book Description
Censorship had an extraordinary impact on Alban Berg's opera Lulu, composed by the Austrian during the politically tumultuous years spanning 1929 to 1935. Based on plays by Frank Wedekind that were repeatedly banned from being published and performed from 1894 until the end of World War I, the libretto was in turn censored by Berg himself when he characterized it as a morality play after submitting it to authorities in Nazi Germany in 1934. After Berg died the next year, the third act was censored by his widow, Helene, and his former teacher, Arnold Schoenberg. In "Taken by the Devil", author Margaret Notley uncovers the unusual and uniquely generative role of censorship throughout the lifecycle of Berg's great opera. Placing the opera and its source material in wider cultural contexts, Notley provides close readings of the opera's libretto and score to reveal techniques employed by the composer and by Wedekind before him in negotiating censorship. She also explores ways in which Berg chose to augment discrepancies between the plays rather than flatten them as in certain performances of the plays during the 1920s, adding further dimensions of interpretation to the work. Elegantly readable, "Taken by the Devil" is one of the most meticulously researched and nuanced studies of Lulu to date, and illuminates the process of politically-driven censorship of theater, music, and the arts during the tumultuous early twentieth century.
Author: Frank Wedekind
Publisher: Smith & Kraus
ISBN:
Category : Drama
Languages : en
Pages : 300
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Book Description
Frank Wedekind (1864-1918) is rightly called the prophet of sexuality in modern drama. He himself wandered the world in the company of adventurers, libertines, "perverts," and underground figures, seeking to "know love in all its manifestations." Society's antagonism toward the power of sex is the motivating force in the entire body of his work. And yet Wedekind was a moralist in the strictest sense: sex, he seems to say, is its own enemy. His concept of morality was ambivalent: a child of the Victorian age, he was torn between conventional bourgeois morality and the new morality of sexual freedom. It is difficult to overestimate Wedikind's role in contemporary drama, as a vital force in modern expressionism and as a direct forerunner of the so-called Theater of the Absurd, especially in the work of such seminal writers as Samuel Beckett and Harold Pinter. Reacting against the bathos of neo-romanticism and the stolidity of naturalism, he struck deep roots.
Author: Alan D. Best
Publisher: Berg Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 136
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Book Description
Author: Frank Wedekind
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
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Book Description
Frank Wedekind's plays and books shocked the world when they came out. An early proponent of sex education, Wedekind felt that by not discussing the subject, society was causing more problems for itself. In Mine Ha-ha, Wedekind examines the life of a girl on the cusp of womanhood at a strange academy that seems more interested in physical education than anything else. The book has been made into a movie twice and reportedly was the inspiration for Dario Argento's SUSPIRIA. This is modern translation by Jim Morton. He also includes a short biography of Wedekind.
Author: Frank Wedekind
Publisher:
ISBN:
Category : Dramatists, German
Languages : en
Pages : 283
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Book Description
Author: M. Helena Gonçalves da Silva
Publisher: MHRA
ISBN: 9780947623005
Category : Drama
Languages : en
Pages : 164
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Book Description
Author: Frank Wedekind
Publisher: Createspace Independent Publishing Platform
ISBN: 9781545594667
Category :
Languages : en
Pages : 58
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Book Description
Pandora's Box (1904) (Die B�chse der Pandora) is a play by the German dramatist Frank Wedekind. It forms the second part of his pairing of 'Lulu' plays (the first is Earth Spirit [1895]), both of which depict a society "riven by the demands of lust and greed". G. W. Pabst directed a silent film version (Pandora's Box), which was loosely based on the play, in 1929. Both plays together also formed the basis for the opera Lulu by Alban Berg in 1935 (premiered posthumously in 1937). In the original manuscript, dating from 1894, the 'Lulu' drama was in five acts and subtitled 'A Monster Tragedy'. Wedekind subsequently divided the work into two plays: Earth Spirit (German: Erdgeist, first printed in 1895) and Pandora's Box (German: Die B�chse der Pandora). It is now customary in theatre performances to run the two plays together, in abridged form, under the title Lulu. Wedekind is known to have taken his inspiration from at least two sources: the pantomime Lulu by F�licien Champsaur, which he saw in Paris in the early 1890s, and the sex murders of Jack the Ripper in London in 1888. The premiere of Pandora's Box, a restricted performance due to difficulties with the censor, took place in Nuremberg on 1 February 1904. The 1905 Viennese premiere, again restricted, was instigated by the satirist Karl Kraus. In Vienna Lulu was played by Tilly Newes, later to become Wedekind's wife, with the part of Jack the Ripper played by Wedekind himself.
