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Author: Elisa Segnini
Publisher: Studies In Comparative Literature
ISBN: 9781781888582
Category :
Languages : en
Pages : 0
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Book Description
At the turn of the nineteenth century, as inquiries about degeneration shaped medical, sociological and anthropological discourses, masks flourished as portraits, ornaments, and disguises. This comparative study explores tales that revolve around masks and mask-making in relation to nineteenth-century thought, offering innovative readings of fictional and dramatic works by Max Beerbohm, Gabriele D'Annunzio, Jean Lorrain, Hugo von Hofmannsthal, Andrey Bely, next to artefacts such as the plaster cast of the Inconnue de la Seine, the waxes of criminals held in Cesare Lombroso's museum, Rodin's 'horror masks' modelled after a Japanese dancer. In the fin-de-siècle imagination, the author argues, masks addressed two concepts: the repressed elements of the psyche and the perceived parameters of a declining phase in Western civilization. By uncovering the role of masks as key tropes in fin-de-siècle culture, this monograph also demonstrates to what extent the medical, anthropological and aesthetic spheres overlapped, offering insights that contribute to debates about gender and ethnicity in decadence and modernist studies. Elisa Segnini is a Lecturer in Italian at the University of Glasgow.
Author: Elisa Segnini
Publisher: Studies In Comparative Literature
ISBN: 9781781888582
Category :
Languages : en
Pages : 0
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Book Description
At the turn of the nineteenth century, as inquiries about degeneration shaped medical, sociological and anthropological discourses, masks flourished as portraits, ornaments, and disguises. This comparative study explores tales that revolve around masks and mask-making in relation to nineteenth-century thought, offering innovative readings of fictional and dramatic works by Max Beerbohm, Gabriele D'Annunzio, Jean Lorrain, Hugo von Hofmannsthal, Andrey Bely, next to artefacts such as the plaster cast of the Inconnue de la Seine, the waxes of criminals held in Cesare Lombroso's museum, Rodin's 'horror masks' modelled after a Japanese dancer. In the fin-de-siècle imagination, the author argues, masks addressed two concepts: the repressed elements of the psyche and the perceived parameters of a declining phase in Western civilization. By uncovering the role of masks as key tropes in fin-de-siècle culture, this monograph also demonstrates to what extent the medical, anthropological and aesthetic spheres overlapped, offering insights that contribute to debates about gender and ethnicity in decadence and modernist studies. Elisa Segnini is a Lecturer in Italian at the University of Glasgow.
Author:
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ISBN:
Category :
Languages : en
Pages :
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Author: Wilhelm Dilthey
Publisher: Gegensatz Press
ISBN: 1621308472
Category : Psychology
Languages : en
Pages : 54
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Book Description
In 1886, in a speech to a group of military physicians, the prominent German philosopher Wilhelm Dilthey (1833-1911) rejected the traditional connection between artistic genius and inspired insanity. Here is an English translation of this speech, together with an extensive commentary, by Eric v.d. Luft.
Author: James Whitehead
Publisher: Oxford University Press
ISBN: 0198733704
Category : History
Languages : en
Pages : 317
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Book Description
Madness and the Romantic Poet examines the longstanding and enduringly popular idea that poetry is connected to madness and mental illness. The idea goes back to classical antiquity, but it was given new life at the turn of the nineteenth century. The book offers a new and much more complete history of its development than has previously been attempted, alongside important associated ideas about individual genius, creativity, the emotions, rationality, and the mind in extreme states or disorder - ideas that have been pervasive in modern popular culture. More specifically, the book tells the story of the initial growth and wider dissemination of the idea of the 'Romantic mad poet' in the nineteenth century, how (and why) this idea became so popular, and how it interacted with the very different fortunes in reception and reputation of Romantic poets, their poetry, and attacks on or defences of Romanticism as a cultural trend generally - again leaving a popular legacy that endured into the twentieth century. Material covered includes nineteenth-century journalism, early literary criticism, biography, medical and psychiatric literature, and poetry. A wide range of scientific (and pseudoscientific) thinkers are discussed alongside major Romantic authors, including Wordsworth, Coleridge, Blake, Hazlitt, Lamb, Percy Bysshe Shelley, Keats, Byron, and John Clare. Using this array of sources and figures, the book asks: was the Romantic mad genius just a sentimental stereotype or a romantic myth? Or does its long popularity tell us something serious about Romanticism and the role it has played, or has been given, in modern culture?
Author: Lynne Huffer
Publisher: Columbia University Press
ISBN: 0231552017
Category : Social Science
Languages : en
Pages : 134
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Book Description
What is the strange eros that haunts Foucault’s writing? In this deeply original consideration of Foucault’s erotic ethics, Lynne Huffer provocatively rewrites Foucault as a Sapphic poet. She uncovers eros as a mode of thought that erodes the interiority of the thinking subject. Focusing on the ethical implications of this mode of thought, Huffer shows how Foucault’s poetic archival method offers a way to counter the disciplining of speech. At the heart of this method is a conception of the archive as Sapphic: the past’s remains are, like Sappho’s verses, hole-ridden, scattered, and dissolved by time. Listening for eros across fragmented texts, Huffer stages a series of encounters within an archive of literary and theoretical readings: the eroticization of violence in works by Freud and Eve Kosofsky Sedgwick, the historicity of madness in the Foucault-Derrida debate, the afterlives of Foucault’s antiprison activism, and Monique Wittig’s Sapphic materialism. Through these encounters, Foucault’s Strange Eros conceives of ethics as experiments in living that work poetically to make the present strange. Crafting fragments that dissolve into Sapphic brackets, Huffer performs the ethics she describes in her own practice of experimental writing. Foucault’s Strange Eros hints at the self-hollowing speech of an eros that opens a space for the strange.
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Category : Art
Languages : en
Pages : 472
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Book Description
Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.
Author: Alessandra Calanchi
Publisher: V&R unipress GmbH
ISBN: 3899716817
Category : History
Languages : en
Pages : 312
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Book Description
The concept of a constant reformulation of the canon due to the notion of singularity or irreducibility of the case can be applied in both scientific and literary fields. In this volume, dynamics of interconnections between the case and the canon are analysed by scholars belonging to different disciplines such as physics, medicine, biology, psychoanalysis, and literature. Particular attention has been given to the science of detection since the techniques of investigation are based on the scientific acquisition of evidence and often imply a scientific (abductive) process. The book is divided into two sections: Part I concentrates mainly on literary contributions and psychological issues, while part II concentrates on scientific enquiries. The contributions have been selected according to two main guidelines: The first covers anomalies, discontinuities, metaphors between science and literature. The second focus lies on the case in crime fiction: The scientist as detective and the detective as scientist.
Author: Michael J. A. Howe
Publisher:
ISBN:
Category : Savants (Savant syndrome)
Languages : en
Pages : 178
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Book Description
Author: Harry Edwin Eiss
Publisher: Cambridge Scholars Publishing
ISBN:
Category : Genius and mental illness
Languages : en
Pages : 736
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Book Description
An exploration of the greatest minds and how they have struggled to find the deepest truths about the human condition.
Author: Mark Bruhn
Publisher: Routledge
ISBN: 1351045415
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
Drawing extensively upon archival resources and manuscript evidence, Wordsworth Before Coleridge rewrites the early history of Wordsworth’s intellectual development and thereby overturns a century-old consensus that derives his most important philosophical ideas from Coleridge. Beginning with Wordsworth’s mathematical and poetic studies at Hawkshead Grammar School and Cambridge University, both of which tutored the young poet in mind-matter dualism, the book charts the process by which Wordsworth came, not to reject this philosophical foundation, but to reevaluate the indispensable role of passion within it. Prompted by his reading in 1793 or early 1794 of Dugald Stewart’s Elements of the Philosophy of the Human Mind, Wordsworth rejected the exclusive rationality of William Godwin’s political philosophy and the anti-passionate morality of Alexander Pope’s philosophical poetics. Subsequent exposure, between 1795 and 1797, to Cambridge Platonism and English Kantianism supplied the key ideas of mind-nature fitness and multilevel psychological activity that, along with Stewart’s analysis of imaginative association, animate Wordsworth’s signature philosophy of "feeling intellect," from the initial drafts of The Pedlar and The Prelude in 1798 to the "Prospectus" to The Recluse and The Excursion, published together in 1814. By presenting for the first time a fully nuanced account of Wordsworth’s intellectual formation prior to the advent of Coleridge as his close companion and creative collaborator, Wordsworth Before Coleridge reveals at long last the true sources and abiding originality of the poet’s philosophical mind.
